Just After Sunset(124)

He paused in the act of buckling the second shoulder strap. "You could do that. You have that gun, the-what did you call it?-the Hardballer." He finished with the buckle, then leaned toward Grunwald, who was still marinating in the hot tub and looking at him fearfully. "That would be acceptable, too. You might even have the guts, although, when it comes right down to it...you might not. In any case, I'll listen with great interest for the bang."

He left Grunwald then, but not the way he had come. He went around to the road. A left turn would have taken him back to his house, but he turned right, toward the beach. For the first time since Betsy died, he felt like watching the sunset.

Two days later, while sitting at his computer (he was watching General Electric with especial interest), Curtis heard a loud bang from next door. He didn't have his music on, and the sound rolled through the humid, almost-July air with perfect clarity. He sat where he was, head cocked, still listening. Although there would be no second bang.

Us witches just know shit like that, he thought.

Mrs. Wilson came rushing in, holding a dishtowel in one hand. "That sounded like a gunshot!"

"Probably just a backfire," he said, smiling. He had been smiling a lot since his adventure at Durkin Grove Village. He thought it wasn't the same sort of smile as the one he had worn during the Betsy Era, but any smile was better than none. Surely that was true?

Mrs. Wilson was looking at him doubtfully. "Well...I guess." She turned to go.

"Mrs. Wilson?"

She turned back.

"Would you quit me if I got another dog? A puppy?"

"Me, quit over a puppy? It'd take more than a pup to drive me out."

"They tend to chew, you know. And they don't always-" He broke off for a moment, seeing the dark and nasty landscape of the holding tank. The underworld.

Meanwhile, Mrs. Wilson was looking at him curiously.

"They don't always use the bathroom," he finished.

"Once you teach them, they usually go where they're supposed to," she said. "Especially in a warm climate like this one. And you need some companionship, Mr. Johnson. I've been...to tell the truth, I've been a little worried about you."

He nodded. "Yes, I've kind of been in the shit." He laughed, saw her looking at him strangely, and made himself stop. "Excuse me."

She flapped her dishtowel at him to show he was excused.

"Not a purebred, this time. I was thinking maybe the Venice Animal Shelter. Someone's little castoff. What they call a rescue dog."

"That would be very nice," she said. "I look forward to the patter of little feet."

"Good."

"Do you really think that was a backfire?"

Curtis sat back in his chair and pretended to consider. "Probably...but you know, Mr. Grunwald next door has been pretty sick." He lowered his voice to a sympathetic whisper. "Cancer."

"Oh, dear," Mrs. Wilson said.

Curtis nodded.

"You don't think he'd...?"

The marching numbers on his computer screen melted into the screen saver: aerial photos and beach scenes, all featuring Turtle Island. Curtis stood up, walked to Mrs. Wilson, and took the dishtowel from her hand. "No, not really, but we could go next door and check. After all, what are neighbors for?"

Sunset Notes

According to one school of thought, notes such as these are unnecessary at best, and suspect at worst. The argument against is that stories which need explanation are probably not very good stories. I have some sympathy with the idea, which is one reason to put this little addendum at the back of the book (putting it here also avoids those tiresome cries of "spoiler," which are most commonly uttered by spoiled people). The reason to include them is simply that many readers like them. They want to know what caused a story to be written, or what the author was thinking when he wrote it. This author doesn't necessarily know either of those things, but he can offer some random thoughts that may or may not be of interest.

"Willa" This probably isn't the best story in the book, but I love it very much, because it ushered in a new period of creativity for me-as regards the short story, at least. Most of the stories in Just After Sunset were written subsequent to "Willa," and in fairly quick succession (over a period of not quite two years). As to the story itself...one of the great things about fantasy is that it gives writers a chance to explore what might (or might not) happen after we shuffle off this mortal coil. There are two tales of that sort in Just After Sunset (the other is "The New York Times at Special Bargain Rates"). I was raised as a perfectly conventional Methodist, and although I rejected organized religion and most of its hard and fast assertions long ago, I hold to the main idea, which is that we survive death in some fashion or other. It's hard for me to believe that such complicated and occasionally wonderful beings are in the end simply wasted, tossed away like litter on the roadside. (Probably I just don't want to believe it.) What that survival might be like, though...I'll just have to wait and find out. My best guess is that we might be confused, and not very willing to accept our new state. My best hope is that love survives even death (I'm a romantic, so f**king sue me). If so, it might be a bewildered love...and a little bit sad. When love and sadness occur to my mind at the same time, I put on the country music: people like George Strait, BR549, Marty Stuart...and the Derailers. It's the latter who are playing in this story, of course, and I think they're going to have a very long engagement.