Doctor Sleep (The Shining #2)(27)
Billy Freeman didn’t have as much shine as Dan himself, not even close, but a bit more than just a twinkle. On that first day he had called Kingsley from the equipment shed as soon as Dan headed across the street to the Municipal Building. There was a young fella looking for work, Billy said. He wasn’t apt to have much in the way of references, but Billy thought he was the right man to help out until Memorial Day. Kingsley, who’d had experiences—good ones—with Billy’s intuitions before, had agreed. I know we’ve got to have someone, he said.
Billy’s reply had been peculiar, but then Billy was peculiar. Once, two years ago, he had called an ambulance five minutes before that little kid had fallen off the swings and fractured his skull.
He needs us more than we need him, Billy had said.
And here he was, sitting hunched forward as if he were already riding his next bus or barstool, and Kingsley could smell the wine from twelve yards down the hallway. He had a gourmet’s nose for such scents, and could name each one. This was Thunderbird, as in the old saloon rhyme: What’s the word? Thunderbird! . . . What’s the price? Fifty twice! But when the young guy looked up at him, Kingsley saw the eyes were clear of everything but desperation.
“Billy sent me.”
Kingsley said nothing. He could see the kid gathering himself, struggling with it. It was in his eyes; it was in the way his mouth turned down at the corners; mostly it was the way he held the bottle, hating it and loving it and needing it all at the same time.
At last Dan brought out the words he had been running from all his life.
“I need help.”
He swiped an arm across his eyes. As he did, Kingsley bent down and grasped the bottle of wine. The kid held on for a moment . . . then let go.
“You’re sick and you’re tired,” Kingsley said. “I can see that much. But are you sick and tired of being sick and tired?”
Dan looked up at him, throat working. He struggled some more, then said, “You don’t know how much.”
“Maybe I do.” Kingsley produced a vast key ring from his vast trousers. He stuck one in the lock of the door with FRAZIER MUNICIPAL SERVICES painted on the frosted glass. “Come on in. Let’s talk about it.”
CHAPTER TWO
BAD NUMBERS
1
The elderly poet with the Italian given name and the absolutely American surname sat with her sleeping great-granddaughter in her lap and watched the video her granddaughter’s husband had shot in the delivery room three weeks before. It began with a title card: ABRA ENTERS THE WORLD! The footage was jerky, and David had kept away from anything too clinical (thank God), but Concetta Reynolds saw the sweat-plastered hair on Lucia’s brow, heard her cry out “I am!” when one of the nurses exhorted her to push, and saw the droplets of blood on the blue drape—not many, just enough to make what Chetta’s own grandmother would have called “a fair show.” But not in English, of course.
The picture jiggled when the baby finally came into view and she felt gooseflesh chase up her back and arms when Lucy screamed, “She has no face!”
Sitting beside Lucy now, David chuckled. Because of course Abra did have a face, a very sweet one. Chetta looked down at it as if to reassure herself of that. When she looked back up, the new baby was being placed in the new mother’s arms. Thirty or forty jerky seconds later, another title card appeared: HAPPY BIRTHDAY ABRA RAFAELLA STONE!
David pushed STOP on the remote.
“You’re one of the very few people who will ever get to see that,” Lucy announced in a firm, take-no-prisoners voice. “It’s embarrassing.”
“It’s wonderful,” Dave said. “And there’s one person who gets to see it for sure, and that’s Abra herself.” He glanced at his wife, sitting next to him on the couch. “When she’s old enough. And if she wants to, of course.” He patted Lucy’s thigh, then grinned at his granny-in-law, a woman for whom he had respect but no great love. “Until then, it goes in the safe deposit box with the insurance papers, the house papers, and my millions in drug money.”
Concetta smiled to show she got the joke but thinly, to show she didn’t find it particularly funny. In her lap, Abra slept and slept. In a way, all babies were born with a caul, she thought, their tiny faces drapes of mystery and possibility. Perhaps it was a thing to write about. Perhaps not.
Concetta had come to America when she was twelve and spoke perfect idiomatic English—not surprising, since she was a graduate of Vassar and professor (now emeritus) of that very subject—but in her head every superstition and old wives’ tale still lived. Sometimes they gave orders, and they always spoke Italian when they did. Chetta believed that most people who worked in the arts were high-functioning schizophrenics, and she was no different. She knew superstition was shit; she also spat between her fingers if a crow or black cat crossed her path.
For much of her own schizophrenia she had the Sisters of Mercy to thank. They believed in God; they believed in the divinity of Jesus; they believed mirrors were bewitching pools and the child who looked into one too long would grow warts. These were the women who had been the greatest influence on her life between the ages of seven and twelve. They carried rulers in their belts—for hitting, not measuring—and never saw a child’s ear they did not desire to twist in passing.
Lucy held out her arms for the baby. Chetta handed her over, not without reluctance. The kid was one sweet bundle.