Creation in Death (In Death #25)(6)

“With Feeney. He was primary. I was a detective, just made second grade, and we worked it. We had a task force by the second murder. And we never got him.”

Four women, Eve thought, who had never gotten justice.

“He’s surfaced again, here and there,” she continued. “Two weeks, two and a half—four or five women. Then he goes under. A year, a year and a half. Now he’s come back to New York, where we think he started. Back to where he started, and this time, we’ll finish it.”

I n his well-appointed living room, with the split of champagne he traditionally opened to celebrate the end of a successful project, the man the media had long ago dubbed The Groom settled down in front of his entertainment screen.

It was too early, he knew, most likely too early for any reports. It would be morning before his latest creation was discovered. But he couldn’t resist checking.

A few moments, just to see, he told himself, then he’d enjoy his champagne with some music. Puccini, perhaps, in honor of…he had to pause and think before he remembered her name. Sarifina, yes. Such a lovely name. Puccini for Sarifina. He really believed she’d responded to Puccini best.

He surfed the channels, and was rewarded almost immediately. Delighted, he sat up, crossed his ankles, and prepared to listen to his latest reviews.

Identification is not being released in order for the woman’s next of kin to be notified. While there is no confirmation at this time that the woman was murdered, the participation of Lieutenant Eve Dallas on the scene indicates foul play is being considered.

He applauded, lightly, when Eve’s face came on screen. “There you are,” he said. “Hello, again! So nice, so very nice to see old friends. And this time, this time we’re going to get to know each other so very much better.”

He lifted his glass, held it out in a toast. “I know you’re going to be my very finest work.”

2

SARIFINA’S APARTMENT WAS URBAN HIP. STRONG colors dominated in paint and fabric, with glossy black as counterpoint in tables, shelves. Sleek and vibrant, Eve thought. And low-maintenance, which made her think of a woman who didn’t have the time or the inclination to fuss.

Her bed was made, covered with a stoplight-red spread and boldly patterned pillows. In the closet was a collection of vintage gowns. Sleek again, simple, and still vibrant in color. Shoes Eve thought might be vintage as well were in clear protective boxes.

She took care of what was hers.

“Is this the sort of gear she’d wear at the club?” Eve asked Roarke.

“Yes, exactly. It’s retro—1940s theme. She’d be expected to mingle, to recognize and greet regulars, to table hop. And to look the part.”

“Guess she would have. Some more up-to-date street clothes, two business-type suits. We’ll tag her electronics,” she added glancing at the bedside ’link. “See if he contacted her. Not his usual style, but things change. Tag her ’links, her comp. Did she have an office at the club?”

“Yes.”

“We’ll tag the e-stuff there, too.” She pulled open a drawer on the little desk under the window. “No date book, no planner, no pocket ’link. She would have had them on her. Big-ass purse in the closet, and one of those—what do you call them—city bags. Go with the suit and the street clothes. A few evening bags. We’ll see if the sister knows what’s missing.”

“A pint of soy milk in the fridge,” Peabody reported as she entered. “Expired Wednesday. Some leftover Chinese, which by my gauge has been in there near to a week. Found a memo cube.”

Peabody held it up. “Shopping list—market stuff and a few other things. Also a fridge photo of her and a guy, but it wasn’t on the fridge. It was facedown in the kitchen drawer, which says recently ex-boyfriend to me.”

“All right, let’s bag and tag.” Eve glanced at her wrist unit. It was nearly one in the morning. If they started to knock on doors and woke up neighbors at this hour, it would only piss people off.

Pissed people were less willing to talk to cops.

“We’ll hit the club next.”

W ith Roarke’s fondness for old vids, particularly the moody black-and-whites produced in the middle of the last century, Eve knew something about the fashions and music, the cadence of the 1940s. At least as depicted in the Hollywood of that day.

Walking into Starlight at two in the morning, she felt she now also knew what it might be like to take a spin in a time machine.

The club was a wide and sparkling space divided into three levels. Each was accessed by a short set of wide, white stairs. And each, even at this hour, was filled with people who sat at white-clothed tables or silver-cushioned booths.

The waitstaff, men in formal white suits, women in short, full-skirted black dresses, moved from table to table serving drinks from trays. The patrons were decked out in black tie, retro suits, sleek gowns of the type that had been in Sarifina’s closet, or elaborate and frothy ones.

Elegance and sophistication were the bywords, and Eve was mildly surprised to see tables of people in their twenties, straight through to those who had, no doubt, celebrated their centennial.

Music pumped out from the band on the glossy black stage. Or maybe “orchestra” was the term, she thought, as there were at least twenty of them with strings, horns, a piano, drums. And the swinging beat had couples massing over what was the centerpiece of the club. The dance floor.