Spin (Songs of Corruption #1)(50)
“He thinks...” She choked a little before continuing. “I know him. He thinks you can make him something he’s not.”
“I don’t know what he thinks, Marina. You should ask him.”
She shot out a little laugh that must have soaked her phone in snot. “Maybe you should ask him.”
I was about to answer, but she hung up.
thirty.
magine being cooped up in small spaces with a hundred people in your age group, eight to eighteen hours a day, strictly focused on a project’s completion. Imagine long waiting periods where you talk at length about the project and the most important thing in the world—the state of cinema. Imagine you connect intellectually and spiritually with those people. Imagine you can’t connect physically because you’re so busy.
Now imagine the party at the end of it.
“Honestly, I want to wait to hear from the Germans,” Katrina yelled over the music.
It was the first time she’d been willing to entertain a serious discussion of my offer, and only then because she had a few drinks in her. Katrina and I had gotten a downtown loft that was between owners for the party. The rental and cleanup were paid for by the last pennies in the budget, and some sneaky dealing on my part paid for a DJ and open bar. People had melded into a simmering mass of hot, wet flesh pulsing with the music. The loft, someone’s future overpriced home, had turned into a nightclub without the safety permits.
“If they fall though, I want a piece,” I said. Meaning, a piece of the pie. I tried to couch it not as a charitable offering but an investment in something I believed in.
“You heard from crying lady again?” Katrina asked to change the subject.
“Nope.” I hadn’t heard from Antonio after his good night text, either. I didn’t know what that meant. Did he plan to just come and go as he pleased? Were sweet little texts I couldn’t respond to some kind of leash?
“Well, epic party ahead,” Katrina said. “Maintain speed through intersections.”
She grabbed my hand and dragged me into the middle of the loft where the thump of the music was the loudest and the press of bodies hottest. With the floor shaking, the kisses from the camera man, the bumping and grinding, and the gleeful exclamations over the music, I got diverted. Michael came up behind me, put his arm around my waist, and moved his hips with mine.
I let go. No Katrina and her money woes. No Antonio or his secrecy and lies. No Daniel, period. Just a fine-looking, nice man dancing behind me, a few more in front of me, smiles all around, and a feeling that I’d been part of something bigger than myself.
When Michael moved his arm, I kept dancing for a second. Then I felt a whoosh as an area behind me opened up. I turned with the music just in time to see Antonio throw Michael against a table. Michael bounced off the top and fell cleanly, like any actor worth his salt had been trained to do.
“Antonio!”
If he heard me over the music, he made no indication. He stepped forward, stiff and enraged. Michael, being the class clown, spread his legs, waggled his brows, and dodged. Antonio caught his wrist, the motion so fast and effortless that Michael was slammed against the wall with his arm twisted behind his back before I took three steps. A circle of stunned people surrounded the two men. Antonio was such a ball of power and rage that no one dared come near him.
“Maybe you shouldn’t let her out by herself then,” Michael grumbled when I got close enough to hear.
Antonio twisted his arm harder. I put my hands on Antonio’s shoulders, tightening my fingers to make sure he felt them and knew it was me.
“Capo,” I said in his ear, “he’s my friend. Please.”
Antonio’s face was contorted in rage, and Michael was trying to smile rakishly through the pain. I pulled Antonio back, and he stepped against me. Michael turned and shook his arm out, giving his attacker a hot look.
“I’m sorry,” I said, taking Antonio’s hand.
“Put him on a leash,” Michael said.
I feared Antonio’d take the bait and attack the actor again, but personal insults didn’t seem cause for violence. He squeezed my hand and looked down at me, working his jaw.
“You have no right,” I growled as the crowd dissipated.
“I have the only right. I’ll hurt anyone who touches what’s mine.”
I knew we were being watched, so I smiled and touched his face. His jaw was tight and tense.
“Put a smile on your face or someone’s going to call the cops,” I said.
He stared at me with white hot intensity.
“I said smile.”
He shut me up with a kiss. I must have tasted of sweat and hormones. The one beer I’d had was probably stale on my breath, but we kissed as if I was clean and fresh from the shower. Our tongues curled around each other, eating each other alive. His hands crept up my wet shirt, slipping under my bra.
“No,” I said, turning away. “You can’t just kiss me and make everything okay.”
His mouth was on mine before I even finished. I pushed away with my arms, but my mouth had a mind of its own and stayed locked on his. My resolve melted like butter in a frying pan, leaving a streak of bubbling grease behind.
He put his hands on my face and moved an inch away. “You’re mine. That means no pretty boys on the dance floor. No fake dates with the district attorney.”
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)