Eclipse (Twilight #3)(70)
The selection appears random. The motive seems to be killing for no other reason than to kill.
So why even consider the idea of a serial killer?
There are enough similarities in the modus operandi to rule out unrelated crimes. Every victim discovered has been burned to the extent that dental records were necessary for identification. The use of some kind of accelerant, like gasoline or alcohol, seems to be indicated in the conflagrations; however, no traces of any accelerant have yet been found. All of the bodies have been carelessly dumped with no attempt at concealment.
More gruesome yet, most of the remains show evidence of brutal violence - bones crushed and snapped by some kind of tremendous pressure - which medical examiners believe occurred before the time of death, though these conclusions are difficult to be sure of, considering the state of the evidence.
Another similarity that points to the possibility of a serial: every crime is perfectly clean of evidence, aside from the remains themselves. Not a fingerprint, not a tire tread mark nor a foreign hair is left behind. There have been no sightings of any suspect in the disappearances.
Then there are the disappearances themselves - hardly low profile by any means. None of the victims are what could be viewed as easy targets. None are runaways or the homeless, who vanish so easily and are seldom reported missing. Victims have vanished from their homes, from a fourth- story apartment, from a health club, from a wedding reception. Perhaps the most astounding: 30- year-old amateur boxer Robert Walsh entered a movie theater with a date; a few minutes into the movie, the woman realized that he was not in his seat. His body was found only three hours later when fire fighters were called to the scene of a burning trash Dumpster, twenty miles away.
Another pattern is present in the slayings: all of the victims disappeared at night.
And the most alarming pattern? Acceleration. Six of the homicides were committed in the first month, 11 in the second. Twenty-two have occurred in the last 10 days alone. And the police are no closer to finding the responsible party than they were after the first charred body was discovered.
The evidence is conflicting, the pieces horrifying. A vicious new gang or a wildly active serial killer? Or something else the police haven't yet conceived of?
Only one conclusion is indisputable: something hideous is stalking Seattle.
It took me three tries to read the last sentence, and I realized the problem was my shaking hands.
"Bella?"
Focused as I was, Edward's voice, though quiet and not totally unexpected, made me gasp and whirl.
He was leaning in the doorway, his eyebrows pulled together. Then he was suddenly at my side, taking my hand.
"Did I startle you? I'm sorry. I did knock. . . ."
"No, no," I said quickly. "Have you seen this?" I pointed to the paper.
A frown creased his forehead.
"I hadn't seen today's news yet. But I knew it was getting worse. We're going to have to do something . . . quickly."
I didn't like that. I hated any of them taking chances, and whatever or whoever was in Seattle was truly beginning to frighten me. But the idea of the Volturi coming was just as scary.
"What does Alice say?"
"That's the problem." His frown hardened. "She can't see anything . . . though we've made up our minds half a dozen times to check it out. She's starting to lose confidence. She feels like she's missing too much these days, that something's wrong. That maybe her vision is slipping away."
My eyes were wide. "Can that happen?"
"Who knows? No one's ever done a study . . . but I really doubt it. These things tend to intensify over time. Look at Aro and Jane."
"Then what's wrong?"
"Self-fulfilling prophecy, I think. We keep waiting for Alice to see something so we can go . . . and she doesn't see anything because we won't really go until she does. So she can't see us there. Maybe we'll have to do it blind."
I shuddered. "No."
"Did you have a strong desire to attend class today? We're only a couple of days from finals; they won't be giving us anything new."
"I think I can live without school for a day. What are we doing?"
"I want to talk to Jasper."
Jasper, again. It was strange. In the Cullen family, Jasper was always a little on the fringe, part of things but never the center of them. It was my unspoken assumption that he was only there for Alice. I had the sense that he would follow Alice anywhere, but that this lifestyle was not his first choice. The fact that he was less committed to it than the others was probably why he had more difficulty keeping it up.
At any rate, I'd never seen Edward feel dependent on Jasper. I wondered again what he'd meant about Jasper's expertise. I really didn't know much about Jasper's history, just that he had come from somewhere in the south before Alice found him. For some reason, Edward had always shied away from any questions about his newest brother. And I'd always been too intimidated by the tall, blond vampire who looked like a brooding movie star to ask him outright.
When we got to the house, we found Carlisle, Esme, and Jasper watching the news intently, though the sound was so low that it was unintelligible to me. Alice was perched on the bottom step of the grand staircase, her face in her hands and her expression discouraged. As we walked in, Emmett ambled through the kitchen door, seeming perfectly at ease. Nothing ever bothered Emmett.