Big Red Tequila (Tres Navarre #1)(74)
“Do they ever collide?" Maia shouted at me over the crowd.
"Only when the operators are bored, which is most of the time."
Occasionally people fell in too. My father used to keep a record of how many drunk tourists he’d personally fished out of the river working the Fiesta duty. I think he stopped counting at around twenty-three. I was surprised how many of the older restaurants had closed. The Union jack umbrellas of Kangaroo Court were still up. Jim Cullum’s Happy jazz Band was still swinging at the Landing like the 1920s had never ended. But almost everything else had changed. We settled for a riverside table and a mediocre plate of nachos at a place simply called La Casa. I should’ve guessed we were in trouble when I saw the name. I knew it for sure when I asked for Herradura Anejo and our waiter told me they didn’t carry that kind of beer. Fortunately the people watching was better than the food.
A group of blue-haired women in evening dresses and summer minks went past, trying very hard to look glamorous while the sweat was trickling down their necks. A family of Goodyear blimps stopped long enough to stare jealously at our nachos. Two nuns in full black regalia and fluted hats ran by, screaming in German, followed closely by a group of very drunk and very na**d pinheads, followed closely by the SAPD beat patrol. The crowd opened and closed around the chase. A few people laughed. Then more drinks were ordered and life went on.
"Is it like this every night?" Maia asked, clearly impressed.
"Saturdays it usually picks up."
"I should hope so."
Before it was full dark we headed back toward the white tower of the Hilton Palacio del Rio. Ten stories of balconies looked out over the water, most of them lit up and overflowing with partying college kids. The main bar at river level was doing a brisk business tonight despite the entertainment, three scruffy musicians falling asleep into their microphones over a very slow rendition of "Amie."
When we got to lobby level I’d been planning to bribe the concierge anyway. It was just a bonus that I found an old high school chum behind the desk. Mickey Williams took one look at me and gave me the warm greeting I’d been expecting.
"What the f**k are you doing here?" he said.
Mickey was the closest human equivalent to the Pillsbury Doughboy I’d ever come across. He had no skin pigment to speak of, and his hair was so yellow it was almost white. He was big all over, an over-inflated kind of big, and although he looked soft, in our days at Alamo Heights I’d seen plenty of high school fullbacks bounce off Mickey’s body without leaving a mark. I’d never quite gotten up the nerve to poke him in the stomach to see if he would laugh. I had a feeling he wouldn’t.
Mickey had also dated Lillian for a brief time when we’d broken up our senior year. Until I’d stolen back her heart. Or, rather, until I’d stolen Mickey’s pickup. Lillian’s very brief flirtation with kicker dancing in general and Mickey in particular had come to an abrupt halt when they’d had to walk halfway home from the Blue Bonnet Palace in Selma.
"Mickey," I replied, grinning.
He looked at me suspiciously. His pasty face flushed red. Then he tried his line again: "What the f**k are you doing here?"
"Came to see you, old buddy."
He looked behind him. Probably he was checking for the hidden camera.
"Go away," he said. "I like my job."
"Come on," I said, "that was a long time ago."
"I didn’t work for a f**king year after that time at Maggie’s."
Maia smiled, not having a clue what we were talking about. I shrugged as innocently as I could.
"How should I know Ms. Pacman could pick up so much momentum going down one flight of stairs?"
Mickey appealed to Maia. "Fucker destroyed three booths and nearly killed the general manager."
"I didn’t make you push it."
" ‘Just tip this up while I look for my quarter,’ " he quoted.
I shrugged and took out two fifties. I put them on his desk.
"I’ll get out of your way as soon as you tell me which room Mr. Karnau’s in tonight."
Mickey stared. I smiled and set down another two fifties. Mickey looked down very briefly. "You want the keys too?" he said.
46
"Karnau," said Mickey. "Room 450. Books that suite every weekend, pays in cash."
He slapped the keys into my hand. "And, Tres, you f**k with me—"
I smiled. "Would I do that?"
"Shit." Mickey shook his head like his job was as good as lost.
We watched the door to 450 from the service closet at the end of the hall. The door stayed put. The freshly vacuumed maroon rug in the hall outside was devoid of footprints.
Then somewhere around the corner at the end of the hall another door opened and closed. The man who walked across the hall and into the stairwell was wearing jeans and a striped Baja shirt with the hood pulled up. He was moving briskly.
Maia and I exchanged looks.
“A suite," she said.
"451," I said.
We raced each other down the hall. Maia’s gun was out by the time she stopped at the door. I threw her the keys and pushed into the stairwell, not even sure who I was following.
From the echoes he was about two floors below me, going just fast enough to get the hell out without someone thinking he might be running. I’ll say one thing for my worn-down deck shoes—they’re quiet. I managed to follow him down without giving him reason to speed up. When the blue-striped Baja exited on the Riverwalk level, I was only twenty feet above him. I came out into a service hallway and dodged a fat tourist in a sombrero. I almost knocked a margarita pitcher out of the waitress’s hand as I ran into the bar. The comatose folk trio was now doing the funeral dirge version of Cat Stevens’s greatest hits. Baja Man still had his hood up. He was navigating through the patio
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)