Glitter Baby (Wynette, Texas #3)(23)

His voice was low and deep, filled with authority. The kind of voice that never had to be raised to be obeyed.

He can’t do anything more to me, Fleur thought. Nothing. Slowly she turned to face her father.

He was surgically well groomed, his hands and fingernails immaculate, his thin, steel-gray hair impeccably neat. He wore a necktie the color of old sherry and a dark vested suit. Next to Pompidou, he was said to be the most powerful man in France. He gave a short, elegant snort as she saw her. “So, Belinda, this is your daughter. She dresses like a peasant.”

Fleur wanted to cry, but somehow she managed to lift her chin and look down at him. She spoke English deliberately. American English. Strong and clear. “The nuns taught me that good manners are more important than clothes. I guess things are different in Paris.”

She heard Belinda’s quick intake of breath, but the only reaction Alexi showed to Fleur’s impertinence was in his eyes. They drifted slowly over her, searching for the flaws she knew he’d find in abundance. She’d never felt bigger, uglier, more awkward, but she matched him stare for stare.

Standing off to the side, Belinda watched the duel taking place between Alexi and Fleur. A rush of pride swelled inside her. This was her daughter—strong, full of spirit, achingly beautiful. Let Alexi compare Fleur with his weakling son. Belinda sensed the exact moment when he saw the resemblance, and for the first time in longer than she could remember, she felt calm in his presence. When he finally looked her way, she gave him a small, triumphant smile.

It was Flynn’s face Alexi saw in Fleur, the young, unblemished Flynn, with his features softened and transformed, made beautiful for his daughter. Fleur’s face had the same strong nose and wide, elegant mouth, the same high forehead. Even her eyes bore his mark in their shape and generous spacing. Only the green-gold irises were Fleur’s own.

Alexi turned on his heel and left the salon.



Fleur stood at the window of her mother’s bedroom while Belinda napped. She watched Alexi pull away from the house in a chauffeured Rolls. The silver car glided down the drive and through the great iron gates onto the Rue de la Bienfaisance. The Street of Charity. What a stupid name. There was no charity in this house, just a horrible man who hated his own flesh and blood. Maybe if she’d been tiny and pretty…But weren’t fathers supposed to love their daughters no matter how they looked?

She was too old for the baby tears she wanted to shed, so she slipped into her loafers and set out to explore. She found a back staircase leading into a garden where mathematically straight paths delineated geometric beds of ugly shrubbery. She told herself she was lucky to have been sent away from this horrible place. At the couvent, petunias flopped over the borders and cats could sleep in the flower beds.

She swiped her eyes with the sleeve of her sweater. Some small, stupid part of her had wanted to believe her father would have a change of heart when he saw her. That he’d realize how wrong he’d been to abandon her. Stupid. Stupid.

She took in a T-shaped, one-story building sitting at the back of the grounds. Like the house, it was constructed of gray stone, but it had no windows. When she found the side door unlocked, she turned the knob and stepped into a jewel box.

Black watered silk covered the walls, and gleaming ebony marble floors stretched before her. Small, recessed spotlights shone down from the ceiling in starry clusters like a Van Gogh night sky, each cluster lighting an antique automobile. Their polished finishes reminded her of gemstones—rubies, emeralds, amethysts, and sapphires. Some of the automobiles rested on the marble floor, but many sat on platforms, so they seemed to be suspended in the air like a handful of jewels flung into the night.

Slim columns bearing engraved silver plaques sat next to each car. The heel plates of her loafers clicked on the hard marble floor as she investigated. Isotta-Fraschini Type 8, 1932. Stutz Bearcat, 1917. Rolls-Royce Phantom I, 1925. Bugatti Brescia, 1921. Bugatti Type 13, 1912. Bugatti Type 59, 1935. Bugatti Type 35.

All the automobiles grouped in the shorter wing of the L-shaped room bore the distinctive red oval of the Bugatti.

Positioned in the exact center, a brightly illuminated platform, larger than all the others, sat empty. The label at the corner of the platform had been printed in big, bold script.

BUGATTI TYPE 41 ROYALE

“Does he know you’re here?”

She spun around and found herself gazing at the most beautiful boy she’d ever seen. He had hair like fine yellow silk and small, delicately formed features. Dressed in a faded green pullover and rumpled chinos fastened at the waist with an oversized cowboy belt, he was much shorter than she and as small-boned as a woman. His long, tapered fingers had nails bitten to the quick. His chin was pointed, and pale eyebrows arched over eyes that were exactly the same brilliant shade of blue as the first spring hyacinths.

Belinda’s face looked back at her from the form of a young man. Her old bitterness rose like bile in her throat.

He looked younger than his fifteen years as he nibbled on the remnants of a thumbnail. “I’m Michel. I didn’t mean to spy.” He gave her a sad, sweet smile that suddenly made him look older. “You’re mad, aren’t you?”

“I don’t like people sneaking up on me.”

“I wasn’t really sneaking, but I guess that doesn’t matter. Neither of us is supposed to be here. He’d be pissed if he found out.”