Duma Key(8)

"Don't touch him, honey, don't touch him," Mrs. Fevereau said. She was still holding her cigarette and she puffed nervously at it.

Monica paid no attention. She stroked Gandalf's side. The dog screamed again when she did - it was a scream - and Monica covered her eyes with the heels of her hands. She began to shake her head. I didn't blame her.

Mrs. Fevereau reached out for the girl, but changed her mind. She took two steps back, leaned against the high side of her Hummer, and looked up at the sky.

Mrs. Goldstein knelt beside her daughter. "Honey, oh honey please don't."

Gandalf lay in the street, in a pool of his spreading blood, howling. And now I could also remember the sound the crane had made. Not the meep-meep-meep it was supposed to make (its backup warning had been broken), but the juddering stutter of its diesel engine and the sound of its treads eating up the earth.

"Get her inside, Ava," I said. "Get her in the house."

Mrs. Goldstein got an arm around her daughter's shoulders and urged her up. "Come on, honey. Come inside."

"Not without Gandalf!" Monica was eleven, and mature for her age, but in those moments she had regressed to three. "Not without my doggy!" Her sash, the last three inches now sodden with blood, thwapped against the side of her skirt and a long line of blood spattered down her calf.

"Monica, go in and call the vet," I told her. "Say Gandalf's been hit by a car. Say he has to come right away. I'll stay with your dog while you do."

Monica looked at me with eyes that were more than grief-stricken, more than shocked. They were crazy. I knew that look well. I'd seen it often in my own mirror. "Do you promise? Big swear? Mother's name?"

"Big swear, mother's name. Go on."

She went with her mother, casting one more look back over her shoulder and uttering one more bereft wail before starting up the steps to her house. I knelt beside Gandalf, holding onto the Hummer's fender and going down as I always did, painfully and listing severely to the left, trying to keep my right knee from bending any more than it absolutely had to. Still, I voiced my own little cry of pain, and I wondered if I'd be able to get up again without help. It might not be forthcoming from Mrs. Fevereau; she walked over to the lefthand side of the street with her legs stiff and wide apart, then bent at the waist as if bowing to royalty, and vomited in the gutter. She held the hand with the cigarette in it off to one side as she did it.

I turned my attention to Gandalf. He had been struck in the hindquarters. His spine was crushed. Blood and shit oozed sluggishly from between his broken rear legs. His eyes turned up to me and in them I saw a horrible expression of hope. His tongue crept out and licked my inner left wrist. His tongue was dry as carpet, and cold. Gandalf was going to die, but maybe not soon enough. Monica would come out again soon, and I didn't want him alive to lick her wrist when she did.

I understood what I had to do. There was no one to see me do it. Monica and her mother were inside. Mrs. Fevereau's back was still turned. If others on this little stub of street had come to their windows (or out on their lawns), the Hummer blocked their view of me sitting beside the dog with my bad right leg awkwardly outstretched. I had a few moments, but only a few, and if I stopped to think about what I was doing, my chance would be lost.

So I took Gandalf's upper body in my arms and without a pause I'm back at the Sutton Avenue site, where The Freemantle Company is getting ready to build a forty-story bank building. I'm in my pickup truck. Reba McEntire's on the radio, singing "Fancy." I suddenly realize the crane's too loud even though I haven't heard any backup beeper and when I look to my right the part of the world that should be in that window is gone. The world on that side has been replaced by yellow. Black letters float there: LINK-BELT. They're swelling. I spin the Ram's wheel to the left, all the way to the stop, knowing I'm too late. The scream of crumpling metal starts, drowning out the radio and shrinking the inside of the cab right to left because the crane's invading my space, stealing my space, and the pickup is tipping. I'm trying for the driver's-side door, but it's no good. I should have done that right away but it got too late real early. The world in front of me disappears as the windshield turns to frozen milk shot through with a million cracks. Then the building site is back and still turning on an axle as the windshield pops out. Pops out? It flies out bent in the middle like a playing-card, and I'm laying on the horn with the points of both elbows, my right arm doing its last job. I can barely hear the horn over the crane's engine. LINK-BELT is still moving in, pushing the passenger door, closing the passenger-side footwell, splintering the dashboard in tectonic chunks of plastic. The shit from the glove-compartment floats around, the radio goes dead, my lunchbucket is tanging against my clipboard, and here comes LINK-BELT. LINK-BELT is right on top of me, I could stick out my tongue and lick the f**king hyphen. I start screaming because that's when the pressure starts. The pressure is my right arm first pushing against my side, then spreading, then splitting open. Blood douses my lap like a bucket of hot water and I hear something breaking. Probably my ribs. It sounds like chickenbones under a bootheel.

I held Gandalf against me and thought Bring the friend, sit in the friend, sit in the f**king PAL, you dump bitch!

And now I'm sitting in the chum, sitting in the f**king pal, it's at home but home doesn't feel like home with all the clocks of Europe ringing inside my cracked head and I can't remember the name of the doll Kamen gave me, all I can remember is boy names: Randall, Russell, Rudolph, River-f*cking-Phoenix. I tell her to leave me alone when she comes in with the fruit and the f**king college cheese, I tell her I need five minutes. I can do this, I say, because it's the phrase Kamen gave me, it's the out, it's the meep-meep-meep that says watch it, Pammy, Edgar's backing up. But instead of leaving she takes the napkin from the tray to wipe the fret off my forehead and while she's doing that I grab her by the throat because in that moment it seems to me it's her fault I can't remember my doll's name, everything is her fault, including LINK-BELT. I grab her with my good left hand. For a few seconds I want to kill her, and who knows, maybe I try. What I do know is I'd rather remember all the accidents in this round world than the look in her eyes as she struggles in my grip. Then I think It was RED! and let her go.