The End of the Whole Mess(2)
Bobby read at two and began writing short essays ("Our Dog," "A Trip to Boston with Mother") at three. His printing was the straggling, struggling galvanic constructions of a six-year-old, and that was startling enough in itself, but there was more: if transcribed so that his still-developing motor control no longer became an evaluative factor, you would have thought you were reading the work of a bright, if extremely naive, fifth-grader. He progressed from simple sentences to compound sentences to complex ones with dizzying rapidity, grasping clauses, sub-clauses, and modifying clauses with an intuitiveness that was eerie. Sometimes his syntax was garbled and his modifiers misplaced, but he had such flaws-which plague most writers all their lives pretty well under control by the age of five.
He developed headaches. My parents were afraid he had some sort of physical problem - a brain-tumour, perhaps - and took him to a doctor who examined him carefully, listened to him even more carefully, and then told my parents there was nothing wrong with Bobby except stress: he was in a state of extreme frustration because his writing-hand would not work as well as his brain.
"You got a kid trying to pass a mental kidney stone," the doctor said. "I could prescribe something for his headaches, but I think the drug he really needs is a typewriter." So Mom and Dad gave Bobby an IBM. A year later they gave him a Commodore 64 with WordStar for Christmas and Bobby's headaches stopped. Before going on to other matters, I only want to add that he believed for the next three years or so that it was Santa Claus who had left that word-cruncher under our tree. Now that I think of it, that was another place where I beat Bobby: I Santa-trained earlier, too.
There's so much I could tell you about those early days, and I suppose I'll have to tell you a little, but I'll have to go fast and make it brief. The deadline. Ah, the deadline. I once read a very funny piece called "The Essential Gone with the Wind" that went something like this:
"'A war?' laughed Scarlett. 'Oh, fiddle-de-dee!'
"Boom! Ashley went to war! Atlanta burned! Rhett walked in and then walked out!
"'Fiddle-de-dee,' said Scarlett through her tears, 'I will think about it tomorrow, for tomorrow is another day.'"
I laughed heartily over that when I read it; now that I'm faced with doing something similar, it doesn't seem quite so funny. But here goes:
"A child with an IQ immeasurable by any existing test?" smiled India Fornoy to her devoted husband, Richard. "Fiddle-de-dee! Well provide an atmosphere where his intellect - not to mention that of his not-exactly-stupid older brother - can grow. And we'll raise them as the normal all-American boys they by gosh are!"
Boom! The Fornoy boys grew up! Howard went to the University of Virginia, graduated cum laude, and settled down to a freelance writing career! Made a comfortable living! Stepped out with a lot of women and went to bed with quite a few of them! Managed to avoid social diseases both sexual and pharmacological! Bought a Mitsubishi stereo system! Wrote home at least once a week! Published two novels that did pretty well! "Fiddle-de-dee" said Howard, "this is the life for me!"
Chapter 2
And so it was, at least until the day Bobby showed up unexpectedly (in the best mad-scientist tradition) with his two glass boxes, a bees' nest in one and a wasps' nest in the other, Bobby wearing a Mumford Phys Ed tee-shirt inside-out, on the verge of destroying human intellect and just as happy as a clam at high tide.
Guys like my brother Bobby come along only once every two or three generations, I think - guys like Leonardo da Vinci, Newton, Einstein, maybe Edison. They all seem to have one thing in common: they are like huge compasses which swing aimlessly for a long time, searching for some true north and then homing on it with fearful force. Before that happens such guys are apt to get up to some weird shit, and Bobby was no exception.
When he was eight and I was fifteen, he came to me and said he had invented an airplane. By then I knew Bobby too well to just say "Bullshit" and kick him out of my room. I went out to the garage, Where there was this weird plywood contraption sitting on his American Flyer red wagon. It looked a little like a fighter plane, but the wings were raked forward instead of back. He had mounted the saddle from his rocking horse on the middle of it with bolts. There was a lever on the side. There was no motor. He said it was a glider. He wanted me to push him down Carrigan's Hill, which was the steepest grade in D.C.'s Grant Park - there was a cement path down the middle of it for old folks. That, Bobby said, would be his runway.
"Bobby," I said, "you got this puppy's wings on backward."
"No," he said. "This is the way they're supposed to be. I saw something on Wild Kingdom about hawks. They dive down on their prey and then reverse their wings coming up. They're double-jointed, see? You get better lift this way."
"Then why isn't the Air Force building them this way?" I asked, blissfully unaware that both the American and the Russian air forces had plans for such forward-wing fighter planes on their drawing boards.
Bobby just shrugged. He didn't know and didn't care.
We went over to Carrigan's Hill and he climbed into the rocking-horse saddle and gripped the lever. "Push me hard" he said. His eyes were dancing with that crazed light I knew so well - Christ, his eyes used to light up that way in his cradle sometimes. But I swear to God I never would have pushed him down the cement path as hard as I did if I thought the thing would actually work.