Different Seasons(80)



He shot at five others, the impotent snap of the hammer spoiling the illusion at the end of each “kill.” Then he cased the rifle again. He carried it back up the slope, bending low to keep from being seen. He put it into the back of the Porsche. There was a dry hot pounding in his temples. He drove home. Went up to his room. Masturbated.

17

The stewbum was wearing a ragged, unravelling reindeer sweater that looked so startling it almost seemed surreal here in southern California. He also wore seaman’s issue bluejeans which were out at the knees, showing white, hairy flesh and a number of peeling scabs. He raised the jelly-glass—Fred and Wilma, Barney and Betty dancing around the rim in what might have been some grotesque fertility rite—and tossed off the knock of Ancient Age at a gulp. He smacked his lips for the last time in this world.

“Mister, that hits the old spot. I don’t mind saying so.”

“I always enjoy a drink in the evening,” Dussander agreed from behind him, and then rammed the butcher knife into the stewbum’s neck. There was the sound of ripping gristle, a sound like a drumstick being torn enthusiastically from a freshly roasted chicken. The jelly-glass fell from the stewbum’s hand and onto the table. It rolled toward the edge, its movement enhancing the illusion that the cartoon characters on it were dancing.

The stewbum threw his head back and tried to scream. Nothing came out but a hideous whistling sound. His eyes widened, widened . . . and then his head thumped soggily onto the red and white oilcloth check that covered Dussander’s kitchen table. The stewbum’s upper plate slithered halfway out of his mouth like a semi-detachable grin.

Dussander yanked the knife free—he had to use both hands to do it—and crossed to the kitchen sink. It was filled with hot water, Lemon Fresh Joy, and dirty supper dishes. The knife disappeared into a billow of citrus-smelling suds like a very small fighter plane diving into a cloud.

He crossed to the table again and paused there, resting one hand on the dead stewbum’s shoulder while a spasm of coughing rattled through him. He took his handkerchief from his back pocket and spat yellowish-brown phlegm into it. He had been smoking too much lately. He always did when he was making up his mind to do another one. But this one had gone smoothly; really very smoothly. He had been afraid after the mess he had made with the last one that he might be tempting fate sorely to try it again.

Now, if he hurried, he would still be able to watch the second half of Lawrence Welk.

He bustled across the kitchen, opened the cellar door, and turned on the light switch. He went back to the sink and got the package of green plastic garbage bags from the cupboard beneath. He shook one out as he walked back to the slumped wino. Blood had run across the oilcloth in all directions. It had puddled in the wino’s lap and on the hilly, faded linoleum. It would be on the chair, too, but all of those things would clean up.

Dussander grabbed the stewbum by the hair and yanked his head up. It came with boneless ease, and a moment later the wino was lolling backwards, like a man about to get a pre-haircut shampoo. Dussander pulled the garbage bag down over the wino’s head, over his shoulders, and down his arms to the elbows. That was as far as it would go. He unbuckled his late guest’s belt and pulled it free of the fraying belt-loops. He wrapped the belt around the garbage bag two or three inches above the elbows and buckled it tight. Plastic rustled. Dussander began to hum under his breath.

The wino’s feet were clad in scuffed and dirty Hush Puppies. They made a limp V on the floor as Dussander seized the belt and dragged the corpse toward the cellar door. Something white tumbled out of the plastic bag and clicked on the floor. It was the stewbum’s upper plate, Dussander saw. He picked it up and stuffed it into one of the wino’s front pockets.

He laid the wino down in the cellar doorway with his head now lolling backward onto the second stair-level. Dussander climbed around the body and gave it three healthy kicks. The body moved slightly on the first two, and the third sent it slithering bonelessly down the stairs. Halfway down, the feet flew up over the head and the body executed an acrobatic roll. It belly-whopped onto the packed dirt of the cellar floor with a solid thud. One Hush Puppy flew off, and Dussander made a mental note to pick it up.

He went down the stairs, skirted the body, and approached his toolbench. To the left of the bench a spade, a rake, and a hoe leaned against the wall in a neat rank. Dussander selected the spade. A little exercise was good for an old man. A little exercise could make you feel young.

The smell down here was not good, but it didn’t bother him much. He limed the place once a month (once every three days after he had “done” one of his winos) and he had gotten a fan which he ran upstairs to keep the smell from permeating the house on very warm still days. Josef Kramer, he remembered, had been fond of saying that the dead speak, but we hear them with our noses.

Dussander picked a spot in the cellar’s north comer and went to work. The dimensions of the grave were two and a half feet by six feet. He had gotten to a depth of two feet, half deep enough, when the first paralyzing pain struck him in the chest like a shotgun blast. He straightened up, eyes flaring wide. Then the pain rolled down his arm ... unbelievable pain, as if an invisible hand had seized all the blood-vessels in there and was now pulling them. He watched the spade tumble sideways and felt his knees buckle. For one horrible moment he felt sure that he was going to fall into the grave himself.

Somehow he staggered backwards three paces and sat down on his workbench with a plop. There was an expression of stupid surprise on his face—he could feel it—and he thought he must look like one of those silent movie comedians after he’d been hit by the swinging door or stepped in the cow patty. He put his head down between his knees and gasped.

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