Seduction in Death (In Death #13)(43)
"Agreed." Mira inclined her head. "He likes to take chances. Calculated ones."
"The computer technology is ace. When Roarke's impressed, you can be damn sure the skill's earned it. Is MPS going to give one guy two highly developed skills in different areas?"
"Again, not impossible." Noting the impatience that crossed Eve's face, Mira gestured. "You want a yes or no, and I can't oblige you. I could give you case studies, Eve, but they wouldn't hold up against your instincts. We'll say two, for the sake of argument. Two individuals. One is fanciful, lives in his head a great deal. His female ideal is sharp and sexy and sophisticated. He wants to enthrall her as much as he wants to dominate and conquer her. He's a man who can and does become caught up in the moment."
"He sent roses to Bankhead at work," Eve pointed out. "Grace Lutz received no roses."
"The second is more calculating, more deliberate, and potentially more violent. He doesn't delude himself to the same extent as the first that this is romance. He knows it's rape. Accepts that. He wants youth and innocence because he wants to possess then destroy them."
"The second would be the dominant partner."
"Yes, almost certainly. But they do have a symbiotic relationship. They need each other; not only for the details and the skills, but for the reinforcement of ego. Male to male approval, as when Arena Ball players slap each other on the ass, or catch each other in headlocks after a score."
"Teamwork. I pass, you kick, and we make the goal."
"Yes. This is a great game to them." Mira set her tea aside, toyed absently with the pearl on the end of her chain. "And they need the competition. They are defective and brilliant minds with young, spoiled boys' egos. Manipulators who didn't learn to be that way overnight. They come from money and privilege, are used to demanding or taking what they want as they want it, and with impunity. They deserve it."
"They'd have played games before," Eve put in. "Nothing to this level. They've worked up to this."
"Oh yes. One mind or two, they've known each other a very long time and shared a great deal. There's a lack of maturity that leads me to believe they may very well be in the same age bracket as their victims. Early twenties. Mid-twenties at best. They don't simply enjoy the finer things. They must have them."
"Outward appearances," Eve added. "The snazzy clothes, the status of the wine labels, the exclusive venues for the dates."
"Mmm. Status and exclusivity are vital. And what's more, I think, what they're accustomed to. To deny themselves or be denied is intolerable. Under the sheen of romance is a fear and a hatred for women. Look for a mother figure who was either dominant and abusive or weak and abused. Neglectful or overly protective. A man, particularly in his youth, most usually forms opinions and images of women based on his opinion and image of the woman who raised him."
She thought of Roarke and of herself. Motherless child. "What if he doesn't know her?"
"Then he forms them another way. But a man who seeks to exploit and hurt and abuse women will certainly have some female figure in his life who these represent to him."
"If I stop one, do I stop both?"
"If you stop one, the other will self-destruct. But he may very well kill on his way down."
She did what she did when there was too much data, too many threads, too many angles to all mix and match and tangle.
She went back to the victim.
When she used her master to uncode the police seal and unlock Bryna Bankhead's apartment, she blanked her mind of facts, and opened it to impressions.
The air was stuffy. There was no scent of candlewax or roses now, but the faint, dusty odor left behind by the sweepers.
No music. No softly glowing light.
She ordered the lights on full, checked that the privacy screen was in place, then wandered the room while an airbus rattled across the graying sky beyond the glass.
Strong colors, contemporary art, and still essentially female. The attractive nest of a single woman of very defined style and taste who enjoyed her life and her work.
A woman young enough that she had yet to form any serious or permanent sexual relationships. And confident enough to experiment. Adventurous enough to form a fanciful attachment with a faceless man over the 'net.
She'd lived alone, both tidily and fashionably, but was friendly with her neighbors.
Very eclectic music library, Eve mused as she flipped through the discs filed orderly in the entertainment unit. She came across Mavis: Live and Kicking, and despite the grim task felt the grin stretch over her face.
Her friend, Mavis Freestone, nearly always made her grin.
But it had been classical that night, Eve remembered. His choice or hers? His, she decided. It had all been his choice.
His fingerprints on the wine bottle. He'd brought it with him, opened it, poured. His fingerprints along with hers on one wineglass, only his on the second.
Handed her the wine. Perfect gentleman.
She walked into the bedroom. The sweepers had bagged the rose petals. The bed had been stripped down to bare mattress. Ignoring it, Eve opened the balcony doors, stepped out.
The wind lifted the choppy ends of her hair, streamed it back away from her face. It was starting to rain, soft, thin drops that fell soundlessly.
Her stomach pitched but she made herself step to the rail, made herself look down. A long drop, she thought. Long last step.
J.D. Robb's Books
- Indulgence in Death (In Death #31)
- Brotherhood in Death (In Death #42)
- Leverage in Death: An Eve Dallas Novel (In Death #47)
- Apprentice in Death (In Death #43)
- Brotherhood in Death (In Death #42)
- Echoes in Death (In Death #44)
- J.D. Robb
- Obsession in Death (In Death #40)
- Devoted in Death (In Death #41)
- Festive in Death (In Death #39)