Fancy Pants (Wynette, Texas #1)(59)
She grew vaguely aware that the area around them had fallen completely silent and that the slight blankness in the expressions of the people around the table hadn't altered. Their lack of response made her more determined to force them to love her story, to love her. Her voice grew more animated, her hands more descriptive. “So there we were, standing on the road looking down at this poor creature. Except—” She paused for a moment, caught her bottom lip between her teeth to build the suspense, and then went on, “Just as Raoul lifted his camera to take the picture, the warthog leaped to his feet, shook himself, and ran off into the trees.” She laughed triumphantly at the punch line, tilted her head to the side, and waited for them to join her.
They smiled politely.
Her own laughter faded as she realized they had missed the point. “Don't you see?” she exclaimed with a touch of desperation. “Somewhere in Kenya today there's this poor warthog running around a game preserve, and he's wearing Gucci!”
Dallie's voice finally floated above the dead silence that had irreparably fallen. “Yep, that sure is some story, Francie. What do you say you and me dance?” Before she could protest, he'd grabbed her none too gently by the arm and pulled her toward a small square of linoleum in front of the jukebox. As he began to move to the music, he said softly, “A general rule of living life with real people, Francie, is not to end any sentences with the word ‘Gucci.’”
Her chest seemed to fill up with a terrible heaviness. She had wanted to make them like her, and she'd only made a fool of herself. She had told a story that they hadn't found funny, a story that she suddenly saw through their eyes and realized she should never have told in the first place.
Her composure had been held together by only the lightest thread and now it broke. “Excuse me,” she said, her voice sounding thick even to her own ears. Before Dallie could try to stop her, she pushed her way through the maze of tables and out the screen door. The fresh air invaded her nostrils, its moist nighttime scent mingling with the smell of diesel fuel, creosote, and fried food from the kitchen at the back. She stumbled, still light-headed from the wine, and steadied herself by leaning against the side of a pickup truck with mud-encrusted tires and a gun rack on the back. The sounds of “Behind Closed Doors” drifted out from the jukebox.
What was happening to her? She remembered how hard Nicky had laughed when she'd told him the warthog story, how Cissy Kavendish had wiped the tears from her eyes with Nigel MacAllister's handkerchief. A wave of homesickness swept over her. She'd attempted to get through to Nicky again today on the telephone, but no one had answered, not even the houseboy. She tried to imagine Nicky sitting in the Cajun Bar and Grill, and failed miserably. Then she tried to imagine herself sitting at the foot of the Hepplewhite table in Nicky's dining room wearing the Gwynwyck family emeralds, and succeeded admirably. But when she imagined the other end of the table—the place where Nicky should have been sitting—she saw Dallie Beaudine instead. Dallie, with his faded blue jeans, too-tight T-shirts, and movie star face, lording it over Nicky Gwynwyck's eighteenth-century dinner table.
The screen door banged, and Dallie came out. He walked to her side and held out her purse. “Hey, Francie,” he said quietly.
“Hey, Dallie.” She took the purse and looked up at the night sky spangled with floating stars.
“You did real fine in there.”
She gave a soft, bitter laugh.
He inserted a toothpick in the corner of his mouth. “No, I mean it. Once you realized you'd made a jackass of yourself, you behaved with a little dignity for a change. No scenes on the dance floor, just a quiet exit. Everybody was real impressed. They want you to come back in.”
She deliberately mocked him. “Not hardly.”
He chuckled just as the screen door banged and two men appeared. “Hey, Dallie,” they called out.
“Hey, K.C., Charlie.”
The men climbed into a battered Jeep Cherokee and Dallie turned back to her. “I think, Francie, that I don't not like you as much as I used to. I mean, you're still pretty much a pain in the ass most of the time and not, strictly speaking, my kind of woman, but you do have your moments. You really went after that warthog story in there. I liked the way you gave it everything you had, even after it was pretty obvious that you were digging a real deep grave for yourself.”
A clatter of dishes sounded from inside as the jukebox launched into the final chorus of “Behind Closed Doors.” She dug the heel of her sandal into the hard-packed gravel. “I want to go home,” she said abruptly. “I despise it here. I want to go back to England where I understand things. I want my clothes and my house and my Aston Martin. I want to have money again and friends who like me.” She wanted her mother, too, but she didn't say that.
“Feeling real sorry for yourself, aren't you?”
“Wouldn't you if you were in my position?”
“Hard to say. I guess I can't imagine being real happy living that kind of sybaritic life.”
She didn't precisely know what “sybaritic” meant, but she got the general idea, and it irritated her that someone whose spoken grammar could most charitably be described as substandard was using a word she didn't entirely understand.
He propped his elbow on the side of the pickup. “Tell me something, Francie. Do you have anything remotely resembling a life plan stored away in that head of yours?”
Susan Elizabeth Phil's Books
- Susan Elizabeth Phillips
- What I Did for Love (Wynette, Texas #5)
- The Great Escape (Wynette, Texas #7)
- Match Me If You Can (Chicago Stars #6)
- Lady Be Good (Wynette, Texas #2)
- Kiss an Angel
- It Had to Be You (Chicago Stars #1)
- Heroes Are My Weakness
- Heaven, Texas (Chicago Stars #2)
- Glitter Baby (Wynette, Texas #3)