Just After Sunset(35)



So what do I do? What's my place in it? Do I have one?

He certainly wasn't going to go into the men's room and take the long, leisurely piss he had planned and looked forward to; his nuts were drawn up like a couple of hard little stones, and the pressure in his kidneys had spread both up his back and down his legs. His heart was hurrying in his chest, thudding along at a rapid jog-trot that would probably become a sprint at the sound of the next blow. It would be an hour or more before he'd be able to piss again, no matter how badly he had to, and then it would come in a series of unsatisfying little squirts. And God, how he wished that hour had already gone by, that he was sixty or seventy miles down the road from here!

What do you do if he hits her again?

Another question occurred: What would he do if the woman took to her heels and Mr. PT Cruiser followed her? There was only one way out of the women's room, and John Dykstra was standing in the middle of it. John Dykstra in the cowboy boots Rick Hardin had worn to Jacksonville, where once every two weeks a group of mystery writers-many of them plump women in pastel pantsuits-met to discuss techniques, agents, and sales, and to gossip about one another.

"Lee-Lee, don't hurt me, okay? Please don't hurt me. Please don't hurt the baby."

Lee-Lee. Jesus wept.

Oh, and another one; score one more. The baby. Please don't hurt the baby. Welcome to the f**king Lifetime Channel.

Dykstra's rapidly beating heart seemed to sink an inch in his chest. It felt as if he had been standing here in this little cinder-block notch between the men's room and the women's for at least twenty minutes, but when he looked at his watch, he wasn't surprised to see that not even forty seconds had passed since the first slap. It was the subjective nature of time and the eerie speed of thought when the mind was suddenly put under pressure. He had written about both many times. He supposed most quote-unquote suspense novelists had. It was a goddam staple. The next time it was his turn to address the Florida Thieves, perhaps he would take that as his subject and begin by telling them about this incident. About how he'd had time to think, Second Drunkalonians. Although he supposed it might be a little heavy for their biweekly get-togethers, a little-

A perfect flurry of blows interrupted this train of thought. Lee-Lee had snapped. Dykstra listened to the particular sound of these blows with the dismay of a man who understands he's hearing sounds he will never forget, not movie-soundtrack Foleys but a fists-hitting-a-feather-pillow sound, surprisingly light, actually almost delicate. The woman screamed once in surprise and once in pain. After that she was reduced to puffing little cries of pain and fear. Outside in the dark, Dykstra thought of all the public-service spots he'd seen about preventing domestic violence. They did not hint at this, how you could hear the wind in the palm trees in one ear (and the rustle of the missing-child posters, don't forget that) and those little groaning sounds of pain and fear in the other.

He heard shuffling feet on the tiles and knew Lee (Lee-Lee, the woman had called him, as if a pet name might defuse his rage) was closing in. Like Rick Hardin, Lee was boots. The Lee-Lees of the world tended to be Georgia Giant guys. They were Dingo men. The woman was in sneakers, white low-tops. He knew it.

"Bitch, you f**kin' bitch, I seen you talkin' to him, tossin' your tits at him, you f**kin' hoor-"

"No, Lee-Lee, I never-"

The sound of another blow, and then a hoarse expectoration that was neither male nor female. Retching. Tomorrow, whoever cleaned these restrooms would find vomit drying on the floor and one of the tiled walls in the women's, but Lee and his wife or girlfriend would be long departed, and to the cleaner it would be just another mess to clean up, the story of the puke both unclear and uninteresting, and what was Dykstra supposed to do? Jesus, did he have the sack to go in there? If he didn't, Lee might finish beating her up and call it good, but if a stranger interfered-

He could kill both of us.

But...

The baby. Please don't hurt the baby.

Dykstra clenched his fists and thought, Fucking Lifetime Channel!

The woman was still retching.

"Stop that, Ellen."

"I can't!"

"No? Okay, good. I'll stop it for you. Fuckin'...hoor."

Another whap! punctuated hoor. Dykstra's heart sank even lower. He would not have thought it possible. Soon it would be beating in his belly. If only he could channel the Dog! In a story it would work-he'd even been thinking about identity before making the evening's great mistake of turning into this rest area, and if that wasn't what the writing manuals called foreshadowing, then what was?

Yes, he would turn into his hit man, stride into the women's room, beat the living shit out of Lee, then go on his way. Like Shane in that old movie with Alan Ladd.

The woman retched again, the sound of a machine turning stones into gravel, and Dykstra knew he wasn't going to channel the Dog. The Dog was make-believe. This was reality, rolling out right here in front of him like a drunk's tongue.

"Do it again and see what it gets you," Lee invited, and now there was something deadly in his voice. He was getting ready to go all the way. Dykstra was sure of it.

I'll testify in court. And when they ask me what I did to stop it, I'll say nothing. I'll say that I listened. That I remembered. That I was a witness. And then I will explain that that is what writers do when they're not actually writing.

Stephen King's Books