Shadow Game (GhostWalkers, #1)(85)
Over the next three hours, Ryland watched the little girls carefully performing mental tasks. Peter Whitney seemed to forget the girls were children, berating them for slacking off, yelling at them in disgust if they cried. When one little girl complained of a headache, he told her it was her own fault for not working hard enough.
Lily remained silent through the first two tapes, carefully observing each exercise that Whitney gave the children and his comments on which ones appeared to work to strengthen shields and allow them some respite from the outside assault of sound and emotion on them.
Whitney had made the observation early that certain girls seemed to be anchors for the others, allowing them to function better. He removed the anchors and played various sounds and even had two nurses yell angrily at one another. The little girls collapsed, holding their heads, rocking back and forth, and eventually had to be sedated.
The third tape showed Lily as a child sitting on the floor in one of the small soundproof rooms. She sat for a long time, unmoving, no expression on her face. Suddenly the toys scattered around her began to come alive.
Lily sat up straighter and leaned forward, her gaze glued to the screen. The objects in the room were moving, the dolls dancing, the balls juggling in the air. Peter Whitney's voice narrated his observations on the tape. "Subject Lily is growing stronger in her ability to control objects. An orphanage nurse observed this phenomenon and, as an infant, subject Lily was branded a child of the devil. I was excited when I heard the stories of her mobile spinning and dancing in her crib and knew I had to acquire her. She is a strong natural talent and with the enhancement may prove to be the one to use for future generations."
Ryland stiffened, not daring to look at her. Damn the man. Damn him to hell for that. Lily had to know the implications of what he meant. She already believed Peter Whitney may have manipulated the strong physical attraction between them. Whitney's comment could reinforce that idea in her mind.
"This is such a prime example of history repeating itself." Lily swept her hand over her face. "Isn't it terrible how families perpetuate cycles of violence or criminal activity? In this case, experiments? Dad should have known better, he hated his childhood, yet he turned right around and did the same thing."
"In the end he learned, Lily."
"Did he? If he learned, Ryland, why was he still experimenting on you?"
The voice continued in the background. "I have encouraged her to play with her toys in such a manner and have found the talent has grown stronger and in fact she is refining it. The only way to obtain her cooperation was to isolate her from the other children. She showed little interest in playing with objects when the other girls were around. It took sixteen hours of isolation before subject showed interest in the objects provided for her."
"He's right," Lily said softly, "in the earlier tapes I controlled one or two dolls and the movements were jerky. Now nearly every toy in the room is moving with perfect control."
Ryland might have thought her absolutely calm, but he was tuned in to her emotions, could observe her fingernails digging into her palms.
The child on the tape suddenly cried out and pressed her hands to her head. The toys fell to the floor and lay still. Whitney hissed in frustration and Rosa ran into the room to gather the crying child to her.
Ryland felt tears burning behind his eyes. He couldn't look at her as Lily changed tapes to view the next in the series. Peter Whitney had done nothing to comfort the child. He had only displayed his displeasure and frustration at the interruption of his experiment.
This time the child, Lily, was sitting alone in the same small observation room. Adult Lily fast-forwarded the tape until they could see action once again. The child shook her head stubbornly, her hands clenched in tight fists. Rosa stood in the background, her hand pressed to her mouth and tears running down her face.
"You're too little to do it, aren't you, Lily?" There was a sneer in Peter Whitney's voice, a taunting challenge.
Lily's chin went up and her eyes flashed. She leaned against the wall, her legs sprawled out in front of her, and she stared determinedly at the large box bolted into the corner of the room. One by one the bolts began to wriggle, spin, fly loose. The child pressed a hand to her temples but her gaze never wavered. Inch by slow inch, the box began to lift from the floor.
"Higher, Lily. Stay in control." There was a fierce eagerness in Whitney's voice, a wonderful triumph.
The box rose higher, dipping at one end, shaking unsteadily.
"Now move it across the room. You can do it, Lily, I know you can."
Ryland watched with his heart in his throat as the large box, obviously very heavy, rose even higher and began to float across the room. Telekinesis. He had no idea the weight of the box because they had fast-forwarded the tape but he had the feeling it was extraordinarily heavy. The child broke out in a sweat but her gaze remained resolutely on the box.
It was trembling visibly now, rocking in the air. It was high, nearly to the ceiling, but had only traveled a foot from its original position. Whitney made a sound of displeasure. The child winced. The box rocked more.
"Concentrate!" Whitney snapped the order.
Ryland was watching the child. Her face was white, her eyes enormous. Lines of strain appeared around her mouth. She was trembling with the effort to hold the box steady. Every muscle in Ryland's body was tense. He began to sweat as well. He remembered the tremendous concentration it took to hold an object and the pain suffered by all who were able to accomplish it. And they were grown men. Watching Lily's childhood unfold sickened him. He wanted to gather her to him and hold her protectively but Lily had moved a distance from him, her body posture screaming at him to leave her alone. Her arms were crossed protectively over her breasts and she'd drawn up her knees, hunching into herself.
Christine Feehan's Books
- Christine Feehan
- Mind Game (GhostWalkers, #2)
- Street Game (GhostWalkers, #8)
- Spider Game (GhostWalkers, #12)
- Samurai Game (Ghostwalkers, #10)
- Ruthless Game (GhostWalkers, #9)
- Predatory Game (GhostWalkers, #6)
- Night Game (GhostWalkers, #3)
- Murder Game (GhostWalkers, #7)
- Deadly Game (GhostWalkers, #5)