Portrait in Death (In Death #16)(101)
"The best thing to do for him is to close the case, see that the person who did his sister is locked away. Flowers aren't going to comfort him, Peabody. Justice might, at least a little."
"You're right, it's just hard when it hits this close."
"It's supposed to be hard. When you start thinking it's easy, turn in your badge."
Peabody opened her mouth, insulted by the tone, then saw the fatigue, and the anger just under the shield. "Where are we going? I should know, I should be able to figure it out." The detective's exam loomed over her head like an ax. "But I can't."
"How did he transport her?"
"We don't know. Yet," she added.
"Why don't we know?"
"Because he didn't use the van we had under surveillance."
"Why didn't he use the van we had under surveillance?"
"Because... because he knew we were watching it." At the last minute she managed to change the tone from a question to a statement. "Do you think Billy tipped him?"
"Do you?"
She struggled with it for a moment, worked it through. "No, sir. At least not deliberately. Billy's small-time. He's not holding hands with a serial killer. He copped to the sideline, he cooperated. He's got a kid and the kid matters. He doesn't want this kind of trouble."
"So, how did our guy know to steer clear of Billy's garage?"
"Somebody else could have tipped him." But that didn't gel for her. "He might've gotten nervous, using the same van. But no," she continued, working it out, "he sticks to pattern. He likes his routine. So he had to know we'd made the van and were waiting. He had to see us there. He saw you. Recognized you from the screen, knew you were primary on this case, spotted my uniform. Jig's up on the gray van."
"And how did he see us?"
"Because... shit. Because he lives or works in the area! You already said you figured he did, and this adds weight. He spotted us from the street, or a window."
"Gold star for you."
"I'd settle for a gold shield."
Eve pulled up a half-block from the parking port. She'd wanted to see the area firsthand rather than on a computer screen. She wanted the feel of it, the rhythm of the sector, the viewpoints.
Not too close, she mused. He'd be careful about picking his transpo from a port right next door. But close enough so he could watch it, see the deals being made, the operation. Scope it out, choose his mark.
Yeah, the nice gray van driven by the old lady. Runs like a top, no special features. Blends. Plenty of space if things start going south and he has to muscle his mark into the back.
"He lives here," Eve said. "Not his work space. He sees the van go out on Sundays. He watches the port at night to see how the deals go through. He lives around here, keeps to himself, doesn't bother his neighbors. Low profile. Blends, just like his vehicle of choice."
She climbed back in her unit and prayed the climate control would hold back the heat while she worked. "Start running the buildings for residents. I want single males first."
"Which buildings?"
"All of them. The whole block."
"Going to take some time."
"Then you'd better get started." Eve scanned the buildings a block west, and zeroed in on the upper floors. Guy with image equipment probably had some nice long-range lenses, she speculated.
Using her 'link, she began a run of her own.
Chapter 20
Nothing popped for her, and when the climate control began to waffle, she ignored it and kept working. Ugly clouds rolled in, shooting the street into a sludgy gloom. Fat, mean splats of rain began to pound the windshield, heralded by a long growl of thunder.
"Storm looks nasty." Peabody mopped at the back of her neck and shot a glance at her lieutenant's profile. There was a light dew of sweat on Eve's face, but it could have been the result of that vicious concentration as much as the heat. "Maybe it'll cool things off."
"We'll just have wet heat. Fucking August." But she said it absently, almost affectionately. "He's here, Peabody, but where's his bolt-hole? Someplace nice and safe, where everything's tidy, everything's in its place.
"Pictures," she muttered, staring through the rain-washed window into the gloom. "Images tacked up all over the walls. He needs to see his work. Judge it, admire it, critique it. His work is his life. His work is life."
"Matted and framed."
"What?"
"Not tacked up," Peabody said. "Matted and framed. He'd want the best of it well presented, right?"
With a considering frown, Eve turned her head. "Good. That's damn good. Matted and framed. Where does he get the material? Local? Online? He'd want good stuff, wouldn't he? The best he could afford. Lots of frames. Probably unified. He's got a specific style, so he'd want them framed in a specific style. Get me the top ten outlets in the city to start."
"Yes, sir. Where are we going?" she asked as Eve pulled away from the curb.
"Home office. Better equipment."
"Woo-hoo. Sorry." But Peabody didn't bother to suppress the grin. "Better food, too. Jesus." She jumped when lightning lashed through the sky. "Serious stuff. Did you ever hide under the covers during a storm when you were a kid and count the seconds between the flash and boom?"
J.D. Robb's Books
- Indulgence in Death (In Death #31)
- Brotherhood in Death (In Death #42)
- Leverage in Death: An Eve Dallas Novel (In Death #47)
- Apprentice in Death (In Death #43)
- Brotherhood in Death (In Death #42)
- Echoes in Death (In Death #44)
- J.D. Robb
- Obsession in Death (In Death #40)
- Devoted in Death (In Death #41)
- Festive in Death (In Death #39)