Mr. Mercedes (Unnamed Trilogy #1)(79)



“That’s a good idea.”

“Thanks, but I dread the luncheon. Not Mrs. Greene and the rest of Mom’s few old friends, but them. If Aunt Charlotte freaks, Holly’s apt to have a meltdown. You’ll come to lunch, too, won’t you?”

“If you let me reach inside that shirt you’re wearing, I’ll do anything you want.”

“In that case, let me help you with the buttons.”

4

Not many miles from where Kermit William Hodges and Janelle Patterson are lying together in the house on Harper Road, Brady Hartsfield is sitting in his control room. Tonight he’s at his worktable instead of his bank of computers. And doing nothing.

Nearby, lying amid the litter of small tools, bits of wire, and computer components, is the Monday paper, still rolled up inside its thin plastic condom. He brought it in when he got back from Discount Electronix, but only from force of habit. He has no interest in the news. He has other things to think about. How he’s going to get the cop. How he’s going to get into the ’Round Here concert at the MAC wearing his carefully constructed suicide vest. If he really intends to do it, that is. Right now it all seems like an awful lot of work. A long row to hoe. A high mountain to climb. A . . . a . . .

But he can’t think of any other similes. Or are those metaphors?

Maybe, he thinks drearily, I just ought to kill myself now and be done with it. Get rid of these awful thoughts. These snapshots from hell.

Snapshots like the one of his mother, for instance, convulsing on the sofa after eating the poisoned meat meant for the Robinson family’s dog. Mom with her eyes bugging out and her pajama shirt covered with puke—how would that picture look in the old family album?

He needs to think, but there’s a hurricane going on in his head, a big bad Category Five Katrina, and everything is flying.

His old Boy Scout sleeping bag is spread out on the basement floor, on top of an air mattress he scrounged from the garage. The air mattress has a slow leak. Brady supposes he ought to replace it if he means to continue sleeping down here for whatever short stretch of life remains to him. And where else can he sleep? He can’t bring himself to use his bed on the second floor, not with his mother lying dead in her own bed just down the hall, maybe already rotting her way into the sheets. He’s turned on her air conditioner and cranked it up to HI COOL, but he’s under no illusions about how well that will work. Or for how long. Nor is sleeping on the living room couch an option. He cleaned it as well as he could, and turned the cushions, but it still smells of her vomit.

No, it has to be down here, in his special place. His control room. Of course the basement has its own unpleasant history; it’s where his little brother died. Only died is a bit of a euphemism, and it’s a bit late for those.

Brady thinks about how he used Frankie’s name when he posted to Olivia Trelawney under Debbie’s Blue Umbrella. It was as if Frankie was alive again for a little while. Only when the Trelawney bitch died, Frankie died with her.

Died again.

“I never liked you anyway,” he says, looking toward the foot of the stairs. It is a strangely childish voice, high and treble, but Brady doesn’t notice. “And I had to.” He pauses. “We had to.”

He thinks of his mother, and how beautiful she was in those days.

Those old days.

5

Deborah Ann Hartsfield was one of those rare ex-cheerleaders who, even after bearing children, managed to hang on to the body that had danced and pranced its way along the sidelines under the Friday-night lights: tall, full-figured, honey-haired. During the early years of her marriage, she took no more than a glass of wine with dinner. Why drink to excess when life was good sober? She had her husband, she had her house on the North Side of the city—not exactly a palace, but what starter-home was?—and she had her two boys.

At the time his mother became a widow, Brady was eight and Frankie was three. Frankie was a plain child, and a bit on the slow side. Brady, on the other hand, had good looks and quick wits. Also, what a charmer! She doted on him, and Brady felt the same about her. They spent long Saturday afternoons cuddled together on the couch under a blanket, watching old movies and drinking hot chocolate while Norm puttered in the garage and Frankie crawled around on the carpet, playing with blocks or a little fire truck that he liked so well he had given it a name: Sammy.

Norm Hartsfield was a lineman for Central States Power. He made a good salary pole-climbing, but had his sights trained on bigger things. Perhaps it was those things he was eyeing instead of watching what he was doing that day beside Route 51, or maybe he just lost his balance a little and reached the wrong way in an effort to steady himself. No matter what the reason, the result was lethal. His partner was just reporting that they’d found the outage and repair was almost complete when he heard a crackling sound. That was twenty thousand volts of coal-fired CSP electricity pouring into Norm Hartsfield’s body. The partner looked up just in time to see Norm tumble out of the cherry-picker basket and plunge forty feet to the ground with his left hand melted and the sleeve of his uniform shirt on fire.

Addicted to credit cards, like most middle Americans as the end of the century approached, the Hartsfields had savings of less than two thousand dollars. That was pretty thin, but there was a good insurance policy, and CSP kicked in an additional seventy thousand, trading it for Deborah Ann’s signature on a paper absolving the company of all blame in the matter of Norman Hartsfield’s death. To Deborah Ann, that seemed like a huge bucketful of cash. She paid off the mortgage on the house and bought a new car. Never did it occur to her that some buckets fill but once.

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