The Final Descent (The Monstrumologist #4)(53)

“Human?” She looked startled.

“He told me once that I was the one thing that kept him human, and I didn’t understand what he meant, but now I think I do: I bound him to the earth like you bind me. You bind me, Lilly—not in darkness, though, in light. Your uncle told me that it isn’t decided for us; it’s our choice, light or darkness. . . . Oh, it’s impossible to say exactly what I mean!”

I struck my fist into my open hand. The more I reached for her, the farther she pulled away. Why couldn’t I reach her?

“Ever since you told me, I haven’t been able to get it out of my mind,” she confessed. “The little boy beneath the table . . .”

“Who?” It took me a moment to follow her. My frustration turned quickly to anger. “Oh. What does he have to do with anything?”

“You were going to kill him.”

“So? The point is I didn’t.”

“And why didn’t you?”

“I don’t know; I don’t remember now; it isn’t important.”

“You said it was Warthrop. Warthrop stopped you.”

I saw where she was going, and became angrier. “That was an accident. Anyone could have—”

“Yes, Will? Could have what?”

And the dark thing inside sprang free . . . uncoiled with enough force to break the world in half . . . and Lilly before me, lips slightly parted, and me pressing my hands hard against her cheeks, her skull as delicate as a bird’s, and in me the darkness, the abyss, the nullity, the crushing singularity, the unalloyed madness of my perfect sanity, and he had said it, the one who had ripped off the human face to expose the tragic farce beneath, for which he had earned the deliciously ironic sobriquet Ripper, he had said it: Your eyes have come open. You see in the dark places where others are afraid to look.

And the light coalesced like thick gelatin around her face. The light pressed in.

“Human,” I snarled. “I don’t know what that word means. Tell me, Lilly. Tell me what defines it. What sets it apart? Are you going to tell me it’s love? A crocodile will defend her brood to her death. Hope? The lion will stalk its prey for days. Faith? Who is to say what gods populate an orangutan’s imagination. We build? So do termites. We dream? House cats do that on the windowsill. I know what the truth is. I have seen it. Scratching in a jar. Squirming in a sack. Staring back at me from an amber eye. We live in a shabby edifice, Lilly, hastily erected over a span of ten thousand years, and we draw the flimsy curtain to hide the truth from ourselves.”

She weeps. Lilly weeps, pressed between my hands, her tears quivering upon her cheeks upraised by the pressure of my grip.

“So you see there is no need for anyone to keep me human, for there is nothing human in me to keep.”

I flung her away. She fell against the bed, sobbing. She screamed, “Get out!”

“I have the right to defend myself,” I gasped. I might have been a hundred fathoms down: The pressure was overwhelming; I could not find my breath. “That is the issue. The only one that matters.”

I left.

THREE

And then I met Mr. Faulk at Grand Central. I was late; he was right on time, a battered suitcase in one hand and a train ticket in the other.

“I was about to give up on you, Mr. Henry,” he said.

“I ran into a bit of trouble.”

I stepped close to him and he slipped the revolver into my hand. I dropped it into my coat pocket.

“Serious?” he asked.

“Philosophical.”

“Oh! Very serious, then.” He smiled.

“How did it go with the police?”

“That detective, he’s a nice one. The same who was friends with Dr. von Helrung. They shot at me; I shot at them. They’re down; I’m up. Done the city a service, that’s the take. Not exactly what he said, but the gist.”

I nodded. “I see you’ve already purchased your ticket.”

“Never been to California—they say the weather’s nice.”

“What about Europe?” I pulled out my ticket. “The land of your ancestors.”

“Oh, now, that is tempting, Mr. Henry.” He pulled the ticket from my hand. “Steerage?”

“You can ask about an exchange. I’ll cover the difference.”

“Never been on a boat before. What if I get sick?”

“Salt crackers. I hear dancing helps as well.”

“Dancing?”

“Well, it’s up to you. It doesn’t leave until tomorrow.”

“But my train leaves in ten minutes. You want to swap?”

I shook my head. “I’m not going anywhere, Mr. Faulk.”

“You should think about it. The police know who I was acting for and they know the Camorristi aren’t going to be happy with any of you.”

“I have faced much worse than the Camorra, Mr. Faulk.”

He shrugged. “Can’t say the same for them, can we, Mr. Henry?”

We stood for a moment, smiling at each other.

“That girl,” he said. “You should take her with you.”

“You are a hopeless romantic, Mr. Faulk.”

“Oh, what’s it all worth without that, Mr. Henry?”

He tried to hand the ticket back to me. I shook my head. “Keep them both. If someone asks, I won’t know which direction you went.”