The Gunslinger (The Dark Tower #1)(22)

He scooped up an armload and went back to the ladder. He climbed halfway up and handed them to Jake, who knelt to receive them. He went back for more.

It was on the third trip that he heard the groaning in the foundations.

He turned, looked, and felt a kind of dreamy terror wash over him, a feeling both languid and repellent, like sex in the water - one drowning within another.

The foundation was composed of huge sandstone blocks that had probably been evenly cornered when the way station was new, but which were now at every zigzag, drunken angle. It made the wall look as if it were inscribed with strange, meandering hierogliphics. And from the joining of two of these abstruse cracks, a thin spill of sand was running, as if something on the other side was digging itself through with slobbering, agonized intensity.

The groaning rose and fell, becoming louder, until the whole cellar was full of the sound, an abstract noise of ripping pain and dreadful effort.

"Come up!" Jake screamed. "0 Jesus, mister, come up!"

"Go away," the gunslinger said calmly.

"Come up!" Jake screamed again.

The gunslinger did not answer. He pulled leather with his right hand.

There was a hole in the wall now, a hole as big as a coin. He could hear, through the curtain of his own terror, Jake's pattering feet as the boy ran. Then the spill of sand stopped. The groaning ceased, but there was a sound of steady, labored breathing.

"Who are you?" The gunslinger asked.

No answer.

And in the High Speech, his voice filling with the old thunder of command, Roland demanded: "Who are you, Demon? Speak, if you would speak. My time is short; my hands lose patience."

"Go slow," a dragging, clotted voice said from within the wall. And the gunslinger felt the dreamlike terror deepen and grow almost solid. It was the voice of Alice, the woman he had stayed with in the town of Tull. But she was dead; he had seen her go down himself, a bullet hole between her eyes. Fathoms seemed to swim by his eyes, descending. "Go slow past the Drawers, gunslinger. While you travel with the boy, the man in black travels with your soul in his pocket."

"What do you mean? Speak on!"

But the breathing was gone.

The gunslinger stood for a moment, frozen, and then one of the huge spiders dropped on his arm and scrambled frantically up to his shoulder. With an involuntary grunt he brushed it away and got his feet moving. He did not want

To do it, but custom was strict, inviolable. The dead from the dead, as the old proverb has it; only a corpse may speak. He went to the hole and punched at it. The sandstone crumbled easily at the edges, and with a bare stiffening of muscles, he thrust his hand through the wall.

And touched something solid, with raised and fretted knobs. He drew it out. He held a jawbone, rotted at the far hinge. The teeth leaned this way and that.

"All right," he said softly. He thrust it rudely into his back pocket and went back up the ladder, carrying the last cans awkwardly. He left the trapdoor open. The sun would get in and kill the spiders.

Jake was halfway across the stable yard, cowering on the cracked, rubbly hardpan. He screamed when he saw the gunslinger, backed away a step or two, and then ran to him, crying.

"I thought it got you, that it got you, I thought  - "

"It didn't." He held the boy to him, feeling his face, hot against his chest, and his hands, dry against his ribcage. It occurred to him later that this was when he began to love the boy - which was, of course, what the man in black must have planned all along.

"Was it a demon?" The voice was muffled.

"Yes. A speaking-demon. We don't have to go back there anymore. Come on."

They went to the stable, and the gunslinger made a rough pack from the blanket he had slept under - it was hot and prickly, but there was nothing else. That done, he filled the waterbags from the pump.

"You carry one of the waterbags," the gunslinger said. "Wear it around your shoulders - like a fakir carries his snake. See?"

"Yes." The boy looked up at him worshipfully. He slung one of the bags.

"Is it too heavy?"

"No. It's fine."

"Tell me the truth, now. I can't carry you if you get a sunstroke."

"I won't have a sunstroke. I'll be okay."

The gunslinger nodded.

"We're going to the mountains, aren't we?"

"Yes."

They walked out into the steady smash of the sun. Jake, his head as high as the swing of the gunslinger's elbows, walked to his right and a little ahead, the rawhide-wrapped ends of the waterbag hanging nearly to his shins. The gunslinger had crisscrossed two more waterbags across his shoulders and carried the sling of food in his armpit, his left arm holding it against his body.

They passed through the far gate of the way station and found the blurred ruts of the stage track again. They had walked perhaps fifteen minutes when Jake turned around and waved at the two buildings. They seemed to huddle in the titanic space of the desert.

"Goodbye!" Jake cried. "Goodbye!"

They walked. The stage track breasted a frozen sand drumlin, and when. the gunslinger looked around, the way station was gone. Once again there was the desert, and that only.

They were three days out of the way station; the mountains were deceptively clear now. They could see the rise of the desert into foothills, the first naked slopes, the bedrock bursting through the skin of the earth in sullen, eroded triumph. Further up, the land gentled off briefly again, and for the first time in months or years the gunslinger could see green - real, living green. Grass, dwarf spruces, perhaps even willows, all fed by snow runoff from further up.