Bone Crossed (Mercy Thompson #4)(42)

I showed him the old bare copper electrical wires, no longer in use but still present, and the quarry marks on the granite stone blocks used to wall in the basement. We checked out the basement ceiling below the kitchen and dining room. Since I didn't know exactly what had been happening in the kitchen and dining room, I didn't know what to look for. But it stood to reason that it would have been put in shortly before the haunting started - which was just a few months ago. Everything in that part of the basement looked as though it was older than I was.

The next two floors weren't nearly as interesting as the basement - no black widows. Someone had thoroughly modernized them and left not so much as a trace of an old servants' stairway or dumb-waiter.

The woodwork was nice, but pine rather than hardwood - the craftsmanship good but not extraordinary. The house had been built by someone of the upper middle class, I judged, and not by one of the truly wealthy. My trailer had been built for the truly poor, so I was a good judge of such things.

The ghost hadn't been to Chad's room since last night - everything was neatly in place. As Corban had said, there were no signs of wires or strings or anything that could have made the car shoot across the room. I supposed it could have been done with magic - I didn't know a lot about magic. But I hadn't felt any, and I usually can tell if someone's using magic near me.

I looked at Chad. "Unless we find something really odd in the floor above your room, I'm pretty convinced this is the real deal."

In my room, my brush was on the floor, but I couldn't swear I hadn't left it there. Under Chad's gimlet eye, I made my bed and stuffed the clothes I'd scattered all over the floor into my suitcase.

"The real problem is," I told him as I tidied my mess and he sat on the bed, "that I don't know how to get the ghost to leave you alone. I can see it better than you, I think - you didn't see anything yesterday except the things moving around?"

He shook his head.

"I did. Nothing clear, but I could see it. But I don't know how to make it go away. It's not a repeater - a ghost that just repeats certain actions over and over. There's intelligence behind what it does - " I had to say it twice for him to get it all.

When he did, Chad's face twisted in a snarl, and he hissed.

I nodded. "It's angry. Maybe if we can figure out what it's angry about, we can - "

Something made a huge crashing noise. My reaction must have given it away because Chad stood up and touched my shoulder.

"Something downstairs," I told him.

We found it in the kitchen. The fridge hung open and the wall opposite it was dented and smeared with a wet and sticky substance that was probably orange juice. A container of it lay open on the floor along with half a dozen bottles of various condiments. The faucet was on full force. The sink was stoppered and rapidly filling with hot water.

While Chad turned the water off, I looked around the room. When Chad touched my arm, I shook my head. "I don't see it."

Heaving a sigh, I started cleanup. I seemed to be doing that a lot here. I scrubbed the wall, and Chad mopped the floor. There was nothing I could do about the dents in the wall - and looking at them, I thought maybe some of them were old.

Once everything was as good as it would get, I fixed sandwiches and chips for lunch. Thus fortified, we continued our explorations by going up to the attic.

There were actually two attics. The one above Chad's room was accessible by a narrow stairway hidden in a hall closet (maybe the last remnant of a servants' stair). I half expected dust and storage boxes, but the attic held only a modern office with a professional-looking computer set up on a cherry desk. There were skylights for an open, airy feeling to offset the walls of cherry barrister's book-cases weighed down by leather-bound legal tomes. The only whimsical feature was a lacy pillow on the narrow window seat in front of the only window.

"You said there was another one?" I asked, standing on the stairs because entering the room seemed intrusive.

Chad led the way to the other side of the second floor and into his parent's bedroom. I wondered why the office had been personalized and charming while the bedroom suite, professionally decorated until it would have been as equally comfortable in a department store as it was in the old house, was impersonal and cold.

Inside the walk-in closet, there was a large rectangular door in the ceiling. We had to get a chair and pull it under the door before I could reach the latched hand pull, but the door turned out to be a folding staircase. Once we pulled the chair away, the stairs dropped all the way to the floor.

Flashlights in hand, we intrepid explorers climbed into the attic more suited to a house like this than the previous one had been. Structurally, it was the mirror image of the office minus the skylights and gorgeous view. Light battled through the coating of white paint that covered the only window, flickering on the motes of dust we had disturbed with our presence.

Four old steamer trunks were lined up against the wall next to a pedal sewing machine with SINGER scrawled in elaborate gold lettering over the scratched wooden side of the cabinet. There were more empty milk crates here, but in the attic, at least, someone had found a way to keep the spiders out. I didn't see any creepy-crawlies at all. Or even very much dust. Trust Amber to dust her attic.

The trunks were locked. But the look of disappointment on Chad's face had me digging out my pocketknife. A little wiggling, a little jiggling with the otherwise-useless toothpick, and the slimmest of the blades had the first trunk open before you could sing three verses of "Ninety-nine Bottles of Beer." I know because I hum when I pick locks - it's a bad habit. Since I have no desire to become a professional thief, though, I haven't bothered to try to break myself of it.