Temptation Ridge (Virgin River #6)(76)
When it was obvious to the whole town that Luke and Shelby were together, it was time to bring Art out of the closet, introduce him around, give him a chance to make friends, even if they were only casual friends. Art had been out at the cabins less than two months and of all the residents of Virgin River, only Shelby and Paul had seen him, knew about him. They’d been cooperative about staying quiet while Luke had been paying attention to newspapers, radio and TV to see if Art was being looked for. There didn’t seem to be any missing persons bulletins.
Art already loved Shelby. If she had a short day at the clinic and the weather was nice, she would ride over to the cabins with Plenty in tow and put Art on the horse. He was like a one-hundred-and-ninety-pound ten-year-old and the guy’s sheer thrill with it made Luke laugh until he had to turn away to not offend. Luke started to take Art to the bar once in a while to buy him a cold drink, maybe dinner with Shelby. It held positively no surprise that he was accepted very kindly.
It was seeing Art on that horse that prompted Luke to buy some fishing gear for the man, an inexpensive rod and reel he could keep in his cabin. He taught Art to drop a line first. Casting was more of a challenge, but Art loved learning new things. The river was close enough for Art to get in a little fishing when he wasn’t working. He took to it right away. It made Luke happy to see the big guy wander down to the river on his own, independent and content.
There was a small town party out at Muriel St. Claire’s house that Luke, Shelby and Art attended together. It was newly remodeled, or as the general insisted on pointing out, restored. Indeed, it looked like a brand-new hundred-year-old house. Even the pictures, which she insisted were of family members, were antique. The oldest were tintypes. Besides a modern sectional and chair, everything was vintage, even the huge, antique wardrobe that concealed her TV and stereo equipment.
Luke was astonished by the work she’d done, impressed, but some of the townfolk, especially the women, were looking for something a lot more Hollywood. Most of them already had all that old stuff—it had been passed down from generation to generation and they took it for granted. Of course, their old stuff hadn’t been pampered and restored like Muriel’s, but they were small-town folk and lusted after more modern furnishings. What they wanted to know was, had she dated Clint Eastwood or Jack Nicholson? When she replied she hardly knew them, though she’d been in films with them, they seemed disappointed in her. For a movie star, she wasn’t all that provocative.
At least a hundred people wandered through her open house and she beamed every time surprise was expressed that she would prefer this old farmhouse to a big marble palace in Hollywood.
Life was exactly as he liked it. Being a man, he wasted no time thinking deeply about it; feelings weren’t exactly something men spent a lot of time pondering. All he wanted was for nothing to change.
To that end, he called his mother and explained that he wouldn’t be able to come to Phoenix for Thanksgiving. It turned out it would only be Sean this year anyway; Colin was in Iraq, Paddy out to sea and Aiden was pulling call at the hospital over Thanksgiving to get Christmas off. His mother was disappointed; she hadn’t seen him since August. So he told her about Art. Of course, Maureen Riordan told Luke to bring Art with him. “I don’t think I can do that, Mother,” Luke said. “He’s on the run from a group home because someone abused him. I’m pretty sure I’m not breaking the law by giving him shelter, but I don’t think it would be a good idea to take him out of state. At least not until I’ve had a chance to get his situation sorted out a little, which is going to take some investigating and probably legal help. It’s just one Thanksgiving. I’ll probably see you at Christmas. Be a big girl. Don’t nag.”
“I don’t nag,” she said.
“Oh, you nag.” He laughed. “There’s no mercy in it.”
“I don’t want you to be alone on Thanksgiving,” she said.
“I’ll be fine, Mother. Don’t worry.”
But Luke wasn’t going to be alone. He was going to the general’s house, and he was bringing Art. The invitation had come through Shelby and he recognized right away that it was mandatory. He’d rather not get any more enmeshed with the family, but it was impossible to avoid. When it came to living in a place like Virgin River, you were enmeshed the day you hit town. It was all right—a holiday dinner wasn’t too much to ask. Art was welcome and Luke happened to like the general and the Haggertys. He couldn’t deny that if Shelby had been his young cousin or niece, he might feel just as protective as they did, yet they’d managed to act as though they respected her choice and treated him fine.
Just as he was coming to accept it all, Luke’s well-organized life was derailed by a phone call from his brother Sean.
“So, you put in a no-show for the turkey,” Sean said. “What’s up with that? You’re stateside, you’re not that far away….”
“I have things to do here, Sean,” he said. “And I explained to Mother—I can’t leave Art and I can’t take him on a trip.”
“So I heard. And that’s your only reason?”
“What else?”
“Oh, I don’t know,” he said, as if he did know what else. “Well then, you’ll be real happy to hear this—I’m bringing Mother to Virgin River for Thanksgiving.”
Robyn Carr's Books
- The Family Gathering (Sullivan's Crossing #3)
- Robyn Carr
- What We Find (Sullivan's Crossing, #1)
- My Kind of Christmas (Virgin River #20)
- Sunrise Point (Virgin River #19)
- Redwood Bend (Virgin River #18)
- Hidden Summit (Virgin River #17)
- Bring Me Home for Christmas (Virgin River #16)
- Harvest Moon (Virgin River #15)
- Wild Man Creek (Virgin River #14)