Sing (Songs of Submission #7)(23)
“Don’t lie, Goddess.”
“Carnival has to wait. A four song session will take all day. If something happens I need to be here.”
A machine beeped.
He pressed his lips in his teeth. It was an expression he’d used when he was healthy, and it made me want to beg him to take me.
“I need you to do your work,” he said.
“Jonathan, I won’t do it right if I’m worrying about you.”
I felt his hand on my waist, a light touch through my shirt. It slid up to my rib cage, the memory of everything we’d been together, when his hands were forceful and cruel, responsive to desires I didn’t even know I had. He fingered the black Bordelle bra I’d worn at his command.
“You’ve come so far,” he said. “You’re not the same woman I met. You have control. You can take it all and channel it into the work. If I promise you that, would you believe me?”
“I can’t.”
“You don’t know your own power. Please. Go sing. Sheila will watch me.”
“I’ll think about it.”
He nodded as much has he could, and I pressed my lips to his. I kissed him like I kissed him every time since he fell into my arms, like it might be the last.
CHAPTER 20.
MONICA
I’d gone home to shower and rest. I shouldn’t have. The Drazens had a suite at the hotel across the street and I should have eaten humble pie and just gone there. But I couldn’t ask Sheila for the key, and I didn’t have a change of clothes or the extravagance to buy new. Fucking pride, and now I was stuck in traffic ten blocks from the goddamn hospital. Another hour lost.
Sitting in traffic in thebestf*ckingthingever was far better than sitting in traffic in the Honda. And it beat the bus by a mile. But traffic was traffic, and sitting still in a Jaguar while helicopters beat the air overhead was infuriating. Having grown up in Echo Park before it was a real estate investment opportunity waiting to happen meant I was familiar with this type of police action. A perimeter was being sealed off so every car could be checked. Usually, it was a cop killing that created this kind of chaos. Or a gang assassination. Maybe a child abduction. I ticked off the list then closed the windows and sang a couple of the songs I’d prepared for the EP, belting it out in the shitty acoustics of the car.
I flipped the news on. Music was just messing up the rhythm in my head, which I needed. Talk talk talk, and I half listened to the clipped chat of a mob shooting outside the golf course. No child abduction, but a typical drive-by. I felt like I knew the details without even hearing them, and I internally restated my belief that penalties should be harsher for crimes committed during rush hour. This was going to be awhile. I sang to the leather dash, letting the news drift away.
Yea, though he stands in the fear of the dark
I shall walk at his right hand
I have drawn rod and cudgel
In his defense
I shall lead him to the gate
And if he seeks his end
My heart shall keep him safe
I can walk
Without it
I can work
Without it
I can sing
Half a woman
Surely goodness and mercy
Prevail in a city of sin
As barter for a life
Beats for beats
Breaths for breath
Trade a heart for what’s mine
I can breathe
Without it
I can see
Without it
I can sing
Half a woman
I was leaning my forehead on the steering wheel when I finished. I couldn’t get the rest of the song out. I couldn’t breathe. I couldn’t see through my tears. This sucked. He didn’t have long, I could see it in the doctor’s faces when they spoke with a sense of urgency, like their own careers were on the line if he died. The inconvenience of it would be epic for them.
Meanwhile, I’d die with him.
The phone rang. Fuck it. It wasn’t like I was moving. I picked up Margie’s call.
“Hello?” I didn’t realize how snotty and blubbery I sounded until the last vowel came out in a froggy croak.
“Are you okay?”
“The love of my life is dying, so, no.”
“Well, I called with a little something. Guy just came in with half a brain and a working heart. We’re fighting our way up the list and they’re checking for a match. But he’s the same blood type.”
“Oh, God. Really?” My face exploded in prickly happiness and tears sprung into my eyes.
“Top secret, ok? This is not public knowledge, but I know people who know. Don’t get your hopes up. The family’s going to be an obstacle. Donor cards don’t mean anything without a living will, and they’ve got more hope than Jonathan has time.”
“Is it evil to hope he dies?”
“Yes. You and I both.”
“See you in hell,” I said, with a little less cry my voice.
“I’ll buy the handbasket.”
The traffic broke suddenly, and I was waved through blockade on Beverly and Rossmore.
CHAPTER 21.
MONICA
“I sold the house. Thank God, Monya. Cash. At market price.”
My mother had called just as I stepped into the elevator with nine other people. I was just about to tell her I hadn’t made any headway, nor had I found an opportune time to ask for Margie’s help on the house thing, when she blurted out her news like a kid blowing the date of a surprise party.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)
- Jessica and Sharon (Songs of Submission #3.5)