The Dark Half(59)
'Doorman says the police are on twenty-six! Po-leeeece! Are you here?'.Now he was wallowing his way down the hall, cane swinging from side to side, and WHOCK!, it hit the wall on his left, and swish, back it went, and WHOCK!, the wall on his right, and anyone on the goddam floor who wasn't awake already would be soon. Extremely and Cautious both started forward without so much as exchanging a glance.
'Po-leeece! Po - '
'Sir!' Extremely barked. 'Hold it! You're going to fall d - '
The blind man jerked his head in the direction of Extremely's voice but did not stop. He plunged onward, waving his empty hand and his dirty white cane, looking a bit like Leonard Bernstein trying to conduct the New York Philharmonic after smoking a vial or two of crack. 'Po-leeece!
They killed my dog! They killed Daisy! PO-LEEECE!'
'Sir - '
Cautious reached for the reeling blind man. The reeling blind man put his empty hand in the left pocket of his sport-coat and came out not with two tickets to the Blind Man's Gala Ball but a .45
revolver. He pointed it at Cautious and pulled the trigger twice. The reports were deafening and toneless in the close hallway. There was a lot of blue smoke. Cautious took the bullets at nearly point-blank range. He went down with his chest caved in like a broken peach-basket. His tunic was scorched and smouldering.
Extremely stared as the blind man pointed the .45 at him.
'Jesus please don't,' Extremely said in a very tiny voice. He sounded as if someone had knocked the wind out of him. The blind man fired two more times. There was more blue smoke. He shot very well for a blind man. Extremely flew backward, away from the blue smoke, hit the hall carpet on his shoulder-blades, went through a sudden, shuddery spasm, and lay still. 3
In Ludlow, five hundred miles away, Thad Beaumont turned over restlessly on his side. 'Blue smoke,' he muttered. 'Blue smoke.'
Outside the bedroom window, nine sparrows sat on a telephone line. They were joined by half a dozen more. The birds sat, silent and unseen, above the watchers in the state police car.
'I won't need these anymore,' Thad said in his sleep. He made a clumsy pawing motion at his face with one hand and a tossing gesture with the other.
'Thad?' Liz asked, sitting up. 'Thad, are you okay?'
Thad said something incomprehensible in his sleep.
Liz looked down at her arms. They were thick with goosebumps.
'Thad? Is it the birds again? Do you hear the birds?'
Thad said nothing. Outside the windows, the sparrows took wing in unison and flew off into the dark, although this was not their time to fly.
Neither Liz nor the two policemen in the state police cruiser noticed them. 4.Stark tossed the dark glasses and the cane aside. The hallway was acrid with cordite smoke. He had fired four Colt Hi-Point loads which he had dum-dummed. Two of them had passed through the cops and had left plate-sized holes in the corridor wall. He walked over to Phyllis Myers's door. He was ready to talk her out if he had to, but she was right there on the other side, and he could tell just listening to her that she would be easy.
'What's going on?' she screamed. 'What happened?'
'We've got him, Ms Myers,' Stark said cheerfully. 'If you want the picture, get it goddam fast, and just remember later I never said you could take one.'
She kept the door on the chain when she opened it, but that was okay. When she placed one wide brown eye to the crack, he put a bullet through it. Closing her eyes - or closing the one eye still in existence - was not an option, so he turned and started back toward the elevators. He did not linger, but he did not run, either. One apartment
door eased open - everyone was opening doors on him tonight, it seemed - and Stark raised the gun at the starey-eyed rabbit face he saw. The door slammed at once. He pushed the elevator button. The doors of the car he'd ridden up in after knocking out his second doorman of the evening (with the cane he had stolen from the blind man on 60th Street) opened at once, as he had expected they would - at this hour of the night, the three elevators were not exactly in great demand. He tossed the gun back over his shoulder. It thumped onto the carpet.
'That went all right,' he remarked, got into the elevator car, and rode down to the lobby. 5
The sun was coming up in Rick Cowley's living-room window when the telephone rang. Rick was fifty, red-eyed, haggard, half drunk. He picked up the telephone with a hand that shook badly. He hardly knew where he was, and his tired, aching mind kept insisting all this was a dream. Had he been, less than three hours ago, down at the borough morgue on First Avenue, identifying his ex-wife's mutilated corpse less than a block from the chic little French restaurant where they took only the clients who were also friends? Were there police outside his door, because the man who had killed Mir might also want to kill him? Were these things true? Surely not. It surely had to be a dream . . . and maybe the phone wasn't really the phone at all but the bedside alarm. As a rule, he
hated that f**king thing . . . had thrown it across the room on more than one occasion. But this morning he would kiss it. Hell, he would French-kiss it. But he didn't wake up. Instead he answered the telephone. 'Hello?'
'This is the man who cut your woman's throat,' the voice in his ear said, and Rick was suddenly wide awake. Any lingering hope he'd had that this was all just a dream dissipated. It was the sort of voice you should only hear in dreams . . . but that is never where you hear it.