Mr. Mercedes (Unnamed Trilogy #1)(54)
He remembers something Pete Huntley said at lunch, just a remark in passing, and the answer comes to him. Hodges writes on his pad, then rewrites, then polishes. He reads the finished message over and decides it will do. It’s short and mean. There’s something you forgot, sucka. Something a false confessor couldn’t know. Or a real confessor, for that matter . . . unless Mr. Mercedes checked out his rolling murder weapon from stem to stern before climbing in, and Hodges is betting the guy didn’t.
If he’s wrong, the line snaps and the fish swims away. But there’s an old saying: no risk, no reward.
He wants to send the message right away, but knows it’s a bad idea. Let the fish swim around in circles a little longer with that bad old hook in his mouth. The question is what to do in the meantime. TV never had less appeal for him.
He gets an idea—they’re coming in bunches this morning—and pulls out the bottom drawer of his desk. Here is a box filled with the small flip-up pads he used to carry with him when he and Pete were doing street interviews. He never expected to need one of these again, but he takes one now and stows it in the back pocket of his chinos.
It fits just right.
5
Hodges walks halfway down Harper Road, then starts knocking on doors, just like in the old days. Crossing and re-crossing the street, missing no one, working his way back. It’s a weekday, but a surprising number of people answer his knock or ring. Some are stay-at-home moms, but many are retirees like himself, fortunate enough to have paid for their homes before the bottom fell out of the economy, but in less than great shape otherwise. Not living day-to-day or even week-to-week, maybe, but having to balance out the cost of food against the cost of all those old-folks medicines as the end of the month nears.
His story is simple, because simple is always best. He says there have been break-ins a few blocks over—kids, probably—and he’s checking to see if anyone in his own neighborhood has noticed any vehicles that seem out of place, and have shown up more than once. They’d probably be cruising even slower than the twenty-five-mile-an-hour speed limit, he says. He doesn’t have to say any more; they all watch the cop shows and know what “casing the joint” means.
He shows them his ID, which has RETIRED stamped in red across the name and vitals below his photo. He’s careful to say that no, he hasn’t been asked by the police to do this canvassing (the last thing in the world he wants is one of his neighbors calling the Murrow Building downtown to check up on him), it was his own idea. He lives in the neighborhood, too, after all, and has a personal stake in its security.
Mrs. Melbourne, the widow whose flowers so fascinated Odell, invites him in for coffee and cookies. Hodges takes her up on it because she seems lonely. It’s his first real conversation with her, and he quickly realizes she’s eccentric at best, downright bonkers at worst. Articulate, though. He has to give her that. She explains about the black SUVs she’s observed (“With tinted windows you can’t see through, just like on 24”), and tells him about their special antennas. Whippers, she calls them, waving her hand back and forth to demonstrate.
“Uh-huh,” Hodges says. “Let me make a note of that.” He turns a page in his pad and jots I have to get out of here on the new one.
“That’s a good idea,” she says, bright-eyed. “I’ve just got to tell you how sorry I was when your wife left you, Detective Hodges. She did, didn’t she?”
“We agreed to disagree,” Hodges says with an amiability he doesn’t feel.
“It’s so nice to meet you in person and know you’re keeping an eye out. Have another cookie.”
Hodges glances at his watch, snaps his pad closed, and gets up. “I’d love to, but I’d better roll. Got a noon appointment.”
She scans his bulk and says, “Doctor?”
“Chiropractor.”
She frowns, transforming her face into a walnut shell with eyes. “Think that over, Detective Hodges. Back-crackers are dangerous. There are people who have lain down on those tables and never walked again.”
She sees him to the door. As he steps onto the porch, she says, “I’d check on that ice cream man, too. This spring it seems like he’s always around. Do you suppose Loeb’s Ice Cream checks out the people they hire to drive those little trucks? I hope so, because that one looks suspicious. He might be a peedaroast.”
“I’m sure their drivers have references, but I’ll look into it.”
“Another good idea!” she exclaims.
Hodges wonders what he’d do if she produced a long hook, like in the old-time vaudeville shows, and tried to yank him back inside. A childhood memory comes to him: the witch in Hansel and Gretel.
“Also—I just thought of this—I’ve seen several vans lately. They look like delivery vans—they have business names on them—but anyone can make up a business name, don’t you think?”
“It’s always possible,” Hodges says, descending the steps.
“You should call in to number seventeen, too.” She points down the hill. “It’s almost all the way down to Hanover Street. They have people who come late, and play loud music.” She sways forward in the doorway, almost bowing. “It could be a dope den. One of those crack houses.”
Hodges thanks her for the tip and trudges across the street. Black SUVs and the Mr. Tastey guy, he thinks. Plus the delivery vans filled with Al Qaeda terrorists.