Night Shift(48)

It was just a second, just a second before Bertie and me was down those stairs like schoolkids, four an' five at a time, and out the door into the snow, slippin an' sliding.

Going down we heard Henry fire three times, the reports loud as grenades in the closed hallways of that empty, cursed house.

What we saw in that one or two seconds will last me a lifetime - or whatever's left of it. It was like a huge grey wave of jelly, jelly that looked like a man, and leaving a trail of slime behind it.

But that wasn't the worst. Its eyes were flat and yellow and wild, with no human soul in 'em. Only there wasn't two. There were four, an' right down the centre of the thing, betwixt the two pairs of eyes, was a white, fibrous line with a kind of pulsing pink flesh showing through like a slit in a hog's belly.

It was dividing, you see. Dividing in two.

Bertie and I didn't say nothing to each other going back to the store. I don't know what was going through his mind, but I know well enough what was in mine: the multiplication table. Two times two is four, four times two is eight, eight times two is sixteen, sixteen-times two is -We got back. Carl and Bill Pelham jumped up and started asking questions right off. We wouldn't answer, neither of us. We just turned around and waited to see if Henry was gonna walk in outta the snow. I was up to 32,768 times two is the end of the human race and so we sat there cozied up to all that beer and waited to see which one was going to finally come back; and here we still sit.

I hope it's Henry. I surely do.

BATTLEGROUND

'Mr Renshaw?'

The desk clerk's voice caught him halfway to the elevator, and Renshaw turned back impatiently, shifting his flight bag from one hand to the other. The envelope in his coat pocket, stuffed with twenties and fifties, crackled heavily. The job had gone well and the pay had been excellent - even - after the Organization's 15 per cent finder's fee had been skimmed off the top. Now all he wanted was a hot shower and a gin and tonic and sleep.

'What is it?'

'Package, sir. Would you sign the slip?'

Renshaw signed and looked thoughtfully at the rectangular package. His name and the building's address were written on the gummed label in a spiky backhand script that seemed familiar. He rocked the package on the imitation-marble surface of the desk, and something clanked faintly inside.

'Should I have that sent up, Mr Renshaw?'

'No, I've got it.' It was about eighteen inches on a side and fitted clumsily under his arm. He put it on the plush carpet that covered the elevator floor and twisted his key in the penthouse slot above the regular rack of buttons. The car rose smoothly and silently. He closed his eyes and let the job replay itself on the dark screen of his mind.

First, as always, a call from Cal Bates: 'You available, Johnny?'

He was available twice a year, minimum fee $10,000. He was very good, very reliable, but what his customers really paid for was the infallible predator's talent. John Renshaw was a human hawk, constructed by both genetics and environment to do two things superbly: kill and survive.

After Bates's call, a buff-coloured envelope appeared in Renshaw's box. A name, an address, a photograph. All committed to memory; then down the garbage disposal with the ashes of envelope and contents.

This time the face had been that of a sallow Miami businessman named Hans Morris, founder and owner of the Morris Toy Company. Someone had wanted Morris out of the way and had gone to the Organization. The Organization, in the person of Calvin Bates, had talked to John Renshaw. Pow. Mourners please omit flowers.

The doors slid open, he picked up his package and stepped out. He unlocked the suite and stepped in. At this time of day, just after 3p.m., the spacious living room was splashed with April sunshine. He paused for a moment, enjoying it, then put the package on the end table by the door and loosened his tie. He dropped the envelope on top of it and walked over to the terrace.

He pushed open the sliding glass door and stepped out. It was cold, and the wind knifed through his thin topcoat. Yet he paused a moment, looking over the city the way a general might survey a captured country. Traffic crawled beetlelike in the streets. Far away, almost buried in the golden afternoon haze, the Bay Bridge glittered like a madman's mirage. To the east, all but lost behind the downtown high rises, the crammed and dirty tenements with their stainless-steel forests of TV aerials. It was better up here. Better than in the gutters.

He went back inside, slid the door closed, and went into the bathroom for a long, hot shower.

When he sat down forty minutes later to regard his package, drink in hand, the shadows had marched halfway across the wine-coloured carpet and the best of the afternoon was past.

It was a bomb.

Of course it wasn't, but one proceeded as if it were. That was why one had remained upright and taking nourishment while so many others had gone to that great unemployment office in the sky.

If it was a bomb, it was clockless. It sat utterly silent; bland and enigmatic. Plastique was more likely these days, anyway. Less temperamental than the clocksprings manufactured by Westclox and Big Ben.

Renshaw looked at the postmark. Miami, 15 April. Five days ago. So the bomb was not time-set. It would have gone off in the hotel safe in that case.

Miami. Yes. And that spiky backhand writing. There had been a framed photograph on the sallow businessman's desk. The photo had been of an even sallower old crone wearing a babushka. The script slanted across the bottom had read: 'Best from your number-one idea girl - Mom.'