The Dead Zone(145)

Johnny stood up.

6.

Everything seemed to happen in slow motion.

There were cramps in his legs from sitting so long. His knees popped like dud firecrackers. Time seemed frozen, the applause went on and on even though heads were turning, necks were craning; someone screamed through the applause and still it went on; someone had screamed because there was a man in the gallery and the man was holding a rifle and this was something they had all seen on TV, it was a situation with classic elements that they all recognized. In its own way, it was as American as The Wonderful World of Disney. The politician and the man in a high place with the gun.

Greg Stillson turned toward him, his thick neck craning, wrinkling into creases. The red puff on the top of his ski cap bobbed.

Johnny put the rifle to his shoulder. It seemed to float up there and he felt the thud as it socketed home next to the joint there. He thought of shooting partridge with his dad as a boy. They had gone deer-hunting but the only time Johnny had ever seen one he had not been able to pull the trigger; the buck fever had gotten him. It was a secret, as shameful as mast***ation, and he had never told anyone.

There was another scream. One of the old ladies was clutching her mouth and Johnny saw there was artificial fruit scattered along the wide brim of her black hat, Faces turned up to him, big white zeros. Open mouths, small black zeros. The little boy in the snowmobile suit was pointing. His mother was trying to shield him. Still-son was in the gunsight suddenly and Johnny remembered to flick off the rifle's safety. Across the way the men in the topcoats were reaching inside their jackets and Sonny Elliman, his green eyes blazing, was hollering:

Down! Greg, get DOWN!'

But Stillson stared up into the gallery and for the second time their eyes locked together in a perfect sort of understanding, and Stillson only ducked at the same instant Johnny fired. The rifle's roar was loud, filling the place, and the slug took away nearly one whole corner of the podium, peeling it back to the bare, bright wood. Splinters flew. One of them struck the microphone, and there was another monstrous whine of feedback that suddenly ended in a guttural, low-key buzzing.

Johnny pumped another cartridge into the chamber and fired again. This time the slug punched a hole through the dusty carpeting of the dais.

The crowd had started to move, panicky as cattle. They all drove into the center aisle. The people who had been standing at the rear escaped easily, but then a bottleneck of cursing, screaming men and women formed in the double doorway.

There were popping noises from the other side of the hall, and suddenly part of the gallery railing splintered up in front of Johnny's eyes. Something screamed past his ear a second later. Then an invisible finger gave the collar of his shirt a flick. All three of them across the way were holding handguns, and because Johnny was up in the gallery, their field of fire was crystal clear - but Johnny doubted if they would have bothered overmuch about innocent bystanders anyway.

One of the trio of old women grabbed Moochie's arm. She was sobbing, trying to ask something. He flung her away and steadied his gun in both hands. There was a stink of gunpowder in the hall now. It had been about twenty seconds since Johnny had stood up.

'Down! Down, Greg!'

Stillson was still standing at the edge of the dais, crouching slightly, looking up. Johnny brought the rifle down, and for an instant Stilison was dead-bang in front sight. Then a pistol-slug grooved his neck, knocking him backward, and his own shot went wild into the air. The window across the way dissolved in a tinkling rain of glass. Thin screams drifted up from below. Blood poured down and across his shoulder and chest.

Oh, you're doing a great job of killing him, he thought hysterically, and pushed back to the railing again. He levered another cartridge into the breech and threw it to his shoulder again. Now Stilison was on the move. He darted down the steps to floor4evel and then glanced up at Johnny again.

Another bullet whizzed by his temple. I'm bleeding like a stuck pig, he thought. Come on. Come on and get this over.

The bottleneck at the entryway broke, and now people began to pour out. A puff of smoke rose from the barrel of one of the pistols across the way, there was a bang, and the invisible finger that had flicked his collar a few seconds ago now drew a line of fire across the side of Johnny's head. It didn't matter. Nothing mattered except taking Stillson. He brought the rifle down again.

Make this one count -Stillson moved with good speed for such a big man.

The dark-haired young woman Johnny had noticed earlier was about halfway up the center aisle, holding her crying son in her arms, still trying to shield him with her body. And what Stillson did then so dumbfounded Johnny that he almost dropped the rifle altogether. He snatched the boy from his mother's arms, whirled toward the gallery, holding the boy's body in front of him. It was no longer Greg Stillson in the front sight, but a small squirming figure in

(the filter blue filter yellow stripes tiger stripes)

a dark blue snowmobile suit with bright yellow piping. Johnny's mouth dropped open. It was Stillson, all right. The tiger. But he was behind the filter now.

What does it mean? Johnny screamed, but no sound passed his lips.

The mother screamed shrilly then; but Johnny had heard it all somewhere before. 'Tommy! Give him to me!

TOMMY! GIVE HIM TO ME, YOU BASTARD!'

Johnny's head was swelling blackly, expanding like a bladder. Everything was starting to fade. The only brightness left was centered around the notched gunsight, the gunsight now laid directly over the chest of that blue snowmobile suit.