Jet (Marked Men #2)(13)

I was also terrified by the idea of what would happen to my mom if my dad ever found out I signed with a major label. That would just spin the old guy right off his axis, and he would take her right along with him. She just deserved better than that. He would up and leave her in the blink of an eye. He would hitch himself to my coattails, the all the pomp and circumstance that went along with being a big name band on a big name label, and I always wondered if she would ever be able to forgive me if I was the cause of the old man ultimately walking away for what he deemed his just rewards.

I looked up when the outside door opened and the group started filtering in with their instruments. The lead singer was a kid named Ryan, who was a decent kid but full enough of himself that he could easily rub you the wrong way. He had a lot of attitude and the requisite presence to lead a band, but he was immature and way more interested in the money and the girls than in putting out a quality product. I noticed he had his upper arm wrapped in cellophane and medical tape when he reached across the mixing board to pound fists in greeting. I nodded at the obviously new ink and asked, “You go to one of my boys?” When we had been on tour, all the guys in BMA had been enamored of the artwork the Enmity band members sported courtesy of the Marked, the tattoo shop where all my boys worked.

The angel that stretched from one side of my collar bone to the other and went way below my navel was probably my most recognized piece. I also had a Japanese dragon that covered one whole arm that Nash had done when he was just starting out, and my other forearm was covered from elbow to wrist in a complicated mélange of Salvador Dali paintings that Rowdy had recently finished. It looked more like a painting on flesh than a tattoo.

All of the guys had their strengths. Rule was all about heavy lines and gothic pieces that covered huge amounts of skin, and he tended toward the traditional style. Nash loved big color and bold design. It was easy to see his street style and new-school aesthetic in everything he did. Rowdy, though the most irreverent of all of us, really treated his work like art. He believed in creating custom-designed pieces that no one else would have, and honed his talent like a true craftsmen. Tattooing was just another art form to him, and I think he took what he did more seriously than the other guys. In fact, I had enlisted him to design all of our album covers and T-shirt designs for the band.

Cora’s hands and needles had been in places that I didn’t care to think about, but all the staff at the Marked did a great job. I had zero complaints and didn’t hesitate to refer anyone who asked about them.

“Yeah, dude, it was badass. I totally name-dropped, and the guy with the flames tattooed on his head worked me in on the spot.” He rolled his eyes dramatically and looked at me like I should have disclosed pertinent information before suggesting they hit the shop. “You didn’t tell me the place was packed with talent. The blonde that ran the desk, holy shit, man, she was like my dream girl.”

I bit back a laugh because Cora was every rock and roller’s dream girl until she opened her mouth. With her mismatched eyes and undeniably general cuteness, her looks were deceiving. Guys like Ryan were attracted to her crazy hair and the fact that she had a full-sleeve tattooed on her left arm and tiny, solid black gauges in each ear. The fact that she was mouthy, bossy, and treated us all like we were wayward kindergartners never came up until the poor, unsuspecting guy was already head over heels in love.

I shook my head at him and warned, “She’s too old for you and way more trouble than she’s worth. Trust me. What did you get done?”

He peeled the protective covering off and proudly displayed a snarling gargoyle. It was cool, well done, but honestly kind of generic. I could tell Nash had done his best to put some flare into it to make it unique, but it was really just a tattoo that some kid got because he thought a big ol’ piece of ink would make him look cool while onstage and in photos. Because they were paying me more than a grand an hour for my time, I just nodded and told him to get into the studio with the rest of the guys in the band. I could tell he wanted more props, but I was almost out of patience for dealing with people’s shit today, so I just kept my mouth shut before I said something that would get me in trouble.

For the next three hours I tweaked vocals and mixed instruments to get the first five songs done. The rest of the guys in the band were pretty committed to putting together a solid debut album, but Ryan was difficult, and I could tell he was getting irritated that I kept deferring to Jorge, the band’s drummer, because he was the main songwriter.

I needed to understand what was behind a song before I could do it justice, but Ryan clearly wanted all the attention on him and it was making getting anything laid down hard. The kid had decent pipes and a butt load of charisma, but if he didn’t pull his head out of his ass all they were ever going to be was a really good opening act for far better bands.

The recording session ran so long that when the guys in my own band started showing up for our practice, I was still working on getting the bridge for the chorus in song number two right. My bandmates were used to having to kick it while I paid the bills, and when the kids saw that they had an actual audience to impress, they pulled it together, and I managed to get everything hammered out up to track five.

Von was my lead guitar player and songwriting partner, Catcher played bass, and Boone managed the drum kit. We were a pretty tight group; had to be since we spent so much time together. So I didn’t have to say anything to them, just offer up a grunt and a narrow-eyed stare when they jokingly asked how it was going.