Big Red Tequila (Tres Navarre #1)(39)


Even Mrs. Cambridge had trouble making it sound genuine. "They’ve been very sweet."

For several minutes we were quiet, holding each other’s hands. Her birds chartered. Then she closed her eyes and began to rock, humming a song I couldn’t discern.

When she looked at me again, she seemed to have a secret thought. Smiling weakly, she rose from the couch and went over to the grandfather clock in the corner. From the bottom of the pendulum closet she extracted a Joske’s shoe box tied with an ancient ribbon. She brought the box back, setting it on my lap. She removed the lid, then held up a yellowed photograph printed on the thick paper they used in the 1940s. It was black and white but had been lovingly hand-tinted, like the kind of photos Lillian did.

A rakish-looking pilot stared out at me, young and confident. On the back of the photo, in faded blue ink, it said Angie Gardiner + Billy Terrel. Vaguely, I remembered Lillian telling me about this man. It had always seemed to me, though, that Lillian considered Terrel almost a myth, someone her mother had made up.

"My first husband, " Mrs. Cambridge said. When she looked at me then, I could see the multiple colors in her irises, like Lillian’s, and in her smile that vaguest hint of mischief that Lillian mixed so well with love. It was hard to look at.

"Lillian’s father doesn’t like me to keep these things around. He discourages me from talking about it."

Then she added, like a well-worn litany: "Ezekiel’s a good man. "

"Mrs. Cambridge," I said, "Lillian’ may be in a lot of trouble. I’m not sure how much the police can help."

She looked at the picture of Billy Terrel. "Lillian couldn’t understand when you left. She’d never lost someone like that before. Then so many years later, to have a second chance, like it was all a mistake . . ."

I didn’t know what else to do. I bent over and kissed her cheek, very lightly. Then I knew it was time to go.

"I’ll find her, Mrs. Cambridge," I said at the door. I don’t think she heard me. Before I could turn away, I saw her hugging that old shoe box, trying to smile and humming along with the bright and senseless chatter of a dozen parakeets.

Then I went out to the car to tell Carl Wiglesworth what was really wrong with the world.

25

I was just making Robert Johnson’s usual Friskies taco lunch when Larry Drapiewski called from the Sheriff’s Department.

"I’m pretty sure I don’t want to tell you this," he said. "Beau Karnau had a restraining order issued against him last year—to stay away from Lillian Cambridge."

I put down the heated flour tortilla and spooned the chicken Friskies over it. Normally I would’ve sprinkled cheese on top, but we were out. Then I did my best to convince Robert Johnson that his food dish really was full. I shook it. He stared at me. I pretended to sprinkle cheese. He stared at me.

"You get that, son?" Larry said.

"Unfortunately, I got it."

"The way one of the reporting officers remembers it, Karnau kept showing up at Miss Cambridge’s house drunk, yelling at her, threatening her. He would go on about how she owed him big and couldn’t leave the business. Broke a window once. Never actually struck er."

I stared out the unhinged kitchen window. "What about since last year?"

"The order was rescinded at Miss Cambridge’s request in December. No further complaints. Could be old history. There was never any—"

"Okay, Larry. Thanks."

I could hear him tapping his pencil. "Damn it, son—"

"You’re going to tell me not to jump to conclusions. Not to fly off the handle."

"Something like that."

“Thanks, Larry."

I hung up.

Robert Johnson was chewing on my ankle. I shook my fist at him. Clearly unimpressed, he started to bury his Friskies taco under the kitchen rug.

When I called Carlon McAffrey at the Express-News he sounded like he was in the middle of an especially noisy sandwich. I asked if he’d heard anything interesting lately.

Carlon belched. "Like what kind of ‘anything’?"

"You tell me."

"Jesus, Tres, I’ll show you mine if you show me yours. What the f**k are you talking about?"

I took that as a no. "Okay. How about the name Beau Karnau?"

Carlon covered the phone and shouted to somebody behind him. After a minute, without reducing the volume, he shouted back into the phone. "Yeah. Karnau’s got a photography opening Saturday, Blue Star, some cowboy shit. Why, should I be there?"

“Please no," I said. I could hear Carlon clacking the address and time into his computer calendar.

"Come on, Navarre," he said. He was trying for the "old buddy" treatment now, the syrup in the voice. "Give me something I can use. I’ve been talking with some people about Guy White, working up that angle on your dad’s murder. You thought any more about it?"

"I haven’t been thinking in terms of things you can use, Carlon."

"Hey, all I’m saying is we could help each other out. You come up with something that sells copies, I’ll see about getting you compensated for the exclusive."

“You’ve got the sensitivity of a rottweiler, McAffrey."

He laughed. "But I’m a hell of a lot better-looking."

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