Moon Called (Mercy Thompson #1)(5)
I don't go out to the Reach often. There are closer places to run, or, if I feel like driving, the Blue Mountains aren't too far away. But sometimes my soul craves the arid, desolate space of the preserve-especially after I get through talking with my mother.
I parked the car and walked for a while until I was reasonably certain there was no one around. Then I took off my clothes and put them in the small daypack and shifted.
Werewolves can take as much as fifteen minutes to shift shape-and shifting is painful for them, which is something to keep in mind. Werewolves aren't the most friendly animals anyway, but if they've just shifted, it's a good policy to leave them alone for a while.
Walkers' shifting-at least my shifting, because I don't know any other walkers-is quick and painless. One moment I'm a person and the next a coyote: pure magic. I just step from one form into the next.
I rubbed my nose against my foreleg to take away the last tingle of the change. It always takes a moment to adjust to moving on four feet instead of two. I know, because I looked it up, that coyotes have different eyesight than humans, but mine is pretty much the same in either form. My hearing picks up a little and so does my sense of smell, though even in human form I've got better senses than most.
I picked up the backpack, now stuffed with my clothes, and left it under a bunch of scrub. Then I shed the ephemera of my human existence and ran into the desert.
By the time I had chased three rabbits and teased a couple in a boat with a close-up glimpse of my lovely, furred self on the shore of the river, I felt much better. I don't have to change with the moon, but if I go too long on two feet I get restless and moody.
Happily tired, in human shape, and newly clothed, I got into my car and said my usual prayer as I turned the key. This time the diesel engine caught and purred. I never know from day to day if the Rabbit will run. I drive it because it is cheap, not because it is a good car. There's a lot of truth in the adage that all cars named after animals are lemons.
On Sunday I went to church. My church is so small that it shares its pastor with three other churches. It is one of those nondenominational churches so busy not condemning anyone that it has little power to attract a steady congregation. There are relatively few regulars, and we leave each other mostly alone. Being in a unique position to understand what the world would be like without God and his churches to keep the worst of the evil at bay, I am a faithful attendee.
It's not because of the werewolves. Werewolves can be dangerous if you get in their way; but they'll leave you alone if you are careful. They are no more evil than a grizzly bear or great white shark.
There are other things, though, things that hide in the dark, that are much, much worse-and vampires are only the tip of the iceberg. They are very good at hiding their natures from the human population, but I'm not human. I know them when I meet them, and they know me, too; so I go to church every week.
That Sunday, our pastor was sick and the man who replaced him chose to give a sermon based upon the scripture in Exodus 22: "Thou shall not suffer a witch to live." He extended the meaning to encompass the fae, and from him rose a miasma of fear and rage I could sense from my seat. It was people like him who kept the rest of the preternatural community in hiding almost two decades after the lesser fae were forced into the public view.
About thirty years ago, the Gray Lords, the powerful mages who rule the fae, began to be concerned about advances in science-particularly forensic science. They foresaw that the Time of Hiding was coming to an end. They decided to do damage control, and see to it that the human's realization of the world's magic was as gentle as possible. They awaited the proper opportunity.
When Harlan Kincaid, the elderly billionaire real estate magnate, was found dead near his roses with a pair of garden shears in his neck, suspicion fell upon his gardener Kieran McBride, a quiet-spoken, pleasant-faced man who had worked for Kincaid, a prize-winning gardener himself, for a number of years.
I saw bits of the trial, as most Americans did. The sensational murder of one of the country's wealthiest men, who happened to be married to a beloved, young actress, ensured the highest ratings for the networks.
For several weeks the murder occupied the news channels. The world got to see Carin Kincaid, with tears flowing down her California-tanned cheeks, as she described her reaction to finding her dead husband lying next to his favorite rosebush-which had been hacked to pieces. Her testimony was Oscar-quality, but she was upstaged by what happened next.
Kieran McBride was defended by an expensive team of lawyers who had, amid much publicity, agreed to work pro bono. They called Kieran McBride to the stand and skillfully baited the prosecuting attorney into asking McBride to hold the garden shears in his hand.
He tried. But after only an instant his hands began to smoke before dropping them. At his attorney's request he showed the blistered palms to the jury. He couldn't have been the murderer, the lawyer told the judge, jury, and the rest of the world, because Kieran McBride was fae, a garden sprite, and he couldn't hold cold iron, not even through thick leather gloves.
In a dramatic moment, McBride dropped his glamour, the spell that kept him appearing human. He wasn't beautiful, just the opposite, but anyone who has seen a Shar-pei puppy knows there is great charisma in a certain sort of ugliness. One of the reasons McBride had been chosen by the Gray Lords was because garden sprites are gentle folk and easy to look at. His sorrowful, overly large brown eyes made the covers of magazines for weeks opposite less-than-flattering pictures of Kincaid's wife, who was later convicted of her husband's death.