Control (Songs of Submission #4)(10)
I poured wine for us. “I’m surprised. You seem more… worldly than that.”
She shrugged. I noticed a little redness around her ears. “I’m not sheltered. There’re plenty of ways to get into trouble in a thirty-mile radius.”
“Do tell.” She shrugged and took a spoonful of stew. “Come on,” I said. “We’ll make a trade. I’ll tell you something that will make you run away if you tell me how to get into trouble in Los Angeles.” The way she glanced at me made me think she had something more than a harmless exchange of stories on her mind. She obviously didn’t realize the depth and breadth of the stories I could tell without touching the things I didn’t want her to know.
“Deal,” she said.
“Ladies first.”
She took a sip of wine and straightened her shoulders, as if daring me to think less of her. Then she swallowed a little too hard, and I knew that down deep, she was afraid I might. I tried to remain impassive, but I was jumping out of my skin.
“One time…” she said, then paused.
“Go on.”
“I shot up heroin.”
I tried not to choke on my wine. “How was it?”
“Incredible.”
“Really? And just the once? I don’t get a whole story? Just six words and an adjective?”
“I’m gauging your reaction.”
“I went to private schools. My friends financed dealers and producers to ensure their own product flow. So,” I poured more wine, “how does a beautiful Catholic girl end up with a needle in her arm?”
“I’ve been tested since, you know. I’m clean.”
I didn’t say another word. I held out another bit of pinkabet, which she took. I was going to feed her until she told me about this tiny crevice of her life.
“Ok, well.” She swallowed. “It was, like, the core of a laugh. You know that wavy good feeling you have inside before the laugh comes out? But the laugh is a release from that feeling, and when you’re done laughing, it goes away. So without the laugh, and the release, it got huge. It kind of started in my heart and worked outward like a supernova and stayed there. Imagine that feeling, that happy feeling before you laugh, being big and staying. I was lying down, but I was flying, and at the same time. Well, at first it was just the good pre-laugh feeling, but then the tension came and I wanted it released, because it was painful. Emotionally painful. Like, if the tension got too much, and it broke, so much sorrow would come out.”
She paused and took a sip of wine, not looking at me. “When I came down, I puked and I felt like crap. I mean, who wouldn’t, right? But I knew the first time is the only really great time, and I didn’t want to end up some sick addict. Not even to be Janis Joplin.”
“But why do it in the first place?”
“Kevin… I know you’re his biggest fan. He and I used to do things just to experience them. Just to see, you know, if there was something to it, or if we could translate it into our work. So we did some stupid things.”
“But he never tied you to a bedpost?”
“No.”
“He’s a sad man.”
She laughed. “We ran with our eyes closed. We walked through downtown barefoot. We slept on Skid Row a whole weekend.”
I think I let the silence go a little too long. I was thinking about her huddled in filth under an overpass, broken glass underneath her, and strange, unstable people within arms’ reach.
“What?” she asked, sipping her wine.
“Did he sleep? When you were on Skid Row?”
“I guess.”
I took her hand. “I couldn’t sleep knowing you weren’t a hundred percent safe. I couldn’t walk you into danger or watch someone put a needle full of drugs in your arm. I couldn’t rest.”
“Well, good, because the piss smell kept me up and I was hungry. Speaking of, I’m going to eat more oxtail stew, and you’re going to tell me something that makes me want to walk out. Except I won’t.”
She took a spoonful of stew and glanced at me, so sure her feelings could survive any revelation. I had so many wonderfully juicy stories that wouldn’t even half nudge her out the door. So many others would require a discussion that would ruin the evening.
I asked, “Are sexual escapades on the table?”
“Sure.” She looked into her bowl. Maybe that was a bad idea. I didn’t want her to get bent out of shape. If she told me a story like the one I intended to tell her, I’d get bent out of shape.
“Are you sure you’re sure?”
“As long as your wife isn’t in there.”
“Why? Besides the fact that she’s not the escapade type?”
“I’m not going to pretend your ex-wife’s my favorite person ever. But to me, what goes on sexually in a marriage, you don’t talk about. So—” she put her hands over her ears “—la la la, don’t want to hear it.”
In the five minutes I had to decide what to tell her, I’d prepared a story of bedding three women at once. It was absolutely true, terribly unsexy, and funny all at once. But she’d thrown me by respecting a woman who’d lied to her and caused her hurt, by honoring a vow she’d had no part of. Monica deserved better than a canned story I’d told a hundred times at the club.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Jessica and Sharon (Songs of Submission #3.5)