Love in the Afternoon (The Hathaways #5)(82)
Chapter Twenty-five
Although Beatrix considered Hampshire to be the most beautiful place in England, the Cotswolds very nearly eclipsed it. The Cotswolds, often referred to as the heart of England, were formed by a chain of escarpments and hills that crossed Gloucestershire and Oxfordshire. Beatrix was delighted by the storybook villages with their small, neat cottages, and by the green hills covered with plump sheep. Since wool had been the most profitable industry of the Cotswolds, with profits being used to improve the landscape and build churches, more than one plaque proclaimed, THE SHEEP HATH PAID FOR ALL.
To Beatrix’s delight, the sheepdog had a similarly elevated status. The villagers’ attitude toward dogs reminded Beatrix of a Romany saying she had once heard from Cam . . . “To make a visitor feel welcome, you must also make his dog feel welcome.” Here in this Cotswold village, people took their dogs everywhere, even to churches in which the pews were worn with grooves where leashes had been tied.
Christopher took Beatrix to a thatched-roof cottage on the estate of Lord Brackley. The viscount, an elderly friend and connection of Annandale’s, had offered to make the place available to them indefinitely. The cottage was just out of sight of Brackley Manor, built on the other side of an ancient tithe barn. With its low arched doors, sloping thatched roof, and twice-flowering pink clematis climbing the outside walls, the cottage was enchanting.
The main room featured a stone fireplace, beamed ceilings and comfortable furnishings, and mullioned windows overlooking a back garden. Albert went to investigate the upstairs rooms, while a pair of footmen carried in trunks and valises.
“Does it please you?” Christopher asked, smiling as he saw Beatrix’s excitement.
“How could it not?” she asked, turning a slow circle to view everything.
“It’s a rather humble place for a honeymoon,” Christopher said, smiling as she bounded to him and threw her arms around his neck. “I could take you anywhere—Paris, Florence—”
“As I told you before, I want a quiet, snug place.” Beatrix pressed impulsive kisses on his face. “Books . . . wine . . . long walks . . . and you. It’s the most wonderful place in the world. I’m already sorry to leave.”
He chuckled, endeavoring to catch her mouth with his own. “We don’t have to leave for two weeks.” After he captured her lips in a long, searing kiss, Beatrix melted against him and sighed.
“How could ordinary life possibly compare to this?”
“Ordinary life will be just as wonderful,” he whispered. “As long as you’re there.”
At Christopher’s insistence, Beatrix slept in one of two adjoining upstairs bedrooms, separated only by a thin wall of lath and plaster. He knew it bothered her not to share a room with him, but his sleep was too restless, his nightmares too unpredictable, for him to take any chances.
Even here, in this place of unfolding happiness, there were difficult nights. He woke and sat bolt upright from dreams of blood and bullets, of faces contorted with agony, and he found himself reaching for a gun, a sword, some means of defending himself. Whenever the nightmares were especially bad, Albert always crept onto the foot of the bed and kept him company. Just as he had during the war, Albert guarded Christopher while he slept, ready to alert him if an enemy approached.
No matter how troubled the nights were, however, the days were extraordinary . . . pleasure filled, serene, imparting a sense of well-being that Christopher hadn’t felt in years. There was something about the light in the Cotswolds, a smooth opalesence that covered the hills and farmland in a soft binding. The morning usually began with sun, the sky gradually thickening to clouds in the afternoon. Later in the day, rain fell on the brilliant autumn leaves and gave them a boiled-sugar glaze, and drew out a dark, fresh scent from the loam and clay.
They quickly fell into a pattern of things, a simple breakfast followed by a long ramble with Albert, and then they ventured out to visit the nearby market town with its shops and bakeries, or to explore old ruins and monuments. One could not employ a purposeful stride with Beatrix. She stopped frequently to look at spiderwebs, insects, moss, nests. She listened to out-of-doors sounds with the same appreciation that other people showed while listening to Mozart. It was all a symphony to her . . . sky, water, land. She approached the world anew each day, living fully in the present, keeping pace with everything around her.
One evening they accepted an invitation from Lord and Lady Brackley to have dinner at the manor. Most of the time, however, they secluded themselves, their privacy disrupted only when servants came from the nearby manor to bring food and fresh linens. Many an afternoon was spent making love before the hearth or in bed. The more Christopher had of Beatrix, the more he wanted.
But Christopher was determined to shelter her from the darker side of himself, the memories that he couldn’t escape. She was patient when they came to stumbling blocks in their conversations, when one of her questions had veered close to dangerous territory. She was equally forbearing when a shadow crossed his mood. And Christopher was ashamed that she had to accommodate such complexities in his nature.
There were moments when her gentle prying spurred a flare of irritation, and rather than snap at her, he withdrew into a cool silence. And their sleeping arrangements were a frequent source of tension. Beatrix could not seem to accept the fact that he wanted no one near him while he slept. It wasn’t merely his nightmares—he was literally incapable of falling asleep if there was someone else next to him. Every touch or sound would jolt him awake. Every night was a struggle.
Lisa Kleypas's Books
- Devil's Daughter (The Ravenels #5)
- Hello Stranger (The Ravenels #4)
- Hello Stranger (The Ravenels #4)
- Hello Stranger (The Ravenels #4)
- Devil in Spring (The Ravenels #3)
- Lisa Kleypas
- Where Dreams Begin
- A Wallflower Christmas (Wallflowers #5)
- Scandal in Spring (Wallflowers #4)
- Devil in Winter (Wallflowers #3)