The Gunslinger (The Dark Tower #1)(7)

"Yes."

"He started to chew it. At the last he just sat in there and didn't eat anything. He might have been a king, in his mind. The children might have been his jesters, and the dogs his princes."

"Yes."

"He died right in front of this place," she said. "He came clumping down the boardwalk - his boots wouldn't wear out, they were engineer boots - with the children and dogs behind him. He looked like wire clothes hangers all wrapped and twirled together. You could see all the lights of hell in his eyes, but he was grinning, just like the grins the children carve into their pumpkins on All-Saints Eve. You could smell the dirt and the rot and the weed. It was running down from the corners of his mouth like green blood. I think he meant to come in and listen to Sheb play the piano. And right in front, he stopped and cocked his head. I could see him, and I thought he heard a coach, although there was none due. Then he puked, and it was black and full of blood. It went right through that grin like sewer water through a grate. The stink was enough to make you want to run mad. He raised up his arms and just threw over. That was all. He died with that grin on his face, in his own vomit."

She was trembling beside him. Outside, the wind kept up its steady whine, and somewhere far away a door was banging, like a sound heard in a dream. Mice ran in the walls. The gunslinger thought in the back of his mind that it was probably the only place in town prosperous enough to support mice. He put a hand on her belly and she started violently, then relaxed.

"The man in black," he said.

"You have to have it, don't you!"

"Yes."

"All right. I'll tell you." She grasped his hand in both of hers and told him.

VII

He came in the late afternoon of the day Nort died, and the wind was whooping up, pulling away the loose topsoil, sending sheets of grit and uprooted stalks of corn wind milling past. Kennerly had padlocked the livery, and the other few merchants had shuttered their windows and laid boards across the shutters. The sky was the yellow color of old cheese and the clouds moved flyingly across it, as if they had seen something horrifying in the desert wastes where they had so lately been.

He came in a rickety rig with a rippling tarp tied across its bed. They watched him come, and old man Kennerly, lying by the window with a bottle in one hand and the loose, hot flesh of his second-eldest daughter's left breast in the other, resolved not to be there if he should knock.

But the man in black went by without hawing the bay that pulled his rig, and the spinning wheels spumed up dust that the wind clutched eagerly. He might have been a priest or a monk; he wore a black cassock that had been floured with dust, and a loose hood covered his head and obscured his features. It rippled and flapped. Beneath the garment's hem, heavy buckled boots with square toes.

He pulled up in front of Sheb's and tethered the horse, which lowered its head and grunted at the ground. Around the back of the rig he untied one flap, found a weathered saddlebag, threw it over his shoulder, and went in through the batwings.

Alice watched him curiously, but no one else noticed

his arrival. The rest were drunk as lords. Sheb was playing Methodist hymns ragtime, and the grizzled layabouts who had come in early to avoid the storm and to attend Nort's wake had sung themselves hoarse. Sheb, drunk nearly to the point of senselessness, intoxicated and horny with his own continued existence, played with hectic, shut tlecock speed, fingers flying like looms.

Voices screeched and hollered, never overcoming the wind but sometimes seeming to challenge it. In the corner Zachary had thrown Amy Feldon's skirts over her head and was painting zodiac signs on her knees. A few other women circulated. A fervid glow seemed to be on all of them. The dull stormglow that filtered through the batwings seemed to mock them, however.

Nort had been laid out on two tables in the center of the room. His boots made a mystical V. His mouth hung open in a slack grin, although someone had closed his eyes and put slugs on them. His hands had been folded on his chest with a sprig of devil-grass in them. He smelled like poison.

The man in black pushed back his hood and came to the bar. Alice watched him, feeling trepidation mixed with the familiar want that hid within her. There was no religious symbol on him, although that meant nothing by itself.

"Whiskey," he said. His voice was soft and pleasant. "Good whiskey."

She reached under the counter and brought out a bottle of Star. She could have palmed off the local popskull on him as her best, but did not. She poured, and the man in black watched her. His eyes were large, luminous. The shadows were too thick to determine their color exactly. Her need intensified. The hollering and whooping went on behind, unabated. Sheb, the worthless gelding, was playing about the Christian Soldiers and somebody had persuaded Aunt Mill to sing. Her voice, warped and distorted, cut through the babble like a dull ax through a calf's brain.

"Hey, Allie!"

She went to serve, resentful of the stranger's silence, resentful of his no-color eyes and her own restless groin. She was afraid of her needs. They were capricious and beyond her control. They might be the signal of the change, which would in turn signal the beginning of her old age  - a condition which in Tull was usually as short and bitter as a winter sunset.

She drew beer until the keg was empty, then broached another. She knew better than to ask Sheb, he would come willingly enough, like the dog he was, and would either chop off his own fingers or spume beer all over everything. The stranger's eyes were on her as she went about it; she could feel them.