The Last Olympian (Percy Jackson and the Olympians #5)(16)
The picture she was attacking was a painting of me standing over the giant Antaeus. Rachel had painted it a couple of months ago. My expression in the picture was fierce—disturbing, even—so it was hard to tell if I was the good guy or the bad guy, but Rachel said I'd looked just like that after the battle.
"Demigods," Rachel muttered as she threw another dart at the canvas. "And their stupid quests."
Most of the darts bounced off, but a few stuck. One hung off my chin like a goatee.
Someone pounded on her bedroom door.
"Rachel!" a man shouted. "What in the world are you doing? Turn off that—"
Rachel scooped up her remote control and shut off the music. "Come in!"
Her dad walked in, scowling and blinking from the light. He had rust-colored hair a little darker than Rachel's. It was smushed on one side like he'd lost a fight with his pillow. His blue silk pajamas had "WD" monogrammed on the pocket. Seriously, who has monogrammed pajamas?
"What is going on?" he demanded. "It's three in the morning."
"Couldn't sleep," Rachel said.
On the painting, a dart fell off my face. Rachel hid the rest behind her back, but Mr. Dare noticed.
"So . . . I take it your friend isn't coming to St. Thomas?" That's what Mr. Dare called me. Never Percy. Just your friend. Or young man if he was talking to me, which he rarely did.
Rachel knit her eyebrows. "I don't know."
"We leave in the morning," her dad said. "If he hasn't made up his mind yet—"
"He's probably not coming," Rachel said miserably. "Happy?"
Mr. Dare put his hands behind his back. He paced the room with a stern expression. I imagined he did that in the boardroom of his land development company and made his employees nervous.
"Are you still having bad dreams?" he asked. "Headaches?"
Rachel threw her darts on the floor. "I should never have told you about that."
"I'm your father," he said. "I'm worried about you."
"Worried about the family's reputation," Rachel muttered.
Her father didn't react—maybe because he'd heard that comment before, or maybe because it was true.
"We could call Dr. Arkwright," he suggested. "He helped you get through the death of your hamster."
"I was six then," she said. "And no, Dad, I don't need a therapist. I just . . ." She shook her head helplessly.
Her father stopped in front of the windows. He gazed at the New York skyline as if he owned it—which wasn't true. He only owned part of it.
"It will be good for you to get away," he decided. "You've had some unhealthy influences."
"I'm not going to Clarion Ladies Academy," Rachel said. "And my friends are none of your business."
Mr. Dare smiled, but it wasn't a warm smile. It was more like, Someday you'll realize how silly you sound.
"Try to get some sleep," he urged. "We'll be at the beach by tomorrow night. It will be fun."
"Fun," Rachel repeated. "Lots of fun."
Her father exited the room. He left the door open behind him.
Rachel stared at the portrait of me. Then she walked to the easel next to it, which was covered in a sheet.
"I hope they're dreams," she said.
She uncovered the easel. On it was a hastily sketched charcoal, but Rachel was a good artist. The picture was definitely Luke as a young boy. He was about nine years old, with a wide grin and no scar on his face. I had no idea how Rachel could've known what he looked like back then, but the portrait was so good I had a feeling she wasn't guessing. From what I knew about Luke's life (which wasn't much), the picture showed him just before he'd found out he was a half-blood and had run away from home.
Rachel stared at the portrait. Then she uncovered the next easel. This picture was even more disturbing. It showed the Empire State Building with lightning all around it. In the distance a dark storm was brewing, with a huge hand coming out of the clouds. At the base of the building a crowd had gathered . . . but it wasn't a normal crowd of tourists and pedestrians. I saw spears, javelins, and banners—the trappings of an army.
"Percy," Rachel muttered, as if she knew I was listening, "what is going on?"
The dream faded, and the last thing I remember was wishing I could answer her question.
The next morning, I wanted to call her, but there were no phones at camp. Dionysus and Chiron didn't need a landline. They just called Olympus with an Iris-message whenever they needed something. And when demigods use cell phones, the signals agitate every monster within a hundred miles. It's like sending up a flare: Here I am! Please rearrange my face! Even within the safe borders of camp, that's not the kind of advertising we wanted to do.
Most demigods (except for Annabeth and a few others) don't even own cell phones. And I definitely couldn't tell Annabeth, "Hey, let me borrow your phone so I can call Rachel!" To make the call, I would've had to leave camp and walk several miles to the nearest convenience store. Even if Chiron let me go, by the time I got there, Rachel would've been on the plane to St. Thomas.
I ate a depressing breakfast by myself at the Poseidon table. I kept staring at the fissure in the marble floor where two years ago Nico had banished a bunch of bloodthirsty skeletons to the Underworld. The memory didn't exactly improve my appetite.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)