Song of Susannah (The Dark Tower #6)(47)

John apparently thought it was purely an issue of verbal comprehension, because this time he was at pains to pronounce the word more carefully. "Ruined.Like folks who'd been in a nuclear war, or a fallout zone, or something."

"Slow mutants," Roland said. "I think he might be talking about slow muties. Here in this town."

Eddie nodded, thinking about the Grays and Pubes in Lud. Also thinking about a misshapen beehive and the monstrous insects which had been crawling over it.

John killed the little Evinrude engine, but for a moment the three of them sat where they were, listening to water slap hollowly against the aluminum sides of the boat.

"Slow mutants," the old fellow said, almost seeming to taste the words. "Ayuh, I guess that'd be as good a name for em as any. But they ain't the only ones. There's been animals, too, and kinds of birds no one's ever seen in these parts. But mostly it's the walk-ins that've got people worried and talkin amongst themselves. Donnie Russert called someone he knew at Duke University, and that fella called someone in their Department of Psychic Studies - amazin they've got such a thing as that in a real college, but it appears they do - and the Psychic Studies woman said that's what such folks are called: walk-ins. And then, when they disappear again - which they always do, except for one fella over in East Conway Village, who died - they're called walk-outs.The lady said that some scientists who study such things - I guess you could call em scientists, although I know a lot of folks might argue - b'lieve that walk-ins are aliens from other planets, that spaceships drop em off and then pick em up again, but most of em think they're time-travelers, or from different Earths that lie in a line with ours."

"How long has this been going on?" Eddie asked. "How long have the walk-ins been showing up?"

"Oh, two or three years. And it's gettin worse ruther'n better. I seen a couple of such fellas myself, and once a woman with a bald head who looked like she had this bleedin eye in the middle of her forread. But they was all at a distance, and you fellas are up close."

John leaned toward them over his bony knees, his eyes (as blue as Roland's own) gleaming. Water slapped hollowly at the boat. Eddie felt a strong urge to take John Cullum's hand again, to see if something else would happen. There was another Dylan song called "Visions of Johanna." What Eddie wanted was not a vision of Johanna, but the name was at least close to that.

"Ayuh," John was saying, "you boys are right up close and personal. Now, I'll help you along your way if I can, because I don't sense nothing the least bit bad about either of you (although I'm going to tell you flat out that I ain'tnever seen such shooting), but I want to know: are you walk-ins or not?"

Once more Roland and Eddie exchanged looks, and then Roland answered. "Yes," he said. "I suppose we are."

"Gorry," John whispered. In his awe, not even his seamed face could keep him from looking like a child. "Walk-ins! And where is it you're from, can you tell me that?" He looked at Eddie, laughed the way people do when they are admitting you've put a good one over on them, and said: "NotBrooklyn. "

"But Iam from Brooklyn," Eddie said. The only thing was it hadn't beenthis world's Brooklyn, and he knew that now. In the world he came from, a children's book namedCharlie the Choo-Choo had been written by a woman named Beryl Evans; in this one it had been written by someone named Claudia y Inez Bachman. Beryl Evans sounded real and Claudia y Inez Bachman sounded phony as a three-dollar bill, yet Eddie was coming more and more to believe that Bachman was the true handle. And why? Because it came as part of this world.

"Iam from Brooklyn, though. Just not the...well...the same one."

John Cullum was still looking at them with that wide-eyed child's expression of wonder. "What about those other fellas? The ones who were waiting for you? Are they...?"

"No," Roland said. "Not they. No more time for this, John - not now." He got cautiously to his feet, grabbed an overhead beam, and stepped out of the boat with a little wince of pain. John followed and Eddie came last. The two other men had to help him. The steady throb in his right calf had receded a little bit, but the leg was stiff and numb, hard to control.

"Let's go to your place," Roland said. "There's a man we need to find. With the blessing, you may be able to help us do that."

He may be able to help us in more ways than that,Eddie thought, and followed them back into the sunlight, gimping along on his bad leg with his teeth gritted.

At that moment, Eddie thought he would have slain a saint in exchange for a dozen aspirin tablets.

STAVE: Commala-loaf-leaven!

They go to hell or up to heaven!

When the guns are shot and the fire's hot,

You got to poke em in the oven.

RESPONSE: Commala-come-seven!

Salt and yow' for leaven!

Heat em up and knock em down

And poke em in the oven.

8th Stanza: A Game of Toss

One

In the winter of 1984 - 85, when Eddie's heroin use was quietly sneaking across the border from the Land of Recreational Drugs and into the Kingdom of Really Bad Habits, Henry Dean met a girl and fell briefly in love. Eddie thought Sylvia Goldover was a SkankEl Supremo (smelly armpits and dragon breath wafting out from between a pair of Mick Jagger lips), but kept his mouth shut becauseHenry thought she was beautiful, and Eddie didn't want to hurt Henry's feelings. That winter the young lovers spent a lot of time either walking on the windswept beach at Coney Island or going to the movies in Times Square, where they would sit in the back row and wank each other off once the popcorn and the extra-large box of Goobers were gone.