Different Seasons(180)



“And bring out the dragon in Mrs. Davidson again?” The impish light was back in her eyes. “I don’t think so. And now, doctor—”

“You intend to work as long as possible? Absolutely as long as possible?”

“Yes. I have to. Why?”

“I think I’m going to frighten you a little before you go,” I said.

Her eyes widened slightly. “Don’t do that,” she said. “I’m frightened enough already.”

“Which is exactly why I’m going to do it. Sit down again, Miss Stansfield.” And when she only stood there, I added: “Please.”

She sat. Reluctantly.

“You’re in a unique and unenviable position,” I told her, sitting on the comer of my desk. “You are dealing with the situation with remarkable grace.”

She began to speak, and I held up my hand to silence her.

“That’s good. I salute you for it. But I would hate to see you hurt your baby in any way out of concern for your own financial security. I had a patient who, in spite of my strenuous advice to the contrary, continued packing herself into a girdle month after month, strapping it tighter and tighter as her pregnancy progressed. She was a vain, stupid, tiresome woman, and I don’t believe she really wanted the baby anyway. I don’t subscribe to many of these theories of the subconscious which everyone seems to discuss over their Mah-Jongg boards these days, but if I did, I would say that she—or some part of her—was trying to kill the baby.”

“And did she?” Her face was very still.

“No, not at all. But the baby was born retarded. It’s very possible that the baby would have been retarded anyway, and I’m not saying otherwise—we know next to nothing about what causes such things. But she may have caused it.”

“I take your point,” she said in a low voice. “You don’t want me to ... to pack myself in so I can work another month or six weeks. I’ll admit the thought had crossed my mind. So ... thank you for the fright.”

This time I walked her to the door. I would have liked to ask her just how much—or how little—she had left in that savings book, and just how close to the edge she was. It was a question she would not answer; I knew that well enough. So I merely bade her goodbye and made a joke about her vitamins. She left. I found myself thinking about her at odd moments over the next month, and—

Johanssen interrupted McCarron’s story at this point. They were old friends, and I suppose that gave him the right to ask the question that had surely crossed all our minds.

“Did you love her, Emlyn? Is that what all this is about, this stuff about her eyes and smile and how you ‘thought of her at odd moments’?”

I thought that McCarron might be annoyed at this interruption, but he was not. “You have a right to ask the question,” he said, and paused, looking into the fire. It seemed that he might almost have fallen into a doze. Then a dry knot of wood exploded, sending sparks up the chimney in a swirl, and McCarron looked around, first at Johanssen and then at the rest of us.

“No. I didn’t love her. The things I’ve said about her sound like the things a man who is falling in love would notice—her eyes, her dresses, her laugh.” He lit his pipe with a special boltlike pipe-lighter that he carried, drawing the flame until there was a bed of coals there. Then he snapped the bolt shut, dropped it into the pocket of his jacket, and blew out a plume of smoke that shifted slowly around his head in an aromatic membrane.

“I admired her. That was the long and short of it. And my admiration grew with each of her visits. I suppose some of you sense this as a story of love crossed by circumstance. Nothing could be further from the truth. Her story came out a bit at a time over the next half-year or so, and when you gentlemen hear it, I think you’ll agree that it was every bit as common as she herself said it was. She had been drawn to the city like a thousand other girls; she had come from a small town ...

... in Iowa or Nebraska. Or possibly it was Minnesota—I don’t really remember anymore. She had done a lot of high school dramatics and community theater in her small town—good reviews in the local weekly written by a drama critic with an English degree from Cow and Sileage Junior College—and she came to New York to try a career in acting.

She was practical even about that—as practical as an impractical ambition will allow one to be, anyway. She came to New York, she told me, because she didn’t believe the un-stated thesis of the movie magazines—that any girl who came to Hollywood could become a star, that she might be sipping a soda in Schwab’s Drugstore one day and playing opposite Gable or MacMurray the next. She came to New York, she said, because she thought it might be easier to get her foot in the door there ... and, I think, because the legitimate theater interested her more than the talkies.

She got a job selling perfume in one of the big department stores and enrolled in acting classes. She was smart and terribly determined, this girl—her will was pure steel, through and through—but she was as human as anyone else. She was lonely, too. Lonely in a way that perhaps only single girls fresh from small Midwestern towns know. Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly ... perhaps even malignant. Homesickness is a real sickness—the ache of the uprooted plant.

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