Cold Springs(120)
“Probably look like those patriot guys,” she managed. “Marching all banged up. Need a fife and drum.”
“I ain't wearing no damn sash on my head,” Hunter said.
“We can stop,” Chadwick offered. “Bring her to the lodge.”
“No,” Olsen said. “She's been pulled around enough. The least I can do is go to her.”
Hunter's mouth tightened with concern, but he winked at Chadwick, a little flare of pride in his eyes, gratification for Olsen's toughness.
Hunter seemed changed in recent days—more paternal toward the staff, especially toward Olsen. Chadwick knew Kindra's treachery had cut him deeply, made him angrier than he'd been in a long time. But rather than throw a knife into a tree, or chuck Special Agent Laramie off the top of a ropes course platform, Hunter had chosen to channel all his anger into making sure his people were okay. He spent more time at the staff parties, worked less in his darkened office, staring at the security monitors. He'd started dressing in gray fatigues, as if he were the one who had advanced a level. He even attended his first-ever county Chamber of Commerce luncheon, trying to make amends with the community.
They followed the road past the cattle workers, where the newest recruit, Mallory's old team member Bridges, was staring with apprehension at the school's training herd, ten head of Charolais. One of the ranch hands was giving him his first lesson in bovine logic—the nature of cow paths. “They always walk in a straight line, Bridges. They follow the leader. Take a lesson from that.”
The girl Morrison had chosen carpentry. She was out in the field with the veteran gray levels, raising an A-frame for a new barn.
A hundred yards farther down, Mallory Zedman stood inside the split-rail fence of the pasture. She stroked her bristle brush over the bay mare's coat the way Joey Allbritton showed her, careful to avoid the gunshot wound in the withers that had felled the animal seven days ago in the cornfield.
Hunter motioned for Joey to come over.
Hunter told Chadwick, “I'll leave you all to it. Joey and I need to talk some horse-trading.”
Hunter circled an arm around Joey's shoulders and led him out of earshot, down toward the granite cliffs overlooking the river.
Chadwick and Olsen approached Mallory, who had stopped her work and was standing at attention. She had that determined, dogged look that characterized Gray Level—the look of a small child tying a shoe, or a grown-up putting together an “easy-to-assemble” bookshelf. Gray Level was all about motion, working with one's hands. They didn't like standing at attention. Their byword was competence, and they quickly learned that everything was a skill to be remastered—not just their new ranch work, but eating, talking, thinking. Gray levels were constantly busy, sorting through the pieces of their old frustrations and failures, learning how to reassemble them, putting tab A into slot B.
“At ease,” Chadwick told her. “How's your equine friend doing?”
“The veterinarian says the muscles will mend in a few weeks, sir. She won't be saddle-ready for a while, though.”
The bay filly gave Chadwick a wide yellow eye, maybe remembering what had happened the last time he'd taken her out riding. She snorted—horse language for Get the hell away from me. Mallory took her reins to keep her from shying off.
Then, as if the sun were in her eyes, Mallory took a reluctant glance at Olsen. “How are you?”
“I'll live, kiddo. Thanks to you.”
Mallory blushed. She ran her bristle brush over the horse's glossy hide, which twitched as if anticipating another gunshot.
By Hunter's order, no one was allowed to talk about the incident that made Mallory a hero, no one was allowed to make her feel different than any other gray level, but they all did anyway. Even new black levels had heard about Mallory Zedman, how she had stopped a killer with her hunting knife, saved her counselor's life. Her heroism had impressed the locals, had played briefly on national news at the culmination of what the media liked to call the Laurel Heights Affair. In one of those bizarre twists of fate that had built Hunter's empire, a potential PR nightmare had turned into a huge boon for business. AM radio talk shows touted Mallory as the product of a successful program—from a drug-addicted rebel who attacked her own mother to a self-reliant young woman who defended herself and saved two lives. Admissions calls were up fifteen percent. Offers to Dr. Hunter for television appearances and how-to-parent book contracts were rolling in. Even Chadwick found it rather frightening.
“I came to tell you goodbye,” Olsen told Mallory.
Mallory picked a horse hair out of her brush. “Yeah. I figured.”
“I'm going back to escorting. It's best you have a counselor who's not . . . involved in what happened. You understand?”
“You got what you needed from me. Now you're moving on.”
“It isn't like that. You're my friend. I'll never move on. It's just . . . we're a little too close to each other, Mallory. You've got to step away from the mirror a little if you want to see anything.”
Olsen held out her hand. Mallory hesitated, then took it.
When she released her grip, Olsen looked at Chadwick, ready to go.
If he was going to say something, now was the time. He had gone over the possibilities for days, rehearsing what he might say. But now, with Mallory in front of him, the words evaporated.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)