Kindred in Death (In Death #29)(27)



“With a jacket you could hook the cuffs in the back, cover them, as cops often do.”

“I think he strode along, a young guy with somewhere to go. Just another teenager or college type, good-looking, clean, upscale clothes. Nobody pays attention. I think he tagged her from a block or two away, got her on the ’link, the way you said. Maybe just to say, ‘I’m nearly there,’ maybe, yeah maybe to pretend he wasn’t sure of the house. That would be smart. She’d guide him in, keep her eye out for him, open the door to greet him even as he makes the turn for the steps.”

“She would want him in quick and smooth, too, wouldn’t she? Wouldn’t want one of the neighbors mentioning to her parents how they’d seen the boy visiting while they were away.”

“Good point.” Eve narrowed her eyes. “Yeah, good point. They may have even worked it out ahead, when he talked her into having him over. ‘I’ll tag you when I’m close, so you can watch for me.’ Their little secret.”

She saw it in her head as she went up the steps, broke the police seal, used her master to open the locks.

“Still, somebody might see. He’s not worried about anyone mentioning it. She’ll be dead, game over. But he’d have to take precautions about what they see. So yeah, I’m betting jacket, probably a cap, shades. Keep your head down, hands in your pockets, using an earbud or headset. Maybe they can ID the clothes, but you’d ditch those. Maybe they can give a general idea of your height and build. Your coloring. So what? Even eye wits rarely get it just right. He’s just a boy going to see a girl.”

She stopped to stand in the foyer, to keep it rolling through her head. “She’s excited. He kisses her hello. Still the shy guy, still the sweet boy. He needs to keep that up so he can take her without a struggle, so she doesn’t have a chance to fight or get away or scrape any pieces of him off. She’s got music on, she likes music. They like music. Maybe show him some of the house, at least take him back to the kitchen so you can get the drinks, the food.”

She walked back, with Roarke beside her. “It’s fun, it’s exciting to have dinner, just the two of you. He’s careful not to touch anything, or if he has to touch something to make note of it and wipe it down after. But hands in the pockets again. Shy guy. You’re kids so you eat in here, in the kitchen. Right over there.”

She walked over to a bright blue table with padded benches that offered a view of a small courtyard backed by a high wall.

“Sit across from each other so you can talk. So you can look in his eyes as you talk. Eat, laugh, joke, flirt. Oh hey, do you want another fizzy? Sure he does, and when you go to get it, he slips the drug in your drink. It’s so easy. You feel woozy for a minute, you feel off, but with the Zoner to kick it, mellow, too. You just slide out, slide under. And he carries you upstairs.

“She weighed one-thirteen and change. Deadweight, but not that much for a young, healthy man to carry up a flight of stairs.” She continued as she followed the path to the kitchen stairs. “Makes more sense to take her up the back. Why waste the energy? If he’d scoped out the house, and he damn well would have, he’d know which room was hers. He’d have seen her through the window anytime she didn’t use the privacy screen. Even if he wasn’t sure, it’s so easy to make which room is hers. The color, the posters. It’s all girl.”

Roarke said nothing, not yet. He knew what she was doing, walking it through as both victim and killer. “You’d want to restrain her first, take no chances. The cuffs, the sheets. Tight on the sheets; you want her to feel it. You want to leave marks. You hope she struggles. She will. You know she will. So you go down and clean up. Dishes, but for her glass, in the machine. Run it on sterilize, wipe out any trace. Check out the security door. No point working on that. She’s going to give you the code. You’ll make sure of it. Strip down, seal up.”

She circled around, shook her head in annoyance. “No, no, out of order. You’d do that downstairs, even before you bring her up. Nothing of you up here. All your things in a neat pile, careful, very careful. After you finish with her, get her bag, check the contents, take it down to put it with your stuff. Upstairs again, go through the room, make sure, very sure there’s nothing of you, nothing on her comp, on the bedroom ’link. Anywhere . . .”

She paused, wandering the room, opening drawers she’d already searched. “Would he take something to make sure he got hard? Multiple rapes take a lot of energy, a lot of wood. That’s a thought, that goes in the wonder pile. Maybe he doesn’t need it. Maybe her thrashing around trapped in the nightmare he gave her, helpless and scared, even unconscious, maybe that gets him up.

“Then she starts coming around, and the fun begins.”

“Don’t put yourself through that.” It clawed through his heart, left it bleeding. “We know what happened then, so don’t.”

“It’s part of it. Has to be. She’s . . . bewildered. The drug makes her mind musty at first, then the headache, the stabbing pain of it.”

She looked at the bed, stripped down to the mattress now. “It occurs to me he could’ve made it easier. Given her a dose of Whore or Rabbit. That was a choice. He didn’t want her to participate, even under a date rape drug. He wanted her terrified and hurting. Does he tell her what he’s going to do, or is it right down to business? I can’t see him yet. Just can’t figure him yet. She cries. She’s only sixteen, and that part of her cries and asks why, and doesn’t want to believe the sweet boy is a monster. But the cop’s daughter knows. The cop’s daughter sees him now. He’d want her to.

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