Big Red Tequila (Tres Navarre #1)(82)
"Maybe he wouldn’t have," I said.
“For a woman," Garrett repeated. “You know, I guess I always had one consolation, that he might’ve been a bastard and he might’ve screwed up his family, but at least he was honest about doing his job. He was the guy in the f**king white hat. Never mind."
I shifted uncomfortably in my seat. “Maybe he meant ; to make it public."
"Maybe he died for it anyway, little bro."
There wasn’t much I could say to that. We cranked up the Buffett a little louder and rode into the smell of sulfur springs that always marked the southern entrance of either hell or San Antonio.
Gary Hales was standing in the front yard of Number 90, watering the sidewalk with a garden hose. He watched without expression as Garrett’s van pulled up in front and I hopped out of Ms. Miranda’s air-brushed blouse on the passenger’s side. Garrett’s horn honked to the tune of “Coconut Telegraph? Then the mound of plastic pineapples and bananas shuddered as he put the van into first gear and lurched off toward Broadway. It didn’t seem to wake up Gary much at all. When I walked up he raised his finger listlessly, as if he wanted to say something. After waiting for a few seconds I remembered it was August 2.
“The rent?" I said.
“That’d be fine," said Gary.
He shuffled a few steps behind me as we went into the in-law. If Mr. Hales had been harboring any last hopes that I was indeed an honest and upstanding young man, I managed to shoot them right to hell when I handed him a wad of fifty-dollar bills from my kitchen drawer.
"No checking account yet," I explained.
“Huh," Gary said.
He peeked over the kitchen counter at the drawer, which was now closed. He looked disappointed. Maybe he was expecting some assault weapons.
Then the phone rang.
“Been ringing nigh on thirty minutes now," Gary said. “I reckon I’d answer that."
Gary waited. The phone rang. I reminded Gary where the front door was. Then when I’d herded him out I picked up the receiver.
"Jesus, Navarre, where in Christ’s name have you been?"
“Carlon," I said.
Behind him I could hear glasses clinking, Motown music, the sounds of a bar.
"All right, Navarre. I agreed to twenty-four hours, not forty-eight. You put me off last night, man, and two hours later Karnau gets whacked. Dead bodies cancel our deal."
My stomach twisted. "Carlon, if you’ve printed something—"
“Shit, man. This is getting unfunny. ‘Help’ does not include doing time as an accessory to murder."
“So you haven’t gone to press with this?"
He laughed without much humor. “What I’ve done is put in some footwork for your sorry ass. So you want to know where Dan Sheff, Jr., is right now, getting himself schnockered on Lone Star, or you want me to go ahead and start the interview without you?"
"Where are you?"
“Some private dick, Navarre. You have a little patience, you do little stakeout time—"
"Where the hell are you?"
"Little Hipp’s."
“I’ll be there in ten minutes."
"Better make it five. I got some serious questions to ask the man and I might just—"
I was out the door before he finished the sentence, hoping that in five minutes I wouldn’t have a good reason to break Carlon’s face.
52
Little Hipp’s wasn’t so much a San Antonio landmark as it was a surrogate landmark. When L. D. Hipp’s original Bubble Room got demolished to make room for hospital parking spaces back in 1980, L.D.’s son opened Little Hipp’s across the street and inherited most of the Hipp’s menu and paraphernalia. Despite the fact that the orange aluminum exterior made the bar and grille look like a drive-thru beer barn, the inside was faithful to the Bubble Room—multicolored bubbling Christmas lights, licenses plates, tinsel and neon, netted beach balls, and 195Os Pearl ads hanging from the ceiling. Major league tacky. You could get Hank Williams or Otis Redding on the jukebox, Shiner or Lone Star “gimmedraws" for pocket change, and shypoke eggs—round nachos with Monterey jack whites and longhorn yokes, the jalapenos hidden underneath. The whole place was maybe sixty feet square.
The after-dinner crowd was sparse, mostly off-duty medical workers and a few assorted white collars. I spotted Carlon McAffrey at a table by the barber’s chair. He was dressed in what he probably thought was camouflage—dark glasses, khaki shirt and slacks, and a tie with only three colors. As I started over, he shook his head, then pointed at the bar.
Dan Sheff occupied one of the three stools. He was hunched over a line of empty Lone Star bottles, ignoring the bartender’s attempts at conversation. Dan’s custom-made business suit was rumpled and one of his hand-stitched shoes was untied. He looked like he’d slept in his car last night.
A tai chi principle: If you don’t want someone to run away from you, run away from them first. Become yin to make them become yang. I’m not sure why it works, but almost always they’ll follow you like air filling a vacuum.
I walked up to Dan and said: "I’ll be over there."
Then I retreated to a corner booth on the other side of the room from Carlon and ordered a Shiner Bock. I didn’t look at the bar. One hundred twenty-two seconds later Dan slid onto the bench across from me.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)