Dreamcatcher(15)



And the worst of it was that the man would not die, or at least not at once. He would fall down and lie there screaming, as Jonesy had lain screaming in the street. He couldn't remember screaming, but of course he had; he had been told this and had no reason to disbelieve it. Screamed his f**king head off, most likely. And what if the man in the brown coat and orange accessories started screaming for Marcy? Surely he would not  -  not really  -  but Jonesy's mind might report screams of Marcy. If there was eye-fever  -  if he could look at a man's brown coat and see it as a deer's head  -  then there was likely the auditory equivalent, as well. To hear a man screaming and know you were the reason  -  dear God, no. And still his finger would not loosen.

What broke his paralysis was both simple and unexpected: about ten paces from the base of Jonesy's tree, the man in the brown coat fell down. Jonesy heard the pained, surprised sound he made  -  mrof! was what it sounded like  -  and his finger released the trigger without his even thinking about it.

The man was down on his hands and knees, his brown-gloved fingers (brown gloves, another mistake, this guy almost could have gone out with a sign reading SHOOT ME taped to his back, Jonesy thought) spread on the ground, which had already begun to whiten. As the man got up again, he began to speak aloud in a fretful, wondering voice. Jonesy didn't realize at first that he was also weeping.

'Oh dear, oh dear,' the man said as he worked his way back to a standing position. He swayed on his feet as if drunk. Jonesy knew that men in the woods, men away from their families for a week or a weekend, got up to all sorts of small wickedness  -  drinking at ten in the morning was one of the most common. But Jonesy didn't think this guy was drunk. No reason; just a vibe.

'Oh dear, oh dear, oh dear.' And then, as he began to walk again: 'Snow. Now it's snow. Please God, oh God, now it's snow, oh dear.'

His first couple of steps were lurching and unsure. Jonesy had about decided that his vibe was incorrect, the guy was loaded, and then the fellow's gait smoothed out and he began to walk a little more evenly. He was scratching at his right cheek.

He passed directly beneath the stand, for a moment he wasn't a man at all but only a round circle of orange cap with brown shoulders to either side of it. His voice drifted up, liquid and full of tears, mostly Oh dear with the occasional Oh God or Now it's snow thrown in for salt.

Jonesy stood where he was, watching as the guy first disappeared directly beneath the stand, then came out on the other side. He pivoted without being aware of it to keep the plodding man in view  -  nor was he aware that he had lowered his rifle to his side, even pausing long enough to put the safety back on.

Jonesy didn't call out, and he supposed he knew why: simple guilt. He was afraid that the man down there would take one look at him and see the truth in Jonesy's eyes  -  even through his tears and the thickening snow, the man would see that Jonesy had been up there with his gun pointed, that Jonesy had almost shot him.

Twenty paces beyond the tree, the man stopped and only stood there, his gloved right hand raised to his brow, shielding his eyes from the snow. Jonesy realized he had seen Hole in the Wall. Had probably realized he was on an actual path, too. Oh dear and Oh God stopped, and the guy began to run toward the sound of the generator, rocking from side to side like a man on the deck of a ship. Jonesy could hear the stranger's short, sharp gasps for breath as he pounded toward the roomy cabin with the lazy curl of smoke rising from the chimney and fading almost at once into the snow.

Jonesy began to work his way down the rungs nailed to the trunk of the maple with his gun slung over his shoulder (the thought that the man might present some sort of danger did not occur to him, not then; he simply didn't want to leave the Garand, which was a fine gun, out in the snow). His hip had stiffened, and by the time he got to the foot of the tree, the man he'd almost shot had made it nearly all the way to the cabin door . . . which was unlocked, of course. No one locked up, not way out here.

5

About ten feet from the granite slab that served as Hole in the Wall's front stoop, the man in the brown coat and orange hat fell down again. His hat tumbled off, revealing a sweaty clump of thinning brown hair. He stayed on one knee for a moment, head lowered. Jonesy could hear his harsh, fast breathing.

The man picked up his cap, and just as he set it back on his head, Jonesy hailed him.

The man staggered to his feet and turned tipsily. Jonesy's first impression was that the man's face was very long  -  that he was almost what people meant when they called someone 'horsefaced'. Then, as Jonesy got closer, hitching a little but not really limping (and that was good, because the ground underfoot was getting slippery fast), he realized the guy's face wasn't particularly long at all  -  he was just very scared and very very pale. The red patch on his cheek where he had been scratching stood out brightly. The relief that came over him when he saw Jonesy hurrying toward him was large and immediate. Jonesy almost laughed at himself, standing up there on the platform in the tree and worrying about the guy reading his eyes. This man wasn't into reading faces, and he clearly had no interest in where Jonesy had come from or what he might have been doing. This man looked like he wanted to throw his arms around Jonesy's neck and cover him with big gooey kisses.

'Thank God!' the man cried. He held out one hand toward Jonesy  and shuffled toward him through the thin icing of new snow. 'Oh gee, thank God, I'm lost, I've been lost in the woods since yesterday, I thought I was going to die out here. I . . . I . . .'

Stephen King's Books