Pump Six and Other Stories(17)



No one noticed when the fluted girls took their places on the center dais. They were merely oddities, pale angels, entwined. Lidia put her mouth to her sister's throat, feeling her pulse threading rapidly under her white, white skin. It throbbed against her tongue as she sought out the tiny bore hole in her sister's body. She felt the wet touch of Nia's tongue on her own throat, nestling into her flesh like a small mouse seeking comfort.

Lidia stilled herself, waiting for the attention of the people, patient and focused on her performance. She felt Nia breathe, her lungs expanding inside the frail cage of her chest. Lidia took her own breath. They began to play, first her own notes, running out through unstopped keys in her flesh, and then Nia's notes beginning as well. The open sound, haunting moments of breath, pressed through their bodies.

The melancholy tones trailed off. Lidia moved her head, breathing in, mirroring Nia as she pressed her lips again to her sister's flesh. This time, Lidia kissed her sister's hand. Nia's mouth sought the delicate hollow of her clavicle. Music, mournful, as hollow as they were, breathed out from their bodies. Nia breathed into Lidia and the exhalation of her lungs slipped out through Lidia's bones, tinged with emotion, as though the warm air of her sister came to life within her body.

Around the girls, the guests fell quiet. The silence spread, like ripples from a stone thrown into a placid pool, speeding outward from their epicenter to lap at the farthest edges of the room. All eyes turned to the pale girls on stage. Lidia could feel their eyes, hungry, yearning, almost physical as their gazes pressed against her. She moved her hands beneath her sister's shift, clasping her close. Her sister's hands touched her hips, closing stops in her fluted body. At their new embrace a sigh of yearning came from the crowd, a whisper of their own hungers made musical.

Lidia's hands found the keys to her sister, her tongue touching Nia's throat once more. Her fingers ran along the knuckles of Nia's spine, finding the clarinet within her, stroking keys. She pressed the warm breath of herself into her sister and she felt Nia breathing into her. Nia's sound was dark and melancholy, her own tones, brighter, higher, ran in counterpoint, a slowly developing story of forbidden touch.

They stood embraced. Their body music built, notes intertwining seductively as their hands stroked one another's bodies, bringing forth a complex rising tide of sound. Suddenly, Nia wrenched at Lidia's shift and Lidia's fingers tore away Nia's own. They stood revealed, pale elfin creatures of music. The guests around them gasped as the notes poured out brighter now, unmuffled by clinging clothes. The girls' musical graftings shone: cobalt boreholes in their spines, glinting stops and keys made of brass and ivory that ran along their fluted frames and contained a hundred possible instruments within the structure of their bodies.

Nia's mouth crept up Lidia's arm. Notes spilled out of Lidia as bright as water jewels. Laments of desire and sin flowed from Nia's pores. Their embraces became more frenzied, a choreography of lust. The spectators pressed closer, incited by the spectacle of naked youth and music intertwined.

Around her, Lidia was vaguely aware of their watching eyes and flushed expressions. The Tingle and the performance were doing their work on the guests. She could feel the heat rising in the room. She and Nia sank slowly to the floor, their embraces becoming more erotic and elaborate, the sexual tension of their musical conflict increasing as they entwined. Years of training had come to this moment, this carefully constructed weave of harmonizing flesh.

We perform  p**n ography, Lidia thought. Pornography for the profit of Belari. She caught a glimpse of her patron's gleaming pleasure, Vernon Weir dumbstruck beside her. Yes, she thought, look at us, Master Weir, look and see what  p**n ography we perform, and then it was her turn to play upon her sister, and her tongue and hands stroked Nia's keys.

It was a dance of seduction and acquiescence. They had other dances, solos and duets, some chaste, others obscene, but for their debut, Belari had chosen this one. The energy of their music increased, violent, climactic, until at last she and Nia lay upon the floor, expended, sheathed in sweat, bare twins tangled in musical lasciviousness. Their body music fell silent.

Around them, no one moved. Lidia tasted salt on her sister's skin as they held their pose. The lights dimmed, signaling completion.

Applause exploded around them. The lights brightened. Nia drew herself upright. Her lips quirked in a smile of satisfaction as she helped Lidia to her feet. You see? Nia's eyes seemed to say. We will be stars. Lidia found herself smiling with her sister. Despite the loss of Stephen, despite Belari's depredations, she was smiling. The audience's adoration washed over her, a balm of pleasure.

They curtsied to Belari as they had been trained, making obeisance first to their patron, the mother goddess who had created them. Belari smiled at the gesture, however scripted it was, and joined the applause of her guests. The people's applause increased again at the girls' good grace, then Nia and Lidia were curtseying to the corners of the compass, gathering their shifts and leaving the stage, guided by Burson's hulking presence to their patron.

The applause continued as they crossed the distance to Belari. Finally, at Belari's wave, the clapping gave way to respectful silence. She smiled at her assembled guests, placing her arms around the slight shoulders of the girls and said, "My lords and ladies, our Fluted Girls," and applause burst over them again, one final explosion of adulation before the guests fell to talking, fanning themselves, and feeling the flush of their own skins which the girls had inspired.

Paolo Bacigalupi's Books