Misery(89)

"Or stick it up your ass." She started for the stairs.

"Cover the windows, then!" he yelled after her. "Use some pieces of sheet... or... or... paint them black... or... or... Christ, Annie, the rats! The rats!" She was on the third stair. She paused, looking at him from those dusty-dime eyes. "I haven't time to do any of those things," she said, "and the rats won't bother you, anyway. They may even recognize you for one of their own, Paul. They may adopt you." Annie laughed. She climbed the stairs, laughing harder and harder. There was a click as the lights went out and. Annie went on laughing and he told himself he wouldn't scream, wouldn't beg; that he was past all that. But the damp wildness of the shadows and the boom of her laughter were too much and he shrieked for her not to do this to him, not to leave him, but she only went on laughing and there was a click as the door was shut and her laughter was muted but her laughter was still there, her laughter was on the other side of the door, where there was light, and then the lock clicked, and then another door closed and her laughter was even more muted (but still there), and another lock clicked and a bolt slammed, and her laughter was going away, her laughter was outside, and even after she had started the cruiser up, backed out, put the chain across the driveway, and driven away, he thought he could still hear her. He thought he could still hear her laughing and laughing and laughing.

21

The furnace was a dim bulk in the middle of the room. It looked like an octopus. He thought he would have been able to hear the chiming of the parlor clock if the night had been still, but a strong summer wind had blown up, as it so often did these nights, and there was only time, spreading out forever. He could hear crickets singing just outside the house when the wind dropped... and then, sometime later, he heard the stealthy noises he had been afraid of: the low, momentary scuff-and-scurry of the rats.

Only it wasn't rats he was afraid of, was it? It was the trooper. His so-f*cking-vivid imagination rarely gave him the horrors, but when it did, God help him. God help him once it was warmed up. It was not only warmed up now, it was hot and running on full choke. That there was no sense at all in what he was thinking made not a whit of difference in the dark. In the dark, rationality seemed stupid and logic a dream. In the dark he thought with his skin. He kept seeing the trooper coming back to life - some sort of life - out in the barn, sitting up, the loose hay with which Annie had covered him falling to either side of him and into his lap, his face plowed into bloody senselessness by the mower's blade. Saw him crawling out of the barn and down the driveway to the bulkhead, the torn streamers of his uniform swinging and fluttering. Saw him melting magically through the bulkhead and reintegrating his corpse's body down here. Saw him crawling across the packed dirt floor, and the little noises Paul heard weren't rats but the sounds of his approach, and there was but a single thought in the cooling clay of the trooper's dead brain: You killed me. You opened your mouth and killed me. You threw an ashtray and killed me. You cockadoodie son of a bitch, you murdered my life.

Once Paul felt the trooper's dead fingers slip, tickling, down his cheek, and he screamed loudly, jerking his legs and making them bellow. He brushed frantically at his face and knocked away not fingers but a large spider.

The movement ended the uneasy truce with the pain in his legs and the drug-need in his nerves, but it also diffused his terror a little. His night vision was coming on strong now, he could see better, and that was a help. Not that there was much to look at - the furnace, the remains of a coal-pile, a table with a bunch of shadowy cans and implements lying on it and to his right, up a way from where be was propped... what was that shape? The one next to the shelves? He knew that shape. Something about it that made it a bad shape. It stood on three legs. Its top was rounded. It looked like one of Wells's death-machines in The War Of the Worlds, only in miniature. Paul puzzled over this, dozed a little, woke, looked again, and thought: Of course, I should have known from the first. It is a death-machine. And if anyone on Earth's a Martian, it's Annie-f*ckin-Wilkes. It's her barbecue pot. It's the crematorium where she made me burn Fast Cars.

He shifted a little because his ass was going to sleep, and moaned. Pain in his legs - particularly in the bunched remains of his left knee - and pain in his pelvis as well. That! probably meant he was in for a really bad night, because his" pelvis had gotten pretty quiet over the last two months.

He felt for the hypo, picked it up, then put it back. A very light dose, she had said. Best to save it for later, then. He heard a light shuffle-scuffle and looked quickly in the corner, expecting to see the trooper crawling toward him, one brown eye peering from the hash of his face. If not for you I could be home watching TV now with my hand on my wife's leg.

No cop. A dim shape which was maybe just imagination but was more likely a rat. Paul willed himself to relax.

Oh what a long night this was going to be.

22

He dozed a little and woke up slumped far over to the left with his head hung down like a drunk in an alley. He straightened up and his legs cursed him roundly. He used the bedpan and it hurt to piss and he realized with some dismay that a urinary infection was probably setting in. He was so vulnerable now. So f**king vulnerable to everything. He put the urinal aside and picked up the hypo again.

A light dose of scopolamine, she said - well, maybe so. Or maybe she loaded it with a hot shot of something. The sort of stuff she used on folks like Ernie Gonyar and "Queenie" Beaulifant.