Kick (Songs of Perdition #1)(26)
Everything was there. Skin on skin. Tick. Prone, exposed to a stranger. Tick. No commitments, no intimacy. Tick. A little risk thrown in for good measure. Tick, tick, tick.
There was the thing I’d forgotten.
The boredom. The space between the hunt for sex and the orgasm, and even the orgasm, half the time. Tedious.
I wanted to come and get it the f*ck over with. The seconds in between were not savored but reviled. They were an unworthy means to a worthy end. His grunts were annoying. His dirty talk held no meaning. I didn’t want to look at him, so I bent over. He thought I was a slut, so he called me a slut. Boring.
I pushed against him. “Harder, f*cker. Bury it. Break it off.”
He slapped my ass and pounded me. “Shut up, bitch.”
His balls slapped my clit, and his dick plowed against it. I was going to come. I felt it in my muscles, and when they tensed and clenched, it was a release, not a joy. Just a job well done.
He came with an oof, and I rolled my eyes.
He stroked my back from neck to ass. “Baby—”
“Get out. I have shit to do.”
“Why’s it gotta be like that?” He got the condom off and rolled it up in toilet paper.
I stood up. “How else should it be?”
“You don’t want me to be nice?”
“You thought you were the one using me? Funny.”
“You some kinda weirdo?”
“You’re in a mental ward, dude. Come on. Get the f*ck out of my bathroom.”
Condom stowed in his pocket, pants zipped, girl disinterested, he got the hint and opened the door. He was almost out, but being a man, he needed the last word.
“Slut.”
fourteen.
“Last session,” Elliot said. “How do you feel?”
He looked relaxed, clean-shaven, happy. I hadn’t realized how troubled he’d looked during our last session.
“I’m okay. Are you going to let me go?”
“I can only make a recommendation. After this session, I’ll type it up, and we’ll meet with Frances and your lawyer. Give me an hour after we’re done. Your mother and lawyer are already here.”
I sit on the couch. “Are we doing hypnosis again today?”
He shrugged. “Sure, if you’re up for it. I’d like to try to find more recent memories. Track back to the last thing you remember.”
I laid back. “We tried this before.”
“Maybe things have changed.” He sat next to me and got out his pen.
I wished I could have met him under different circumstances. When he was a seminarian, before I was a happy little f*ckdoll, when things could have been kind of normal. That absurd sense of humor would drive me insane while my affluenza frustrated him.
“Things have changed,” I said, though I couldn’t define them.
“Keep your eyes on the tip of the pen.”
***
Are you relaxed?
I am. I feel a freedom I hadn’t felt before. I feel hopeful and generous, sweet and melancholy. Emboldened and encouraged, ready to start a new journey, a life after this incident.
I want you to think about the ride here, to Westonwood. Can you remember that?
I don’t. It’s not even a blur; it’s blank.
Go back a little further. To the stables. You were given a shot. Do you remember the pain in your arm?
The black goes grey, and I feel something in my arm, as if I’m being poked with a rigid finger. I feel something else, a pounding in my chest, a confusion that I’m separate from. I can’t tell what’s happening, besides the feeling of being restrained.
Go back further. Before the shot.
I don’t want to. I feel the resistance binding me to my forgetfulness, the comfort of not knowing. If I lean into it, just a little, maybe I can see what happened without feeling it. Maybe I can observe coldly, like a reporter noting facts for relevance, not profundity. If I let myself accept that fear, I’ll know. So I relax into where the rope of my fear pulls and binds me, dropping into some unknown graphite-colored place in my head. I expect to go back in my memory a minute, two minutes, half an hour, but intuitively, though I can’t tell the whens and wheres, I know I’ve gone back further.
His breath falls on my cheek, and a pain in my arm runs from my wrist to the sensitive side of my bicep.
“You did not,” he says from deep in his throat. He’s naked, stunning, the stink of sex and blood on him. He pins me to the wall, the friction screaming against the open skin on my ass.
Regret. Pounds of it. Miles wide. Regret to the depth of my broken spirit.
“I’m sorry.” Am I? Or am I just saying it?
“Why?”
My wrist hurts. He’s pressing it so hard against the wall, as if I’d leave, as if I’d ever turn my back on him. Yet I want to get away, to run, to show him that I can abandon him the way he abandons me.
I wiggle, but he only presses harder and demands, “Why?”
“Get off me!”
“Tell me why!” His eyes are wider, his teeth flashing as if he wants to rip out my throat. “Why?”
“I need it!”
The words come out before I think, and they’re poison to him. Before I expect it, he slaps me in the mouth. He lets me go, and I fall to the floor. When I look at him, he’s cradling the lower half of his face as if he can’t believe what he’s done. He’s slapped me plenty, but not in anger. Not without me halfway in subspace and high on dopamine. Never outside a scene.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)