Dreamcatcher(158)

Henry feels the light steal into him and understands that the light is his friends and himself, they make it together, that lovely lace of light and green shadow, and of them all, Duddits shines brightest. He is their hall; without him there is no bounce, there is no play. He is their dreamcatcher, he makes them one. Henry's heart fills up as it never will again (and the void of that lack will grow and darken as the years pile up around him), and he thinks: Is it to find one lost retarded girl who probably matters to no one but her parents? Was it to kill one brainless bully-boy, joining together to somehow make him drive off the road, doing it, oh for God's sake doing it in our sleep? Can that be all? Something so great, something so wondrous, for such tiny matters? Can that be all?

Because if it is  -  he thinks this even in the ecstasy of their joining  -  then what is the use? What can anything possibly mean?

Then that and all thought is swept away by the force of the experience. The face of Josie Rinkenhauer rises in front of them, a shifting image that is composed first of four perceptions and memories . . . then a fifth, as Duddits understands who it is they're making all this fuss about.

When Duddits weighs in, the image grows a hundred times brighter, a hundred times sharper. Henry hears someone  -  Jonesy  -  gasp, and he would gasp himself, if he had the breath to do so. Because Duddits may be retarded in some ways, but not in this way; in this way, they are the poor stumbling enfeebled idiots and Duddits is the genius.

'Oh my God,' Henry hears Beaver cry, and in his voice there are equal parts ecstasy and dismay.

Because Josie is standing here with them. Their differing per?ceptions of her age have turned her into a child of about twelve, older than she was when they first encountered her waiting outside The Retard Academy, surely younger than she must be now. They have settled on a sailor dress with an unsteady color that cycles from blue to pink to red to pink to blue again. She is holding the great big plastic purse with BarbieKen peeking out the top and her knees are splendidly scabby. Ladybug earrings appear and disappear below her lobes and Henry thinks Oh yeah, I remember those and then they steady into the mix.

She opens her mouth and says, Hi, Duddie. Looks around and says, Hi, you guys.

Then, just like that, she's gone. Just like that they are five instead of six, five big boys standing under the old oak with June's ancient light printing their faces and the excited cries of the softball girls in their cars. Pete is crying. So is Jonesy. The wino is gone  -  he's apparently collected enough for his bottle  -  but another man has come, a solemn man dressed in a winter parka in spite of the day's warmth. His left check is covered with red stuff that could be a birthmark, except Henry knows it isn't. It's byrus. Owen Underhill has joined them in Strawford Park, is watching them, but that's all right; no one sees this visitor from the far side of the dreamcatcher except for Henry himself.

Duddits is smiling, but he looks puzzled at the tears on two of his friends' cheeks. 'Eye-ooo ine?' he asks Jonesy  -  why you cryin?

'It doesn't matter,' Jonesy says. When he slips his hand out of Duddits's, the last of the connection breaks. Jonesy wipes at his face and so does Pete. Beav utters a sobbing little laugh.

'I think I swallowed my toothpick,' he says.

'Nah, there it is, ya fag,' Henry says, and points to the grass, where the chewed-up pick is lying.

'Fine Osie?' Duddits asks.

'Can you, Duds?' Henry asks.

Duddits walks toward the softball field, and they follow him in a respectful little cluster. Duds walks right past Owen but of course doesn't see him; to Duds, Owen Underhill doesn't exist, at least not yet. He walks past the bleachers, past third base, past the little snackbar. Then he stops.

Beside him, Pete gasps.

Duddits turns and looks at him, bright-eyed and interested, almost laughing. Pete is holding out one finger, ticking it back and forth, looking past the moving finger at the ground. Henry follows his gaze and for a moment thinks he sees something  -  a bright flash of yellow on the grass, like paint  -  and then it's gone. There's only Pete, doing what he does when he's using his special remembering gift.

'Ooo you eee-a yine, Eete?' Duddits inquires in a fatherly way that almost makes Henry laugh  -  Do you see the line, Pete?

'Yeah,' Pete says, bug-eyed. 'Fuck, yeah.' He looks up at the others. 'She was here, you guys! She was right here!'

They walk across Strawford Park, following a line only Duddits and Pete can see while a man only Henry can see follows along behind them. At the north end of the park is a rickety board fence with a sign on it: D.B.&A. P,.R. PROPERTY KEEP OUT! Kids have been ignoring this sign for years, and it's been years since the Derry, Bangor, and Aroostook actually ran freights along the spur through The Barrens, anyway. But they see the train-tracks when they push through a break in the fence; they are down at the bottom of the slope, gleaming rustily in the sun.

The slope is steep, a-riot with poison sumac and poison ivy, and halfway down they find Josie Rinkenhauer's big plastic purse. It is old now and sadly battered  -  mended in several places with friction tape  -  but Henry would know that purse anywhere. .

Duddits pounces on it happily, yanks it open, peers inside. 'ArbyEn!' he announces, and pulls them out. Pete, meanwhile, has foraged on, bent over at the waist, grim as Sherlock Holmes on the trail of Professor Moriarty. And it is Pete Moore who actually finds her, looking wildly around at the others from a filthy concrete drainpipe that pokes out of the slope and tangled foliage: 'She's in here!' Pete screams deliriously. Except for two flaring patches of color on his checks, his face is as pale as paper. 'Guys, I think she's in here!'