Four Seconds to Lose (Ten Tiny Breaths #3)(40)
“Why . . . you tapping that?”
“John . . .”
“Yeah, yeah. I’ve heard it all before.” His disbelief annoys me. “I’m gonna be in Miami in a few months, I think. I’ll swing by. Enjoy a show or two.”
“You do that. Ask for Mercy. Your fat, old ass will have a heart attack.”
The responding roar of laughter makes me shake my head and smile. John is in his early fifties and, if he’s as I remember him, he’s still living off black coffee and greasy burgers. “It’d be good to see you again, my friend.”
Hanging up the phone, I flip through the stack of papers with Charlie’s scrawled handwriting. So, she’s been off the grid for four years. She would have been crashing at friends’ places. Guys’ places. Taking jobs under the table to make ends meet. I guess that’s why there’s no record of her. No gas bills, no credit cards. Nothing.
Maybe she was afraid of being found and that’s why she laid low. Or maybe she found out that her dad is in jail for life and figures she’s safe, so she’s come out of hiding.
Speculation. That’s all I’ve got.
That she refused Rick Cassidy’s demands tells me she probably wasn’t making ends meet in alleyways. I find myself breathing easier over that knowledge. But she’s got the designer shoes and clothes. And the brand-new car that she got from a supposed inheritance. I find that detail hard to believe, especially now.
I rub my chin slowly as I ponder this riddle. There’s an excellent possibility that Charlie was getting paid for sex, but if so, with a very wealthy clientele. A sugar daddy, even. But then, where’s all the money? Where did it go? Why no bank account until a few months ago?
It doesn’t matter, I decide, with steely resolve. If she’s here, she must be trying to start over. And it’s time that I stop avoiding her because, just maybe, I can help.
If she’ll trust me.
And if I can control myself around her.
Blasts of music hit me as I stroll out to the floor. Ben’s face splits into a wide smile when he sees me, and his mouth starts moving as he says something into his earpiece to all the bouncers. I have a good idea what it is, because Nate filled me in on the rising chatter. I just shoot him a severe look and keep walking. For years, I made a few laps around the club each night. But the customers started getting on my nerves, and watching my employees flaunt their bodies has never been my thing. So I stopped coming out about two years ago, unless there was an issue that security couldn’t handle.
And yet, every night for the past two weeks, when the hands on my wall clock approach eleven, I find myself wandering out with glass of cognac in hand to lean against the rail.
Like Pavlov’s dog.
Only there’s no juicy bone at the end of the road. Just a gorgeous dancer and mounting frustration.
I’ve become a masochist. The affliction seems to have developed overnight. The night that Charlie started working here, to be precise. And each night after that, as I came out to watch her strip.
For me.
It’s very clearly, very obviously, for me.
The tension between the two of us is palpable and growing at an alarming rate into a heady, and highly risky, intimate connection. I’m addicted. There’s no way in hell that I can sit still in my office while Charlie’s up here on my stage anymore. Worse . . . I’ve started coming out to the bar later in the night. I have enough common sense to stay away from her, killing the time by having conversations with Nate, some of the other dancers, and the few regular customers whom I don’t want to choke.
But the electric charge between us keeps intensifying.
I find Nate standing in his stationary spot—with the best view of the floor—and slap him over the shoulder. He knows better than to comment about my timed appearance. “How’s it going? Crammed again, I see.”
With a grunt, he reports, “Tossed two guys out, but it’s been pretty tame so far.”
“Good.” My eyes drift over the floor, mentally calculating how much an average girl will take home tonight with this big a crowd. A solid amount, thankfully. A glance at the stage shows me that Cherry is nearing the tail end of her show.
She’s up next.
Nate’s attention shifts to his earpiece for a moment. With a scowl, I hear him announce, “Kinsley and China are at it again. Ben’s heading into the dressing room now to break it up.”
“Shit,” I mutter. “What am I going to do? One of them is gonna have to go if this keeps up.” It will have to be Kinsley. The girl is putting herself through college with this job, but I’m not as worried about her making the kind of stupid, desperate decisions that China might make. She’d end up back somewhere like Sin City if I fired her.
“Maybe you should go and talk to them,” Nate suggests.
“Maybe you should,” I throw back. The last time I went into a dressing room to break up a catfight, it ended in tears and two sobbing, naked women rubbing themselves up against my sides and pleading with me to forgive them.
“Hell, no. I take care of security. Find a manager to deal with that shit.”
“Sure thing! Just introduce me to someone who won’t rob me or treat my employees like whores.” Twice in the past, I hired managers because I knew that I needed help running a club this size. I caught the first one skimming from the late-night deposits, while trying to pin it on the bartenders. I caught the second one in a private room, demanding lap dances in exchange for better time slots onstage. The idiot didn’t even have the sense to turn the cameras off. When I played it for him, his only response was a shrug and, “I thought you were kidding about that.”