Dreamcatcher(204)

Hurry up! Hurry up, Jonesy! Duddits can't hold on much longer! If he dies before we kill Mr Gray -

Jonesy joins Henry at the door. He wants to throw his arms around him, embrace him, but there's no time.

This is all my fault, he tells Henry, and his voice is higher in pitch than it has been in years.

Not true, Henry says. He's looking at Jonesy with the old impatience that awed Jonesy and Pete and Beaver as children ?Henry always seemed farther ahead, always on the verge of sprinting into the future and leaving the rest of them behind. They always seemed to be holding him back.

But -

You might as well say that Duddits murdered Richie Grenadeau and that we were his accomplices. He was what he was, Jonesy, and he made us what we are . . . but not on purpose. It was all he could do to tie his shoes on purpose, don't you know that?

And Jonesy thinks: Fit wha? Fit neek?

Henry . . . is Duddits -

He's holding on for us, Jonesy, I told you. Holding us together.

In the dreamcatcher.

That's tight. So are we going to stand out here arguing in the hall while the world goes down the chute, or are we going to -

We're going to kill the son of a bitch, Jonesy says, and reaches for the doorknob. Above it is a sign reading THERE IS NO INFECTION HERE, IL N'Y A PAS D'INFECTION ICI, and suddenly he sees both of that sign's bitter edges. It's like one of those Escher optical illusions. Look at it from one angle and it's true. Look at it from another and it's the most monstrous lie in the universe.   

Dreamcatcher, Jonesy thinks, and turns the knob.

The room beyond the door is a byrus madhouse, a nightmare jungle overgrown with creepers and vines and lianas twisted together in blood-colored plaits. The air reeks of sulfur and chilly ethyl alcohol, the smell of starter fluid sprayed into a balky carb on a subzero January morning. At least they don't have the shit-weasel to worry about, not in here; that's on another strand of the dreamcatcher, in another place and time. The byrum is Lad's problem now; he's a border collie with a very dim future.

The television is on, and although the screen is overgrown with byrus, a ghostly black-and-white image comes straining through. A man is dragging the corpse of a dog across a concrete floor. Dusty and strewn with dead autumn leaves, it's like a tomb in one of the fifties horror flicks Jonesy still likes to watch on his VCR. But this isn't a tomb; it is filled with the hollow sound of rushing water.

In the center of the floor there is a rusty circular cover with MWRA stamped on it: Massachusetts Water Resources Authority. Even through the reddish serum on the TV screen, these letters stand out. Of course they do. To Mr Gray  -  who died as a physical being all the way back at Hole in the Wall  -  they mean everything.

They mean, quite literally, the world.

The shaft-lid has been partly pushed aside, revealing a crescent shape of absolute darkness. The man dragging the dog is himself, Jonesy realizes, and the dog isn't quite dead. It is leaving a trail of frothy pink blood behind on the concrete, and its back legs are twitching. Almost paddling.

Never mind the movie, Henry almost snarls, and Jonesy turns his attention to the figure in the bed, the gray thing with the byrus-speckled sheet pulled up to its chest, which is a plain gray expanse of poreless, hairless, nippleless flesh. Although he can't see now because of the sheet, Jonesy knows there is no navel, either, because this thing was never born. It is a child's rendering of an alien, trolled directly from the subconscious minds of those who first came in contact with the byrum. They never existed as actual creatures, aliens, ETs. The grays as physical beings were always created out of the human imagination, out of the dreamcatcher, and knowing this affords Jonesy a measure of relief. He wasn't the only one who got fooled. At least there is that. 

Something else pleases him: the look in those horrid black eyes.

It's fear.

16

'I'm locked and loaded,' Freddy said quietly, drawing to a stop behind the Humvee they had chased all these miles.

'Outstanding,' Kurtz said. 'Recon that HMW. I'll cover you.' 'Right.' Freddy looked at Perlmutter, whose belly was swelling again, then at Owen's Hummer. The reason for the rifle-fire they'd heard earlier was clear now: the Hummer had been shot up pretty good. The only question left to be answered was who had been on the giving end and who on the receiving. Tracks led away from the Hummer, growing indistinct under the rapid snowfall, but for now clear enough to read. A single set. Boots. Probably Owen.

'Go on now, Freddy!'

Freddy got out into the snow. Kurtz slid out behind him and Freddy heard him rack the slide of his personal. Depending on the nine-millimeter. Well, maybe that was all right; he was good with it, no question of that.

Freddy felt a momentary coldness down his spine, as if Kurtz had the nine leveled there. Right there. But that was ridiculous, wasn't it? Owen, yes, but Owen was different. Owen had crossed the line.

Freddy hurried to the Hummer, bent low, carbine held at chest level. He didn't like having Kurtz behind him, that was undeniable. No, he didn't like that at all.

17

As the two boys advance on the overgrown bed, Mr Gray begins to push the CALL button repeatedly, but nothing happens. I think the works must be choked with byrus, Jonesy thinks. Too bad, Mr Gray  -  too bad for you. He glances up at the TV and sees that his film self has gotten the dog to the edge of the shaft. Maybe they're too late after all; maybe not. There's no way to tell. The wheel is still spinning.