Four Seconds to Lose (Ten Tiny Breaths #3)(6)
As if snapping out of a daze, Cain finally accepts my hand in his, his eyes locked on mine. “Hi, Charlie. I’m sorry. You just . . . startled me. You look a lot like someone I know.” There’s a pause. “Like someone I knew,” he corrects himself softly. His voice carries with it a smooth, educated sound, which surprises me, given our surroundings.
“Okay, well, I’ll just be at the bar, getting things set up.” Ginger scoots out of the office, closing the door behind her, leaving me alone with this man. I take a few calming breaths. I’m going to throttle her.
I don’t know what to expect now. Ginger didn’t tell me much about Cain, other than that he’s really nice and honest, he treats his employees very well, and if I’m going to dance in Miami, then Penny’s is the place to work. She did say that he sometimes comes off as intimidating but he’s just reserved. And he’s got a lot on his plate, running this club.
She certainly left out details about his physical appearance, I realize, as my gaze skates over his frame to see the well-defined curves beneath a fitted button-down black dress shirt and black dress pants. As if that body isn’t enough, his face is flawless—angular cheekbones and a sharp jaw combine to give him a masculine yet almost pretty look. He’s like a sculpture—and about as opposite to Sin City Rick as you can get.
Basically, Cain is panty-dropping hot.
That your boss is panty-dropping hot is an odd thing to leave out of the equation. Cain’s the type of guy that makes women lose their words and their train of thought when he walks by. Except Ginger, it would seem.
But attractive or not, I’m feeling all kinds of uncomfortable right now, as Cain’s hard, intelligent gaze slowly rolls over my body, appraising me. Taking a deep breath, I pull my shoulders back. I hold my chin up. I look him straight in the eye. I do all the things I know to do to appear confident. I will not cower under the intense scrutiny. If I’m going to be up on his stage, taking my clothes off for his customers, I can’t be unnerved by this.
And so I stand and let him pass silent judgment while I survey his office, taking in all the shelves, crammed with boxes. Aside from the large desk on one end and a black leather couch tucked into a corner, it seems like a storage room. By his appearance, I’d expect something sleek and tidy.
“Ginger said you have experience?” His tone is gentler than it was when we first stepped in.
I answer without hesitation. “Yes, one year in Vegas. At The Playhouse.” I fight the urge to start twirling one of my loose blond curls. I know my tells, and that’s one that says I’m lying. Ginger warned me, under no circumstances, to lie to Cain Ford, because he always finds out anyway and it pisses him off when he does. It’s kind of impossible to heed that warning, though, given my situation.
Plus, I am a very proficient liar.
And I’m banking on him not doing an in-depth reference check. Short of divine intervention, he won’t find a Charlie Rourke that worked at The Playhouse in Vegas.
Because Charlie Rourke doesn’t exist.
Cain leans back against his desk and folds his arms over his chest, only accentuating the defined muscles in his shoulders and biceps. “Do you have a preference?”
I keep my face composed—I’m an expert at stone cold—while I struggle to decipher his question. Preference with what exactly? The desk? The floor? That couch? Is he seconds away from undoing his zipper?
Either Cain interprets my long pause as confusion or he replayed the question in his head and realized how it could be taken because he adds very clearly, “On the stage. When you’re dancing.”
I exhale and silently admonish myself. “I’m pretty good on a pole.” That isn’t a lie. That’s actually a discredit to my talent. I’ve been in gymnastics since I was five, so my body is strong and limber. Then, two years ago, I needed an excuse to visit a specific dance studio in Queens once a week so I enrolled in a pole-dancing class. Not under my real name, of course.
It turns out I took to pole-dancing naturally. I just haven’t worked up to the move where I drop my clothes.
“Okay,” Cain says slowly, his jaw shifting, appearing as if in thought. He hesitates for a second. “Full nude or topless?”
“Topless.” I shouldn’t be so eager. I’ve heard what these girls wear as bottoms and they may as well be completely naked.
Cain’s eyes automatically drop to my chest when I say that, and they seem to settle there. His entire form is frozen in place.
As if he’s waiting.
Of course he is. He wants to know what he’s putting up on his stage.
A quiver runs through my stomach. I can do this. This will be way less mortifying than the last time. Trying to pace my breathing before my heart explodes out of my chest, I quickly slip my thumbs beneath the spaghetti straps of my lemon-yellow sundress and pull on them until they pass the balls of my shoulders. With a sharp inhale, I let my arms drop and the dress goes with it. I intentionally didn’t wear a bra today. I figured that would make this uncomfortable process quick and a tiny bit less embarrassing. The last thing I wanted to do was fumble with bra hooks . . .
Because that would make standing in this man’s storage-room office in my white thong that much more awkward than it is already.
Cain’s lips part but not a sound comes out of him as his eyes widen for one, two, three, four seconds. And then it’s as if he wakes up, because he’s suddenly moving. Standing, unfolding his arms, and taking steps forward to reach me quickly, I watch with my lungs constricting as he crouches down in front of me and grasps the straps of the dress pooled around my ankles. He pulls my dress back up, his fingertips leaving hot trails against my skin as he affixes the straps. If my body weren’t already as stiff as a corpse, his touch probably would have made me shudder.