Creation in Death (In Death #25)(67)

“And you got lucky,” Callendar mumbled.

“And I’m so good,” McNab said smoothly, “that I hit on a guest registered three weeks before the vic was snatched, with a four-day stay. Name of Cicero Edwards. Resort requires an address, to which Edwards listed one in London. I ran the name with said address and came up with zip. No Edwards, Cicero, at that address at that time. And better, the address was bogus. It’s the address for—”

“An opera house,” Eve said and had McNab’s pretty face moving into a pout.

“Wind, sails, sucked out,” he commented. “The Royal Opera House, to be exact. Leading your crack e-team to deduce this was our guy, and that our guy has a thing for fat women singing in really high voices.”

“I have information that may add further weight to that.” She encapsulated Nadine’s information. “Good work.” She nodded at McNab and Callendar. “Find more. Roarke, see if you can dig up any buildings that were used as opera houses or theaters that held operas during the Urbans. And—”

“He’ll have season tickets,” Roarke said. “If he’s a serious buff, and is able to afford the luxury, he’d indulge it. Box seats, most likely. Here at the Met, very likely at the Royal and other opera houses of repute.”

“We can work that,” she replied. “Dig, cross-check. He likes to vary his name. Punch on any variation of Edward.” She glanced at her wrist unit, cursed. “I’m late for the damn media. Get started.”

She turned, studied the name she’d added to the white board. Ariel Greenfeld.

“Let’s find her,” she said, and went out.

She got through the media without actually grinding her teeth down to nubs. She considered that progress. Whitney was waiting for her outside the briefing room.

“I’d hoped to make it to your morning briefing,” he told her. “I was detained.”

“We do have some new leads since my report. Sir, I’d like to check on Detective Yancy’s progress with the witness if I could update you on the way.”

He nodded, fell into step beside her.

“An opera lover,” he said when she’d brought him up to speed. “My wife enjoys the opera.”

“Yes, sir.”

He smiled a little. “I actually enjoy some opera myself. He may have gotten too clever with his fake addresses, using opera houses.”

“Houses may be one of the keys, Commander. I don’t know much about opera, but I take it they deal with death a lot of the time. The psychic in Romania talked about his house of death. Psychics are often cryptic or their visions symbolic.”

“And we should consider he might have, or have had, some more direct connection with opera. A performer, or backer, a crew member, musician.”

“It’s a possibility.”

“Phantom of the Opera. A story about a disfigured man who haunts an opera house, and kills,” Whitney explained. “His killing place may be a former opera house or theater.”

“We’re pursuing that. There are other areas we may pursue. I’d like to discuss them with you and Mira at some point, if those areas seem relevant.”

“We’ll work around you.”

He went with her to Yancy’s division. Eve wondered if he registered the fact that wherever he passed, cops came to attention…or if it was something he no longer noticed.

Eve saw first that Yancy was alone at his workstation, and second that his eyes were closed, and he was wearing a headset. Though she’d have preferred the commander had been elsewhere when she was forced to berate a detective, it didn’t stop her from giving Yancy’s desk chair a good, solid kick.

He jerked up. “Hey, watch where you’re—Lieutenant.” Annoyance cleared when he saw Eve, then shifted over into something closer to anxiety when he spotted Whitney. “Commander.”

He came out of the chair.

“Where the hell is my witness?” Eve demanded. “And just how often do you take a little nap on the department’s time?”

“I wasn’t napping. Sir. It’s a ten-minute meditation program,” he explained as he pulled off the headset. “Trina needed a break, so I suggested she go down to the Eatery or take a short walk around. At this point in the work, it’s easy to stop guiding and start directing. Meditating for a few minutes clears my head.”

“Your methods generally produce results,” Whitney commented. “But in this case, ten minutes is an indulgence we can’t afford.”

“Understood, sir, but, respectfully, I know when a wit needs a breather. She’s good.” Yancy glanced at Dallas. “She’s really good. She knows faces because it’s her business to evaluate them. She’s already given me more than most wits manage, and in my opinion, after this break she’s going to nail it solid. Take a look.”

He’d used both a sketch pad and the computer. Eve stepped around to get a closer look at both. “That’s good,” she agreed.

“It’ll be better. She keeps changing the eyes and the mouth, and that’s because she’s second-and third-guessing. She can’t pull out the eye color, but the shape? The shape of the eyes, the face, even the way the ears lie, she doesn’t deviate.”

The face was rounded, the ears lying neatly, and on the small side. The eyes were slightly hooded and held a pleasant expression. The mouth, a little thin on top, was curved in a hint of a smile. Short-necked, Eve noted, so that the head sat low on the shoulders.