The Isle of Blood (The Monstrumologist #3)(55)
“No, no, please. I can’t tell you that.”
“‘They wanted to kill him.’”
“They’ll kill me. They will hunt me down like a dog and they—”
R="1em"16;They.’”
“Listen to me!” Arkwright screeched. His eyes were darting back and forth—to me, to Torrance, to me again, back to Torrance. To whom should he appeal? The child who had composed this play, or the actor who was performing it? “If I tell you that, I’m a dead man.”
“You’re a dead man if you don’t.”
The lady or the tiger. Perhaps the analogy was not so poor after all.
I could contain myself no longer. “Where is Dr. Warthrop?” I blurted out.
He told us, and the answer held no meaning for me. I had never heard of the place, but Torrance had. He stared at Arkwright for a long moment, and then burst into laughter.
“Well… all right, then! I like it. It’s… Well, it’s crazy. But it also makes some sense. Inclines me toward some skeptical belief, Arkwright.”
“Good! And now you know where he is and you’re letting me go. Aren’t you?”
But Torrance had not finished thinking it through. He had reached the crux of it, the two identical doors.
“‘They,’ you said. ‘They wanted to kill him.’ There was Kearns and you and them. Or was it Kearns and you, and then them?”
“I don’t even know what you’re saying. Oh, Christ help me!” His eyes rolled in my direction. “Christ, help me,” he whispered desperately.
I thought I understood, and stepped in as Torrance’s interpreter. “How do you know John Kearns?”
“I don’t know John Kearns from Adam. Never met him, never saw him before, and never heard of him before this bloody business began. And I wish I never had!”
“Got it!” Torrance shouted. “It’s Kearns, then them, and then you. Not you and Kearns—not you with Kearns. You’re not with Kearns, and you’re not with them. You’re with…” He stamped his foot. I was reminded of a rambunctious stallion eager to be free of his stall. “Servant to the Crown… Servant to the Crown! I get it now. That’s good.”
All was still then. Even the dust seemed to pause in its fitful ballet. There was Arkwright in his chair and Torrance standing behind him and me against the wall, and there was the lamplight and the nidus and the spatula, and, glistening on the spatula, pwdre ser, the rot of stars that made men rot, and inside each of us das Ungeheuer, the thing unwinding that whispers I AM with the force to break the world in half, the thing in you and the thing in me, the thing in Thomas and the thing in Jacob wall, o doors, two for each of us.
Jacob chose his door first, reaching down and untying the ropes that bound the hands of Thomas, and Thomas in the chair shivered like a man who opens the front door of his warm house on a cold morning. Jacob chose his door and freed Thomas’s hands, and after he had freed his hands and Thomas knew the bracing wind on his face, the blast that meant he was free, that he’d endured, Jacob yanked back Thomas’s head, and Thomas howled, and his hands came up, but it was too late because Jacob had opened the door; the door was flung wide, and into Thomas’s mouth went the spatula, to the back of his throat, and Thomas gagged.
Torrance stepped back as Arkwright went forward, fighting desperately to stand, but his legs were still bound to the chair and he pitched forward onto the cold floor, and his screams were inhuman slaughterhouse screeches. He scuttled across the floor, the chair’s back pushing his chest down and scraping back and forth as he legs jerked and pulled against the ropes, and then he stopped, his back arched, and he emptied his stomach.
What came next could not have lasted more than a minute:
“Will! Will!” Torrance shouted.
A slap across my cheek, hard enough to rock me back on my heels.
“Get. Out. NOW.”
I skittered around Arkwright’s heaving form.
Sobs and curses were trapped between the chamber walls, echoes smashing against answering echoes, pummeling me, the sound of the world breaking in half.
The amber-colored liquid in the empty jar that sloshed when I bumped into the cart on the way out. Then, behind me, the soft tink of the spatula falling to the floor, and then the wobbly wheels complaining as Torrance shoved the cart toward me.
The nidus was now in the hall, and right behind it was Torrance, who slammed shut the door and threw home the bolt. He hurled his huge fist against the locked door. He howled with unloosed rage.
I do not think the man on the other side heard him.
“Stupid, stupid, stupid!” Bang, bang, BANG! “You stupid, stupid, stupid limey bastard!” BANG!
I slid down the wall of the passageway. I pressed my hands to my ears. It goes on forever, the unwinding thing; it has no beginning or end, no top or bottom; it is not contained by the universe; before the universe was, it had been; and when the universe has burned itself to a handful of dust, it will still be there, the thing in me and the thing in you, das Ungeheuer, the abyss.
“This wasn’t the plan! You weren’t supposed to really do it!” I screamed at Torrance’s back as he pounded on the locked door. “You were supposed to make him just think you were!”
He whirled on me. I saw his eyes clearly, in the lamplight dark, in the dim hall, white-less. Oculus Dei, I thought, the es of God.
Rick Yancey's Books
- The Last Star (The 5th Wave, #3)
- Rick Yancey
- The Final Descent (The Monstrumologist #4)
- The Curse of the Wendigo (The Monstrumologist #2)
- The Monstrumologist (The Monstrumologist #1)
- The Infinite Sea (The Fifth Wave #2)
- The 5th Wave (The Fifth Wave #1)
- The Thirteenth Skull (Alfred Kropp #3)
- The Seal of Solomon (Alfred Kropp #2)
- The Extraordinary Adventures of Alfred Kropp (Alfred Kropp #1)