Duma Key(86)

Somehow I got to the top and stumbled to my feet. I flicked all the light-switches up with my forearm and staggered to my easel at a half-assed run. There was a partly finished Girl and Ship on it. I heaved it aside without a look and slammed a fresh blank canvas in its place. I was breathing in hot little moans. Sweat was trickling out of my hair. I grabbed a wipe-off cloth and flapped it over my shoulder the way I'd flapped burp-rags over my shoulder when the girls were small. I stuck a brush in my teeth, put a second one behind my ear, started to grab a third, then picked up a pencil instead. The minute I started sketching, the monstrous itch in my arm began to abate. By midnight the picture was done and the itch was gone. Only it wasn't just a picture, not this one; this one was The Picture, and it was good, if I do say so myself. And I do. I really was a talented sonofabitch. It showed Candy Brown with his hand locked around Tina Garibaldi's wrist. It showed Tina looking up at him with those dark eyes, terrible in their innocency. I'd caught her look so perfectly that her parents would have taken one glance at the finished product and wanted to commit suicide. But her parents were never going to see this.

No, not this one.

My painting was an almost exact copy of the photograph that had been in every Florida newspaper at least once since February fifteenth, and probably in most papers across the United States. There was only one major difference. I'm sure Dario Nannuzzi would have seen it as a trademark touch Edgar Freemantle the American Primitive fighting gamely past the clich , struggling to reinvent Candy and Tina, that match made in hell but Nannuzzi was never going to see this one, either.

I dropped my brushes back into their mayo jars. I was paint up to my elbow (and all down the left side of my face), but cleaning up was the last thing on my mind.

I was too hungry.

There was hamburger, but it wasn't thawed. Ditto the pork roast Jack had picked up at Morton's the previous week. And the rest of my current bologna stash had been supper. There was, however, an unopened box of Special K with Fruit Yogurt. I started to pour some into a cereal bowl, but in my current state of ravenousness, a cereal bowl looked roughly the size of a thimble. I shoved it aside so hard it bounced off the breadbox, got one of the mixing bowls from the cupboard over the stove instead, and dumped the whole box of cereal into it. I floated it with half a quart of milk, added seven or eight heaping tablespoons of sugar, then dug in, pausing only once to add more milk. I ate all of it, then sloshed off to bed, stopping at the TV to silence the current urban cowboy. I collapsed crosswise on the counterpane, and found myself eye-to-eye with Reba as the shells beneath Big Pink murmured.

What did you do? Reba asked. What did you do this time, you nasty man?

I tried to say Nothing, but I was asleep before the word could come out. And besides I knew better.

xii

The phone woke me. I managed to push the right button on the second try and said something that vaguely resembled hello.

" Muchacho, wake up and come to breakfast!" Wireman cried. "Steak and eggs! It's a celebration!" He paused. "At least I'm celebrating. Miss Eastlake's fogged out again."

"What are we cele-" It hit me then, the only thing it possibly could be, and I snapped upright, tumbling Reba onto the floor. "Did your vision come back?"

"It's not that good, I'm afraid, but it's still good. This is something all of Sarasota can celebrate. Candy Brown, amigo. The guards who do the morning count found him dead in his cell."

For a moment that itch flashed down my right arm, and it was red.

"What are they saying?" I heard myself asking. "Suicide?"

"Don't know, but either way suicide or natural causes he saved the state of Florida a lot of money and the parents the grief of a trial. Come on over and blow a noisemaker with me, what do you say?"

"Just let me get dressed," I said. "And wash." I looked at my left arm. It was splattered with many colors. "I was up late."

"Painting?"

"No, banging Pamela Anderson."

"Your fantasy life is sadly deprived, Edgar. I banged the Venus de Milo last night, and she had arms. Don't be too long. How do you like your huevos?"

"Oh. Scrambled. I'll be half an hour."

"That's fine. I must say you don't sound very thrilled with my news bulletin."

"I'm still trying to wake up. On the whole, I'd have to say I'm very glad he's dead."

"Take a number and get in line," he said, and hung up.

xiii

Because the remote was broken, I had to tune the TV manually, an antique skill but one I found I still possessed. On 6, All Tina, All the Time had been replaced by a new show: All Candy, All the Time. I turned the volume up to an earsplitting level and listened while I scrubbed the paint off.

George "Candy" Brown appeared to have died in his sleep. A guard who was interviewed said, "The guy was the loudest snorer we ever had we used to joke that the inmates would have killed him just for that, if he'd been in gen-pop." A doctor said that sounded like sleep apnea and opined that Brown might have died from a resulting complication. He said such deaths in adults were uncommon but far from unheard-of.

Sleep apnea sounded like a good call to me, but I thought I had been the complication. With most of the paint washed off, I climbed the stairs to Little Pink for a look at my version of The Picture in the long light of morning. I didn't think it would be as good as I'd believed when I staggered downstairs to eat an entire box of cereal it couldn't be, considering how fast I'd worked.