Cold Springs(10)
Norma had wanted to hug Ann. It was a vote of confidence not just for Katherine, but for Norma, too. It was somebody saying, “Yes, I understand you gave up your entire life to be a mother, and I do not think you failed.”
Norma waited for Ann to say something.
The hands of her watch glowed half past midnight. They really should have been home by now.
“Oh, I give up,” John said. “This guy is too tough.”
He punched Chadwick in the gut, and came over to the play structure, grinning. “Spread that quilt, girls. Let's picnic.”
“Not a chance, hijo,” Norma told him. “It's warm. It's also seventy-five hundred dollars worth of artwork.”
“Tax deductible,” John said.
“You're not putting your butt on it, John Zedman.”
He laughed, scooped up his champagne bottle.
Chadwick stood off to one side, looking up at the murky orange soup of the sky.
Norma suddenly longed for L.A. She wanted warm nights—shorts and T-shirts, a dry Santa Ana wind. She had lived here too long, allowed her child to be raised here. It wasn't healthy. Time had passed too quickly.
She should have been a money manager by now—a banker, an accountant.
Everybody at her public school had known Norma Reyes would make it. She could breathe numbers the way most people breathed air. The first girl ever to complete AP calculus. She would go far. It was the bitterest irony that she had ended up a full-time mother in a working-class barrio, just like her mother.
But Norma was still young. Only two years, and Katherine would be off to college. Katherine would overcome her problems—Norma was confident of that. Norma took fierce pride that her daughter had inherited her talent at math. Katherine could go to MIT. Or Columbia. She could get a scholarship.
Then Norma could have her own career. She could let her marriage with Chadwick crumble, if it had to. Or perhaps, who knew? What kind of couple might they be without Katherine? They had never had the chance to find out. Maybe they would work things out after all.
“Hey, Chadwick,” John said. “What—you lose something up there?”
And when Chadwick looked down, straight at her, Norma knew it was coming. She knew him well enough to know he was planning a confession.
Well, all right, she thought. We need a good fight. For once, maybe—a true knock-down-drag-out. Maybe the game of chicken ends here.
And then the door at the top of the stairs burst open, and Gladys, Ann's secretary, came running down from the office, her dress shoes clacking against wooden steps, her breath smoking.
“There's a call,” she gasped, stopping halfway down, shouting to them. “Oh, God. The police are asking for you.”
At ten-thirty, Katherine put Mallory in front of the television, settled her into her father's recliner. Mallory was so small she looked like a stuffed animal in the midst of all the black leather. Katherine rummaged for a good video—something from the war chest of her childhood—and settled on The Little Mermaid. It was a bootleg video, something her dad had taped for her, knowing that the official VHS version wouldn't be out for years. She'd loved the movie when it first came out, even though she'd been twelve going on thirteen—a little too old to admit she liked cartoons. Her dad had told her the story many times when she was young, but she liked the Disney version even better, because it had a happy ending. She figured that's why her dad had gone to such trouble to get her a copy—it was the last thing she'd ever enjoyed as a kid, the last happy ending that had ever appealed to her.
She put it in the machine, waited for the intro music to start.
“I don't like that one,” Mallory complained.
“This is a good one, sweetie. I love this one.”
“Could we play a game? I like it when we play games.”
“Maybe later.” Katherine tried to keep the smile in place. It's paint, she told herself. Spread it a little thicker, hold it in place, give it time to dry. “I'm going to lie down for a little bit. Okay?”
“You're getting sicker?”
“Just a little tired. I'll be fine.”
“Can I come, too?”
The plea tightened across Katherine's chest like a seatbelt. She felt the urge she'd been feeling for several weeks now—to shed her possessions, to let Mallory know she loved her.
“Here, sweetie.” She unclasped her birthday necklace, poured the chain into Mallory's hands. “This is a present, okay?”
“That's yours. It's your favorite.”
“Hold it for me. I want you to, Mal. I love you.”
“I love you too, Kaferine.”
“That's good. Now watch television for a while.”
Katherine closed her bedroom door, then went into her bathroom. She opened the brown paper bag. She took out the spoon, the rubber tube, the lighter, the needle. She was surprised by the color of the heroin—almost white this time, like baby powder. Her fingers were cold as she worked, but she knew how. She'd been taught by an expert—deft hands, without fear, taking her wrist, tapping the inside of her forearm for a vein. Just like a nurse. Better than a nurse. Oh God, Samuel. She would miss him.
Katherine shot up and immediately shuddered. This was better. This let her feel the sadness and the happiness at the same time. Her dad was never coming home. They wouldn't have any more arguments. Her mom would never yell again.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)