Pet Sematary(91)
The toy locomotive struck the cat dead center. Church uttered a squawk and fled, displaying its usual grace by slamming into the door and almost falling over on its way out.
Cage stirred, muttered something, shifted position, and was still again. Louis felt a little sick. There was sweat standing out in beads on his forehead.
"Louis?" Rachel, from downstairs, sounding alarmed. "Did Gage fall out of his crib?"
"He's fine, honey. Church knocked over a couple of his toys."
"Oh, all right."
He felt-irrationally or otherwise-the way he might have felt if he had looked in on his son and found a snake crawling over him or a big rat perched on the bookshelf over Gage's crib. Of course it was irrational. But when it had hissed at him from the closet like that.
(Zelda did you think Zelda did you think Oz the Gweat and Tewwible?) He closed Gage's closet door, sweeping a number of toys back in with its moving foot. He listened to the tiny click of the latch. After a moment's further hesitation, he turned the closet's thumbbolt.
He went back to Gage's crib. In shifting around, the kid had kicked his two blankets down around his knees. Louis disentangled him, pulled the blankets up, and then merely stood there, watching his son, for a long time.
Part two THE MICMAC BURYING GROUND
Chapter 1
When Jesus came to Bethany, he found that Lazarus had lain in the grave four days already. When Martha heard that Jesus was coming, she hurried to meet him.
"Lord," she said, "if you had been here, my brother would not have died. But now you are here, and I know that whatever you ask of God, God will grant."
Jesus answered her: "Your brother shall rise again."
-JOHN'S GOSPEL (paraphrase) "Hey-ho, let's go." -THE RAMONES
36
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.
Louis Creed might have harbored such thoughts if he had been thinking rationally following the funeral of his son, Gage William Creed, on the seventeenth of May, but any rational thought-or attempt at it-ceased at the funeral parlor, where a fistfight with his father-in-law (bad enough) resulted in an event even more terrible-a final bit of outrageous gothic melodrama which shattered whatever remained of Rachel's fragile self-control. That day's penny dreadful events were only complete when she was pulled, screaming, from the East Room of the Brookings-Smith Mortuary, where Gage lay in his closed coffin, and sedated in the foyer by Surrendra Hardu.
The irony of it was that she would not have experienced that final episode at all, that extravagance of horror, one might say, if the fistfight between Louis Creed and Mr. Irwin Goldman of Dearborn had taken place at the morning visiting hours (10 to 11:30 A. M.) instead of at the afternoon visiting hours (2 to 3:30 P. M.). Rachel had not been in attendance at the morning visiting hours; she simply had not been able to come. She sat at home with Jud Crandall and Steve Masterton. Louis had no idea how he ever could have gotten through the previous forty-eight hours or so without Jud and Steve.
It was well for Louis-well for all three of the remaining family members-that Steve had shown up as promptly as he had, because Louis was at least temporarily unable to make any kind of decision, even one so minor as giving his wife a shot to mute her deep grief. Louis hadn't even noticed that Rachel had apparently meant to go to the morning viewing in her housecoat, which she had misbuttoned.
Her hair was uncombed, unwashed, tangled. Her eyes, blank brown orbits, bulged from sockets so sunken that they had almost become the eyes of a living skull.
Her flesh was doughy. It hung from her face. She sat at the breakfast table that morning, munching unbuttered toast and talking in disjointed phrases that made no sense at all. At one point she had said abruptly, "About that Winnebago you want to buy, Lou-" Louis had last spoken about buying a Winnebago in 1981.
Louis only nodded and went on eating his own breakfast. He was having a bowl of Cocoa Bears. Cocoa Bears had been one of Gage's favorite cereals, and this morning Louis wanted them. The taste of them was appalling, but he still wanted them. He was neatly turned out in his best suit-not black, he didn't have a black suit, but it was at least a deep charcoal gray. He had shaved, showered, and combed his hair. He looked fine, although he was lost in shock.
Ellie was dressed in blue jeans and a yellow blouse. She had brought a picture to the breakfast table with her. This picture, an enlargement of a Polaroid Rachel had taken with the SX-70 Louis and the kids had given her for her last birthday, showed Gage, grinning from the depths of his Sears ski-parka, sitting on her Speedaway sled as Ellie pulled him. Rachel had caught Ellie looking back over her shoulder and smiling at Gage. Gage was grinning back at her.